Yang Ik-june

Um detetive dedicado investiga a maior organização de tráfico de drogas da Ásia enquanto tenta encontrar o líder da operação com quem tem assuntos pendentes.

Currently, Sunwoo and Ikjune are lovers and co-directors of a movie. The film starts with a landscape shot at dawn. Ikjune is smoking a cigarette from the veranda of his house, looking at the village across the street. In the bedroom, Sunwoo is lying on Ikjune's bed with her eyes open. Next to them are the same movie scenarios. You can predict what they are thinking by looking at their faces. Production is half-way and the two are having a long conversation about what to shoot today as they are headed to the set. At the set, they are talking with the actors and giving acting directions. In the process, Sunwoo and Ikjune experience various feelings about love, either individually or together.

Currently, Sunwoo and Ikjune are lovers and co-directors of a movie. The film starts with a landscape shot at dawn. Ikjune is smoking a cigarette from the veranda of his house, looking at the village across the street. In the bedroom, Sunwoo is lying on Ikjune's bed with her eyes open. Next to them are the same movie scenarios. You can predict what they are thinking by looking at their faces. Production is half-way and the two are having a long conversation about what to shoot today as they are headed to the set. At the set, they are talking with the actors and giving acting directions. In the process, Sunwoo and Ikjune experience various feelings about love, either individually or together.

When the police refuse to investigate their daughter’s alleged suicide, two computer-illiterate parents decide to design a protest banner. Based on the infamous Miryang case in South Korea which shocked the nation in 2004 and continues to fuel public outrage even today.

Min-joon is resting with his eyes closed on the bench. At that time, Woo-yeon begin to tell Min-joon worries about her acting, and Min-joon sincerely listens to them. After a while, all friends are gathered in the park, from Si-ho to Soo-young... They've been talking about youth and worries

Min-joon is resting with his eyes closed on the bench. At that time, Woo-yeon begin to tell Min-joon worries about her acting, and Min-joon sincerely listens to them. After a while, all friends are gathered in the park, from Si-ho to Soo-young... They've been talking about youth and worries

Set in the near future around Shinjuku, Tokyo. Shinji got out from a youth detention center. Barikan suffers from stuttering and extreme shyness. These two men meet in a boxing gym. Shinji and Barikan become friends and pursue boxing under a hopeless situation.

Set in the near future around Shinjuku, Tokyo. Shinji got out from a youth detention center. Barikan suffers from stuttering and extreme shyness. These two men meet in a boxing gym. Shinji and Barikan become friends and pursue boxing under a hopeless situation.

Hyun Taek Ki é um poeta de 40 anos. Ele não tem muito talento para escrever poesia e não ganha dinheiro. Sua contagem de espermatozóides também é baixa. A esposa dele reclama muito, mas ela se preocupa com ele. Hyun Taek Ki só se importa com a sua poesia e sua esposa quer muito um bebê. Um dia, um adolescente aparece na frente dele. Taek Ki sente algo que nunca sentiu antes.

They’re losers, but nice ones. Every day they sit at Yeri’s bar, smitten by the young Chinese-Korean woman. Yeri doesn’t have a preference. To her, they are equally sweet: Jongbin, a milk-drinking epileptic, Ikjune, a former petty criminal, and the introverted Jungbum, who fled from North Korea.

Já na terceira idade, Gye-chun trabalha como mergulhadora na ilha coreana de Jeju, onde vive tranquilamente com sua neta, Hye-ji. Um dia Gye-chun se distrai ao fazer compras e sua neta desaparece sem deixar vestígios. Doze anos se passam até que Hye-ji reaparece, para enorme felicidade da avó, porém a jovem demonstra agora um comportamento arredio e rebelde, decorrente de uma vida difícil nas ruas.

At a car accident site, Ji-Noo (Ryoo Seung-Bum), Na-Mi (Koh Joon-Hee), Jung-Sook (Ryoo Hyoun-Kyoung) and Yakuboo (Samuel Okyere) find a bag filled with money. They become involved in a dangerous case.

