Miu Miu

It’s California, during the Great Depression. A woman is confiding her most intimate thoughts in a church confessional, while the man on the other side listens silently and intently. But this is no ordinary religious ritual seeking salvation. The woman — a second generation Filipino farmhand — is rapt in roleplay reverie, her sensuous words aimed at her white American lover, during a historic period when such interracial relationships were forbidden by state law. The confession box transforms into a romantic time machine, ecstatic and melancholic, traveling into alternate futures. She manifests as multiple, dazzling women, and they can love freely. This is the 21st commission from Miu Miu Women's Tales​ series.

Feito durante a quarentena, In My Room retrata a história comovente de uma mulher no ocaso de sua vida, por meio de gravações da falecida avó da diretora. Salas se tornam palcos onde a vida é representada. Janelas se tornam portais para as vidas dos outros.

Miu Miu Women's Tales #12 - Short film directed by Crystal Moselle starring The Skate Kitchen crew

Soon after Elizabeth receives this text message, her mother isn't the only one lost in sleep. Elizabeth's car has broken down. It's freezing cold, no sign of life nearby. She just has to wait, patiently. The recovery guys will be here soon, Elizabeth. Till then, she warms her young hands on the vents, drifts into a strange slumber, followed by an even more surreal awakening. Icelandic landscapes merge with Elizabeth's memories. Fears are magically transformed into comforting and fantastical fabrics. Father, upstairs, alone.

The Door, by Ava DuVernay, is a celebration of the transformative power of feminine bonds, and a symbolic story of life change.

In “Le Donne della Vucciria”, sixth Miu Miu Women’s Tale, Palestinian female director Hiam Abbass contemplates the transformative power of clothes, music and dance in a charming, evocative study of the women of the Sicilian city of Palermo.

Diaries of the Cheating hearts depicts the lives of four women, their love life and their career. Basically, the ups and downs of their lives. But these kind of women makes them more beautiful because their married lives gives them a totally new dimension, feelings and experiences.

In this dark tale of an esoteric ritual, a woman enters a shadowy laboratory where three witches attend a bubbling cauldron, surrounded by hanging skeletons of dresses. She is disrobed, led to a bath, laid in the water and her finger pricked to draw blood. The witches circle, chanting in strange tongues. As the smoke clears, we see the woman has made the ultimate sacrifice, transforming herself into the object of her desire.

An enchanting and dramatic short film set in London’s Claridges hotel. As its name suggests, the piece takes us into an ultra-feminine environment where gestures between women are traded in a ritual of opulent beauty.

Directed by Argentinean Lucrecia Martel, MUTA, meaning both “mute” and “transformation”, is a beautiful and cryptic portrayal of an all female world of symbolism, hidden meaning and intrigue.