Gyula Maár

In the closed world of a Catholic monastery shortly after World War II the post-war insecurity exacerbates the walls. A new world order has arrived. The monastic life begins to break down as some of the monks start to morally decline.

In the closed world of a Catholic monastery shortly after World War II the post-war insecurity exacerbates the walls. A new world order has arrived. The monastic life begins to break down as some of the monks start to morally decline.

Live concert at Madarasi Hargita

Ede (Dezso Garas) is in his sixties, and he is full of uncertainty about how he and his wife Kati (Mari Torocsik) will fare in the new post-communist regime in Hungary. At least before, he had some idea what he needed to do to get by, and even if he never made much money with his myriad schemes, they got by. Kati has got a real bug in her ear about their livelihood, and is hounding him to get into the spirit of the new system. This is troubling enough for the old gent, but when he runs into an old mistress (Kati Lazar) and discovers that he has a grown son he has never met or knew about, his life becomes even more confusing. His slimy ex big-shot brother-in-law (Istvan Avar) is a major player in the new entrepeneurial risk-taking, and he beseiges poor Ede with advice as well. In this topical comedy, all these worrisome things, and more, come to a head at a big family celebrtion.

Kató Kelemen is asked by her father to go to his office and welcome an important business partner of his. When Mr. Andersen arrives he assumes Kató is a secretary and instructs her to deliver a letter. He's about to travel to Venice with his nephew who he has never met before. Since Kató falls in love with Andersen at first sight, she decides to dress like a boy and pretends to be the nephew.

Janos Flandera (Frigyes Funtek) is a student who is kept by an older woman in this depressing drama. When he applies to a prestigious school in Moscow, he is turned down because he is a gigolo. Not only is his scholarship request denied, he is sentenced to a year in prison at hard labor. Janos abandons the jealous older woman who helped deny his entrance to the school. Punished after defending a political prisoner, Janos takes solace in love affairs, but his union with the crippled daughter of a prominent political official puts his life in danger.

Divided into two different halves separated by mood and subject matter, this is an uneven drama about the experience of one Hungarian Jew before and during the fascist takeover of Budapest. The hero Pali (Zoltan Bezeredi) arrives back in Budapest from the U.S. and meanders among the intellectual and social elite before he leaves for a brief stay in England. There he has an even briefer affair with a happy-go-lucky aspiring actress (Anna Kubik), and after a few other encounters with movie mavens, he heads back to Budapest -- quite inexplicably. The rest of the film deteriorates into a dark realm of hatred and violence.

Divided into two different halves separated by mood and subject matter, this is an uneven drama about the experience of one Hungarian Jew before and during the fascist takeover of Budapest. The hero Pali (Zoltan Bezeredi) arrives back in Budapest from the U.S. and meanders among the intellectual and social elite before he leaves for a brief stay in England. There he has an even briefer affair with a happy-go-lucky aspiring actress (Anna Kubik), and after a few other encounters with movie mavens, he heads back to Budapest -- quite inexplicably. The rest of the film deteriorates into a dark realm of hatred and violence.

A Hungarian TV version of the play shot in just two takes.

The main character of the story which takes place in the twenties in Budapest is the poet Dr. Rácz György, who returns after ten years of absence. In a café he meets his former friend Lajos, who has just broken up with his lover, Márta, because of the wife of professor Büchler. The transiently formed, rootless Rácz gets entangled into the sophisticated, complicated love affairs of bored or tired ladies.

The main character of the story which takes place in the twenties in Budapest is the poet Dr. Rácz György, who returns after ten years of absence. In a café he meets his former friend Lajos, who has just broken up with his lover, Márta, because of the wife of professor Büchler. The transiently formed, rootless Rácz gets entangled into the sophisticated, complicated love affairs of bored or tired ladies.

This sour and melancholic film recalls a few days of a forty-year-old woman in a crisis. Teréz is always disciplined but feels depressed and aimless after her divorce.

Dery is a grande dame actress of the Sarah Bernhardt school of big-gesture theater. Her beauty and popularity is fading, and a new school of acting which involves the use of one's own emotions (a-la Eleanora Duse) is emerging in the person of her younger Viennese rival. She thinks of retiring from the stage, and reunites briefly with her estranged husband in a newly-built manor in the country. Finding that life there is boring, she returns to town, the theater, and her old friends.

Dery is a grande dame actress of the Sarah Bernhardt school of big-gesture theater. Her beauty and popularity is fading, and a new school of acting which involves the use of one's own emotions (a-la Eleanora Duse) is emerging in the person of her younger Viennese rival. She thinks of retiring from the stage, and reunites briefly with her estranged husband in a newly-built manor in the country. Finding that life there is boring, she returns to town, the theater, and her old friends.

Two arts students, András and Viktor who are writing their thesis on detective stories, make up a story and keep nagging the famous film-director, who just came back from Hollywood, until he undertakes the job. At night they work on the film, in which two youths kill a director returning from the US. In the morning the director is found dead - a knife in his back.

János Pilinszky explains his thoughts on the mechanism of thinking, seemingly banal things, faith, Simone Weil, and the scandal of the twentieth century.