The seventeen year old 'Yeong-jae' was safely sent away to the group home 'Isaac's house'. He is old enough to leave now, but doesn't want to go back home to his irresponsible father.

Football seen through the eyes of some of the best directors of the world.

A convict returns to his home town to torturing again his family and face his neighbors trying to destroy the local religious fanatics and their plans to keep money from the village people.

Katsuya Maruyama (Hiraoka Takuma) is a middle school student boy full of obscene thoughts. He then meets Tatsuo Shimoi (Tsuyoshi Kusanagi), a single father who moves into the same apartment complex. Tatsuo Shimoi is a bit of an enigma: he doesn't get along with the housewives in the apartment complex and doesn't appear to work. Through his encounter with the mysterious single father, Katsuya grows as a person.

Shibata and Nagao meet and talk. Stories about the seasons, stories about the people who have who live their. And their story ends with one end.

Shibata and Nagao meet and talk. Stories about the seasons, stories about the people who have who live their. And their story ends with one end.

From the late 1950s through the '70s, more than 90,000 of the ethnic Koreans in Japan emigrated to North Korea, a country that promised them affluence, justice, and an end to discrimination. KAZOKU NO KUNI tells the story of one of their number, who returns for just a short period. For the first time in 25 years, Sonho is reunited with his family in Tokyo after being allowed to undergo an operation there. Sonho’s younger sister Rie is at the centre of the film, and is not hard to recognise as the director’s alter-ego. In her documentaries DEAR PYONGYANG and SONA, THE OTHER MYSELF, Yang Yonghi told the story of her own life, and how, at age six, she experienced the departure of her three older brothers, who left their family for Pyongyang.

Dwaejiui Wang começa com a imagem de uma mulher morta na cozinha, e seu marido, Kyung-min, tomando banho claramente perturbado pelo que fez. Em seguida, ele liga para seu antigo colega de classe, Jong Suk, após 15 anos sem contato e marcam um encontro. A história é feita em flashbacks, conforme o que está sendo dito pela dupla, relembrando os tempos conturbados que passaram sofrendo bullying. Jong Suk, por sua vez, é um homem de expressão sempre fechada. Sua primeira aparição é levando bronca de seu chefe por não conseguir expressar emoções em seus textos como escritor-fantasma. Em seguida, pouco antes da ligação de seu amigo, ele vai para casa e espanca a esposa aos gritos, exibindo uma instabilidade assustadora. E então percebemos que estas figuras violentas protagonizarão a história, embora não estejam nem perto de ser o ponto mais cruel dela.

Jin-cheol wakes up in the morning to find a stranger in bed with him. To make matters worse, she is in high school! What will happen to the two? Will they fall in love?

Jin-cheol wakes up in the morning to find a stranger in bed with him. To make matters worse, she is in high school! What will happen to the two? Will they fall in love?

Jin-cheol wakes up in the morning to find a stranger in bed with him. To make matters worse, she is in high school! What will happen to the two? Will they fall in love?

Moon, a middle aged woman who works at a mart while raising a high school daughter alone. Moon had come to Lake Sanjeong with her crush on a picnic last fall, but now she visits the area alone. Jin-cheol wakes up in the morning to find a stranger in bed with him. To make matters worse, she is in high school! What will happen to the two? Will they fall in love?

Moon, a middle aged woman who works at a mart while raising a high school daughter alone. Moon had come to Lake Sanjeong with her crush on a picnic last fall, but now she visits the area alone. Jin-cheol wakes up in the morning to find a stranger in bed with him. To make matters worse, she is in high school! What will happen to the two? Will they fall in love?

A dreamlike drama produced by and starring Sugino Kiki, a rising star in the independent film world. Two women who meet on a mysterious resort island become captivated by its allure and venture into an ethereal realm. It is the second feature directed by Malaysian filmmaker Lim Kah Wai. Japanese Kiki (Sugino) and South Korean Kkobbi (Kim Kkobbi) arrive on Hong Kong's Lantau Island. They have both rented rooms at a hotel near the Mui Wo forest, but when they enter the lobby, the only other person around is a bellboy.

