María Jesús Hoyos

Julián, a divorced man with financial problems, uses a cell phone application to share his car with strangers.

Joaquin, Brujo and Luismi, three neighbourhood scoundrels, meet again after twenty years. Brujo and Luismi are still unemployed while Joaquin swears he has become an important businessman. However, one day he receives a notification that his mother's house has been repossessed for a loan. He will try to get the money he neds to avoid eviction, but the brilliant ideas of Brujo and Luismi will end up plunging Joaquin even deeper into misery

Maixabel Lasa perdeu seu marido, Juan María Jaúregui, assassinado pelo ETA em 2000. Onze anos depois, recebe um pedido inusitado: um dos assassinos pediu para se encontrar com ela na Cadeia de Nanclares de la Oca / Álava, no qual cumpre pena por ter rompido os laços com a quadrilha terrorista. Apesar das dúvidas e da dor imensa, Maixabel concorda em se encontrar cara a cara com pessoas que acabaram a sangue frio com a vida de quem era sua companheira desde os dezesseis anos.

Remake do filme italiano "Perfetti sconosciuti (2016)". Durante um eclipse lunar, sete amigos se reúnem para jantar e decidem jogar um jogo no qual devem compartilhar um com o outro o conteúdo de cada mensagem, e-mail ou telefonema que receberem durante a noite.

Neste drama social sombrio, personagens deformados e desfigurados precisam encontrar maneiras de esconder suas diferenças e lidar com o resto da sociedade.

The thirteen survivors of a catastrophe by a tunnel's collapse tries to balance their experience trapped along 15 days inside it with their day-by-day outside it.

A biological mother, Sara, and a foster mother, Virginia, share a girl. Sara lost custody due to problems with alcohol and drugs. Five years later, the girl is returned to her.

Um documentário centrado em um jovem na Espanha que reivindica a uma família aflita do Texas que ele é seu filho de 16 anos que está desaparecido há 3 anos.

No final da Guerra Civil Espanhola, os membros de um grupo de artistas de vaudeville foram despojados de tudo: tudo o que lhes resta é a fome e o instinto de sobrevivência. Dia após dia, agonizantemente, perdidos e indefesos entre os vencedores e os vencidos, o músico Jorge, o ventríloquo Enrique, o cupletista Rocío e o órfão Miguel procuram incansavelmente algo para comer e um lugar seguro para viver.

Amparo, a lawyer working as an advisor in an insurance company in Madrid is grieving over a traumatic event in her past. She will have to react, however, to the world surrounding her when a young man of her acquaintance dies mysteriously while working in a mine. Amparo will take over his case and discover in the process a world of corruption and illegal measures taken by the company that the young man worked for.

Petra and Matthias are a bad marriage. He works as a janitor at the school of anatomy. Petra has a bitter and uncompromising character, so that their discussions with Matthias are constant, but she is careful not to ever lift his voice. He, however, does not care who tell and shouts without hesitation. The neighbors, who are some gossips are at the end of the street everything that happens in the house of Petra and Matthias.

Avila, early twentieth century. Pedro, a boy of nine years, accompanied by his tutor, comes to live in the house of Don Mateo, a teacher that from that moment will be responsible for his education. Pedro begins an almost familiar relationship with Doña Gregoria and Martina, wife and daughter of his master. The appearance of Alfredo, and roommate and colleague of studies, complete the circle of his emotional environment. Provincial life, relationships with peers and the special relationship between life and death instilled by Don Mateo, definitely will influence his future life.

In Spain of the 1960s, a poor family of quinquis - a nomadic ethnic group with a tradition as old as that of the gypsises of Spain but with even more obscure origins - have a nomadic life marked by poverty. The son, Eleuterio Sánchez Rodriguez, nicknamed "El Lute", steals some chickens and is condemned to six months in jail. El Lute moves to the slum outskirts of Madrid with his common law wife, Chelo, starting an itinerant life as a peddler of pots and pans and living in a quinqui shantytown. He gradually embarks upon as life of petty criminality, eventually participating in the theft of a jewelry store during which a bystander is killed.

A work of Valle-Inclán, the story takes place in Galicia in the early twentieth century. To escape poverty, the wife of a sacristan uses a hydrocephalic child as a sideshow attraction. This causes a confrontation with her sister-in-law.

The Way They Were is a Spanish Drama starring Antonio Banderas

April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, situated on the border with Portugal. Once in the sanatorium, Manolo, surrounded by boys all much younger than he is, feels a bit like the cock of the walk since the only other man around is the handyman Emilio who looks after the gardens and does whatever needs to be done about the place. His wife, Rafaela, is the cook. Manolo meets Irene, a falangist who runs the sanatorium, and the school teacher, Miss Transito, a crabby spinster. He has his first sexual experience, albeit as a voyeur, with his nurse Vicenta. When she has to leave, her place is taken by a girl from the village, Maria Jesus, with whom Manolo falls hopelessly in love. A relationship grows up between them which will mark them both for ever.

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.

July 21, 1958. Madrid wakes up to the news that a pawnbroker has been murdered in his shop. Soon, police finds that the victim's associate, his pregnant wife and their maid have been murdered as well in their own home across the street.

A film buff can't watch his videos in peace as he is disturbed by his clingy girlfriend and noisy neighbours. He will take drastic measures to get them to shut up for once and for all.

Ramiro is a good man. He is a musician, but unemployment is so great that it has had to put Scottish bagpipes playing a Scotch Pub also married. One night coming home from work encountered in a corner, with Julian; believes has stolen his wallet and to take back what is theirs thinks Julian attacks is municipal councilor in the city. The theft of this portfolio will complicate the life of Ramiro, that of Julian and the many characters ...

Madrid, Roberto Orbea is a member of the Spanish communist party. He is married to Carmen, and he has been elected as Deputy in the first democratic elections in Spain. But his enemies, the fascist, know his double life. Roberto likes boys, and they hire Juanito to seduce the politician. They fall in love...

1647, Santiago, Chile. Don Henrico banishes his daughter, Josephe, to a convent when he learns she loves Jeronimo, a mestizo who's a teacher in the household. The lovers meet in secret, a child is born, the pair are condemned to die, and prelates scheme to seize Don Henrico's fortune. A moment before Josephe's public execution, an earthquake devastates Santiago. Josephe finds her baby and flees the rubble; Jeronimo survives, escapes, and finds her. The reunion brings joy and rebirth. He wants to build a Utopian community, without priests. She believes they can reenter Santiago society, forgiven. Class, race, and religion dictate a world order: is there a place for these lovers?

Madrid, Spain, early thirties. The charming playboy Sergio Hernán is an unscrupulous womanizer who over the years has seduced and abandoned hundreds of women with the complicity of Oshidori, his cynical butler. However, his brief encounter with Elena Fortún, blonde, posh and a bit cheesy, unexpectedly leaves an indelible mark on his soul.

Javier lives with his mother in a modest apartment. He conducts surveys on the effectiveness of ads. This work provides a humble earning for the two of them. One day he meets Juna at a bus stop. He tries to ask her out, but she refuses. A few days later, they meet again. Slowly a relationship develops, but her plan is to marry someone rich. Javier's wealthy uncle included him in his testament, so Juna talks Javier into killing the uncle.

In the aftermath of the Trojan Wars, Queen Hecuba takes stock of the defeated kingdom. Her son has been killed, and his widow, Andromache, is left to raise their son, Astyanax, alone. Hecuba's daughter, Cassandra, fears being enslaved by her Greek masters, while Helen of Troy risks being executed. Astyanax also becomes the focus of the Greeks' attention as the last male heir of the Trojan royal family.