Line Producer
Recém-saído da prisão e ainda à procura da sua falecida amada Beniamina, o arqueólogo inglês Arthur reencontra o seu grupo de cúmplices tombaroli - um coletivo de ladrões de túmulos itinerantes que sobrevivem ao saquear túmulos etruscos e ao cercar os tesouros antigos que desenterram. Mas Artur não está interessado nos artefactos; procura uma porta lendária para o submundo e para Beniamina.
Line Producer
Algumas famílias que vivem nos subúrbios de Roma, estão próximas das tensões que podem explodir a qualquer momento. E são as crianças que provocam o colapso.
Line Producer
Neste leitura livre da história bíblica, Lazzaro (Adriano Tardiolo) é um garoto pobre e pouco inteligente, mas extremamente bondoso. Ele é explorado pelos familiares, fazendo trabalhos forçados diariamente, além de colaborar com a marquesa, proprietária das terras onde vivem. No entanto, após uma tragédia, Lazzaro retorna à vida no século XXI. Ele não compreende mais a lógica deste mundo, mas pretende reencontrar a sua família e viver como antigamente.
Line Producer
Agnese and Stefano are profoundly different. She is only seventeen, lives with her mother – a harsh and devoted woman – is a regular church-goer and is about to take a vow of chastity to last until marriage. He is twenty-five, has a violent temper and a difficult past behind. He works as a warden in a car park that borders a Roma camp. Their unexpected meeting engenders a true sentiment, made of little stolen moments and mutual help.
Producer
As a solar storm unfolds, causing power surges and blackouts, a storm of emotions rages within Regina, a spinster referred to as Fräulein, when a childlike sexagenarian checks into her hotel. What should be one night becomes a stormy coexistence all its own.
Line Producer
A boy and a girl are locked in an enormous abandoned building in a rundown area. She is a prisoner and the local clan leader has forced him to be her warder. Despite their youth, both of them have grown up too fast. Veronica acts like a mature and open-minded woman whilst Salvatore is like a man who wants to hold on to his job and lead a quiet life. Thus, when faced with the violence of this incarceration, the two young people have different reactions: Veronica is restless and rebellious; Salvatore is more remissive and accommodating, either out of fear or realism. They are both victims but it is almost as though each blames the other for their reclusion. However, as the hours go by, their mutual hostility is transformed into an inevitable intimacy, consisting of reciprocal discoveries and confessions. Between the walls of that isolated and frightening place, Veronica and Salvatore fi nd a way to rekindle those adolescent dreams and ideas put aside too soon.
General Manager
A white and a blue collar worker fall in love during the 1980 strike at FIAT that marked the end for labor movement in Italy.
Production Secretary
A former policeman turns full-time robber and goes on a downward spiral of crime in 1970s Rome.
