Maryline Even

Uma família de classe média que vive em Calais foca em seus interesses pessoais enquanto as condições nos campos de refugiados a poucas milhas de sua casa são sombrias.

Paris, 1943. As irmãs Laura (Natalie Portman) e Kate Barlow (Lily-Rose Depp) realizam uma série de apresentações onde se comunicam com os mortos. Fascinado com a possibilidade, o produtor francês André Korben (Emmanuel Salinger) solicita uma sessão particular. Decidido a encontrar um meio de filmar seres sobrenaturais, ele apresenta o cinema às irmãs. Enquanto Laura experimenta a possibilidade de se tornar atriz, Korben realiza seguidas gravações ao lado de Kate, que possui poderes mediúnicos.

Based on a novel by Jean-Claude Izzo, this melancholic movie focuses on three sailors being the last remaining crew members on their ship which is aground in the harbor of Marseille. After the owner has sold the "Aldébaran", only the Lebanese captain Aziz, the Greek Diamantis and the Turk Nelim are stuck on the boat for a lack of prospects. Aziz doesn't want to return to his wife, Diamantis tries to find a girl he left at the age of 20 and Nelim, young and foolish, just wants to have fun...

When Anna and her family arrive at their holiday home, they find it occupied by strangers. This confrontation is just the beginning of a painful learning process.

In the nineteenth century, Adolphe, a young man of twenty four carefree years, plans to obtain favors Ellenore, a beautiful woman of thirty years, much more vulnerable. This yields to his advances and he disclaims all. But already, Adolphe loves less. Yet the idea of ​​the pain is unbearable.

After a bull is killed in a bullfight, its body parts are transported across Spain, France, Italy and Belgium. The bull's parts fall into the wide variety of people, including: an Italian actress selling the bones in a supermarket promotion, a Spanish woman who dines on its steaks, a little girl in France who imagines a world where animals are much larger than humans, and a taxidermist whose wife is simultaneously giving birth to quintuplets.

Françoise Barnier, the film's heroine, is a mother. One day, she stole something. She was in dire straits but no more so than usual. She was not in debt. She had always refused the degradation of excessive debt and charities, attempting to live in line with the rules laid down by society and the law. We follow her journey through the judicial institution. Here, two ideas of justice and law collide.

In industrial Lyon of the early '50s, a widowed bar-owner listens to radio crime serials, reads detective magazines, and grieves for her daughter, killed two years earlier in a mineshaft accident. Consumed by her loss and unwilling to face the truth, the bar-owner becomes suspicious of the grim patrons in her drab tavern, seeking someone to blame as she contemplates revenge.

What there is of a plot in this drama serves mainly as a vehicle for the exploration of character. In the story, Michel (Bernard-Pierre Donnadieu) is a recent widower. As the story opens, he and his friend Andre (Philippe Nahon) are sharing a drink on Christmas Eve. He takes a yellow scarf from a woman he knows (Laura Morante) and teasingly refuses to return it. Throughout the remainder of the film, the scarf reappears, as does the woman, until they wind up in bed together at the end of the film. Before that happens, Michel wanders around Paris, viewing the festivities with a jaundiced eye which serves to heighten the unattractiveness of those he observes. Later he has dinner with a group at Andre's house, and his poor opinion of human nature is amply supported by the events that occur then.

A true story shot in a German Impressionistic style. In France during the Nazi occupation, Dr. Petiot (Michel Serrault) offered to help Jews escape the Nazis. They would come to his house, and he would kindly give them lethal "vaccinations" for their anticipated travel to Argentina. Then he would steal everything the brought with them (in addition to their up-front payment to him) and burn their bodies in his home-made crematorium.

After the French defeat of 1870, Julia took three years to love Alexander, with whom she married for her fortune. Alas, when Julia wants to declare his love to her husband, the latter confesses to him that his passion is extinguished.

Há vinte e cinco anos, Rivetot é o motorista, assistente, técnico de som e enfermeiro de Mortez, estrela do programa de rádio "La langue au chat". Um dia, Rivetot descobre que o programa será cancelado.

Can a loving relationship of eight years go down the drain because of a single moment of carelessness? Virginie and Laurent have always treasured fidelity, but Laurent's opinions and appetites are starting to shift with the times.

Lola, a young lawyer, is raising her little boy Bolivar, and sustains his family. Diagnosed with cancer, she decides to fight against this disease as it has always done in life with strength, determination, and above all with humor. In his fight, it is supported by Ferdinand, his fiery lover and naive who is a journalist. In the hospital, treated by Prof. Tobman, deeply human doctor, she met a group of women, all living with the same bad but each following a different social environment. This group will become his new "family".

Salomé Lerner just finished writing an autobiography. She goes to a TV show called "Apostrophes", hosted by French TV showman Bernard Pivot. Pivot then imagines a film that could be created from her gripping story. A film entirely made of music because after seeing the young pianist Erik Berchot, Salomé believes seeing her long lost brother, who was a musician as well. A brother she had lost along with her parents in 1943. However, the Lerners did in fact escape the gestapo and might have based themselves in Paris...

The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.

Louis is a delivery boy, his wife Chantal is a supermarket salesgirl. Louis is bored, and decides to buy a truck and go to the Lebanon, but he has no money. He tries to rob the supermarket where Chantal works, but it goes wrong and he kills the cashier and watchman...

After a feminist is found murdered in her own home, a police detective investigates the crime with the help of several determined women.

Two men break out of prison; a rival gang ambushes them. One is mortally wounded and tells the other, Mickey, to take him to the estate of a retired robber, Noel, who lives in comfort with his lovely and beloved wife, Nicole. The man dies, and Mickey, a menacing hothead, demands money of Noel. A few days later, Mickey returns to the estate, shoots up a dinner party and threatens them again. Noel sends Nicole to an hotel and goes to his old gang to help him hunt down the dangerous Mickey. Mickey has other problems, too, including heartache for a daughter he hardly knows. Young, eager cops tail Nicole, and all are on a complicated collision course.

Na Inglaterra do século 19, a bela Tess, filha de um fazendeiro, é enviada para viver com parentes nobres. Ela é seduzida e abandonada por seu primo distante, Alec. De volta à fazenda de seu pai, ela dá à luz um bebê natimorto e enfrenta a hipocrisia da sociedade. Baseado no romance de Thomas Hardy.

Quando um canal de televisão colocou a pergunta “O que é uma mulher?,” várias cineastas responderam, incluindo Agnès Varda. Este cine-ensaio é uma possível resposta.

Baker's apprentice Chris is sacked from his job for being late. Unwilling to give up the flat that goes with the job, he and his friends resort to squatting. Liv, a Swedish girl moves in and is soon followed by Léon the car mechanic and Rosette, a girl from the bakery.