With a body and voice that’s easy on the eyes and ears, popular music critic Sung-hee announces his plans for divorce on live radio without informing his wife. He takes off to a seaside town with long-time friend Dong-min but when his wife doesn’t answer his call, he rushes back home. He arrives only to be greeted with a letter and his wife is nowhere to be found. Sung-hee wanted to divorce his wife in style but his wife jumped the gun and left him a day early. With his pride in shambles, he decides to go on a search for his wife. To his bitter surprise, he discovers sides of his wife that he never knew about including a supposed brother of hers.

O bandido Hong-Soon conhece a estudante Han Yeon-Heui, que finge ser de boa família, mas na verdade é vítima de seu pai e de seu irmão. Ambos têm problemas com o passado e com a violenta realidade do presente.

O bandido Hong-Soon conhece a estudante Han Yeon-Heui, que finge ser de boa família, mas na verdade é vítima de seu pai e de seu irmão. Ambos têm problemas com o passado e com a violenta realidade do presente.

O bandido Hong-Soon conhece a estudante Han Yeon-Heui, que finge ser de boa família, mas na verdade é vítima de seu pai e de seu irmão. Ambos têm problemas com o passado e com a violenta realidade do presente.

O bandido Hong-Soon conhece a estudante Han Yeon-Heui, que finge ser de boa família, mas na verdade é vítima de seu pai e de seu irmão. Ambos têm problemas com o passado e com a violenta realidade do presente.

Unique sensibility of independent film being ' Triple Treats ' omnibus melodrama tied a piece of 11 short films director .

One idle summer night, three poor housemates, Jae-ho, Kyeong-soon, and Hong-chan order fried chicken with the money from the shattered piggy bank. When the food arrives, it is delivered by a large swine. A giant chicken soon follows, begging the 3 housemates that his fried chick is not to be eaten.

An unhappy woman in her 50s is knocked up by her daughter's boyfriend after a one night stand. With the neighborhood in shock and her family up in arms, the woman begins to realize that she's actually found the love she's been pining for in the arms of the young man.

Ju-eyon and Seong-tae have been best friends ever since they first met each other 10 years ago. But in one night their 10 year friendship comes crashing to the ground after they sleep together. The comfort and security of marriage is a siren call, and the two decide to forego their ideals to spend their first day as man and wife. However, their perfect lover soon appears right in front of them: A sexy editor appears to seduce Seong-tae and an advertising director appears to tempt Ju-yeon. With a single smile they turn the newlyweds dream into a nightmare. Even after only a few days, they soon find themselves faced with the worst choice of their lives as they struggle to reach happiness.

Yujeong is suicidal, yet she reluctantly goes to prison for volunteer work. There, she meets a prisoner who is waiting for death penalty. The two quickly fall in love despite their differences, yet they do not have much time.

Desperate to discover who framed him for murder, criminal Su-hyun escapes from police custody and crosses path with cop Sung-woo. After realizing they have a mutual enemy, the two form an unlikely alliance and together go looking for payback.

Sang-hwan é um polícia de rua inexperiente e honesto, mas muito desengonçado. Um verdadeiro panaca que deixa seus colegas envergonhados. Ao perseguir um marginal ele se depara com Eui-jin, hábil lutadora das artes marciais e pupila de um grupo de velhos conhecidos como os Sete Mestres, que querem treinar Sang-hwan para que ele se transforme num Arahan, ou seja, aquele que chega num estado de iluminação em que não há mais nada o que aprender. Aos poucos o anti-herói vai revelando habilidades que ele desconhecia. Bater sem dó, forçando o inimigo a jogar a toalha será uma de suas especialidades. Serão Sang-hwan e Eui-jin imbatíveis?

When Joong-Pil, the biggest bully in his high-school by far finds himself harboring feelings for a classmate, his entire identity is thrown off balance. Suddenly his smoking, his drinking, his constant swearing and his habit of pushing underclassmen into walls don't seem like good habits anymore. Without his nastiness, who is he? He might just like this girl enough to find out, if he can figure out how.