Camelia Zorlescu

A humble Romanian actor in his 40's, hardly surviving between a complicated part in a musical, a depressed wife, and the obsession of an imminent, devastating earthquake, becomes the victim of his manipulative father.

Wolf is a lonely boy who surrounds himself by a world that responds to his desires. He brings Clara, the girl he loves, inside this world but when he can't be sure if she is still real or become imaginary he feels trapped and wants to escape.

Accidentally receiving a Romanian Medal of Honor, a 75-years-old retiree uses it to regain respect from his family.

A jovem vampira Michelle Morgan escapou das garras de seu mestre Radu Vladislas. Encontrada por uma mulher chamada Ana, ela é levada a um hospital onde um médico afirma ser capaz de curar seu vampirismo. Radu, se recuperando da quase morte entregue por Michelle e seus amigos, viaja para Bucareste para seguir sua filha. Ele visita a fortaleza do vampiro Ash. Ash e sua protegida Serena planejam destruir Radu e empregar a ajuda dos humanos, Ana e o Doutor.

This Romanian dramatic comedy offers metaphorical commentary on life after Ceausescu's reign as it tells the story of a rural community turned topsy-turvy in their mad quest for the snails a prominent senator has requested for his dinner. The trouble begins when a rather imposing, pompous senator comes to visit a small rural Romanian town for a ribbon-cutting ceremony for their new hydro-electric dam. After he finishes his speech, the senator is accosted by a Swiss film crew eager to interview him. The senator is inordinately concerned with presenting a positive image of Romania to the world at large and so when he learns that he and the journalists are to stay at the same villa, does everything he came to make sure that they see nothing scandalous.

Rebecca continua na sua missão de salvar a irmã Michelle, transformada em vampiro no primeiro filme da série, das garras do maligno Radu. Para isso, conta com a ajuda do agente Mel e do tenente Marin.

It is late in the Ceausescu era in Romania, and Cristina is having a difficult time with her boyfriend. He wants her to have sex with him before he goes off to do his obligatory stint in the army. She wants him to marry her first. She also gets involved with a slightly rebellious actor, a would-be ladies' man. He has some vague plans to defect - could those be the reason he is receiving mysterious phone calls? Or are they the work of his anonymous admirer?

Romania had it rough under its last communist dictator, Nicolae Ceausescu, and things are even rougher now. Before, their problems were oppression and poverty. Now, their problem is mostly poverty - and plenty of it. In this grim comedy (to call it a black comedy would be to paint too perky a picture of it), Vasile (Gheorghe Dinica)has a wife whom he's fond of, and a mistress, whom he's fonder of. He manages a nearly abandoned movie theater, and makes just about nothing doing it. When his wife announces she's pregnant, he nearly goes frantic trying to find money to get her an abortion. However, what truly sends him over the edge is when his mistress decides to become a prostitute because, after all, the money is good. These two situations send him straight to the loony bin, and when he gets out, he discovers that his wife has rented their apartment to pornographic filmmakers, and guess who's starring in them?

A few unrelated groups of people leave for vacation from Bucharest for the mountains. They meet by chance in Poiana Brașov.

Love story of 2 high school students with different social standards, Ioana and Alexandru. They are to form a couple with all the social and familial obstacles encountered.

A metaphor film, in which a group a pupils are going out on a trip. There are various happenings in which adults are interpreting in different ways and give different meanings to everything.

The autopsy of a deceased girl finds that the victim had died long before the accident. Taking over the case, "Grandpa" and his assistant, Panaitescu, discover that the perpetrator of the false accident is being blackmailed.

In a devastating story rife with visual metaphors, Romanian director Mircea Daneliuc traces the slow mental disintegration of a confirmed gambler, using his disorder as an allusion to a greater national and social disorder. Set in the 1930s, the middle-class gambler meets an elderly man who seems to bring him good luck at the gaming tables. Rather than treasure his friendship and the good fortune it brings, the gambler takes advantage of his friend, and by his actions drives the man to suicide. Unable to reconcile his own mental demons, the gambler wanders through the house of his dead friend, and his experiences there only serve to unsettle his mind more and more and more. In the last reels of the film, the fantasies of the hero's deranged mind take over.

At a swanky hotel in a Black Sea resort, Gogu, one of the hotel employees, meets his uncle Marin, an Oltenian peasant who has come to visit. Gogu says he can sneak Marin into the hotel, as one of the rooms is empty awaiting the arrival of an American billionaire, Mr. Juvett. Marin is amazed by the revealing clothing worn by women at the resort, while the hotel guests are fascinated by his quaint peasant costume. In the hotel room, Marin is perplexed by the various gadgets. Meanwhile, the gangsters learn that Juvett has arrived at the hotel. Juvett is the father of the kidnapped girl, and is coming to pass over a million dollar ransom. A rival gang, who know about the kidnapping, plan to take the ransom for themselves. They follow Marin, believing him to be Juvett.

Octavian Borcea, a middle aged peasant, goes through a social crisis when he decides to re-marry with a widower. He visits all his 5 children, then he returns in the village, where he burned his bridges.

A judge falls in love with a married woman.

In the winter of 1933, an illegalist (a communist, member of a political party a party outlawed at the time) assumes the mission of a wounded colleague to transmit a secret message.

Sent on assignment to write a report on a scientist from an industrial complex, Caius, an established author, bumps into former schoolmate Cosma. Together they attend the press junket, discovering the subject of Caius’ assignment to be none other than their former university crush, Irina. The joyful reunion takes them to their old haunts, but once Cosma leaves, the remaining couple head down memory lane, spending the evening confronting each other with their conflicted shared history of love and abandonment. Between Caius’ enduring charm and Irina’s guarded independence, their romantic two-step will finally bring them requited closure.