Sergio Oksman
Nascimento : 1970-01-01, São Paulo, São Paulo, Brazil
História
Sergio Oksman (São Paulo, 1970) studied journalism in São Paulo and cinema in New York. After a period of work in Folha de S.Paulo and TV Manchete, he moved to Spain, where he made documentaries and reports for TV. He is currently professor and director of the Documentary Department of the Escuela de Cine y Audiovisual de la Comunidad de Madrid (ECAM).
Editor
The 70th anniversary of the “Fotogramas” magazine comes in the shape of a sentimental voyage through the history of Spanish cinema thanks to a mosaic of voices represented by people who make films, those who write them and those who consume them. The documentary pays tribute to the readers of “Fotogramas” helped by the leading figures of Spanish cinema, who will read to the camera the most representative letters received at its offices in the history of the magazine.
Writer
The 70th anniversary of the “Fotogramas” magazine comes in the shape of a sentimental voyage through the history of Spanish cinema thanks to a mosaic of voices represented by people who make films, those who write them and those who consume them. The documentary pays tribute to the readers of “Fotogramas” helped by the leading figures of Spanish cinema, who will read to the camera the most representative letters received at its offices in the history of the magazine.
Director
The 70th anniversary of the “Fotogramas” magazine comes in the shape of a sentimental voyage through the history of Spanish cinema thanks to a mosaic of voices represented by people who make films, those who write them and those who consume them. The documentary pays tribute to the readers of “Fotogramas” helped by the leading figures of Spanish cinema, who will read to the camera the most representative letters received at its offices in the history of the magazine.
Sérgio e seu pai, Simão, não se viram ao longo de 20 anos. A realização da Copa de 2014 no Brasil fornece ao filho, que mora na Espanha, um pretexto para conviver algum tempo com o pai, retomando seu antigo hábito de assistirem a jogos juntos, mantido quando o filho era garoto. Esta viagem poderá trazer, mais do que reconciliação, uma exploração em território desconhecido.
Writer
Sérgio e seu pai, Simão, não se viram ao longo de 20 anos. A realização da Copa de 2014 no Brasil fornece ao filho, que mora na Espanha, um pretexto para conviver algum tempo com o pai, retomando seu antigo hábito de assistirem a jogos juntos, mantido quando o filho era garoto. Esta viagem poderá trazer, mais do que reconciliação, uma exploração em território desconhecido.
Director
Sérgio e seu pai, Simão, não se viram ao longo de 20 anos. A realização da Copa de 2014 no Brasil fornece ao filho, que mora na Espanha, um pretexto para conviver algum tempo com o pai, retomando seu antigo hábito de assistirem a jogos juntos, mantido quando o filho era garoto. Esta viagem poderá trazer, mais do que reconciliação, uma exploração em território desconhecido.
Writer
After appearing in the film Rosemary's Baby, by Roman Polanski, Elmer Modlin ran away with his family to a distant land, where they shut themselves inside a dark apartment for thirty years.
Director
After appearing in the film Rosemary's Baby, by Roman Polanski, Elmer Modlin ran away with his family to a distant land, where they shut themselves inside a dark apartment for thirty years.
Editor
On July 13, 1924, Ernest Hemingway was on a balcony in Pamplona, Spain and saw a wounded main lying on the other side of the street. He became consumed with the feeling that he was that man, seeing himself in the near-dead Spaniard who had been attacked by bulls. "I am him," Hemingway later wrote. It was the very first time he wanted to be someone else, so he created the character of the adventurous writer. Notes on the Other follows the example of Hemingway's remarkable sensation in the form of an annual Hemingway lookalike contest in Key West, Florida. Dozens of older men do their utmost to be Hemingway, but what are they looking for?
Director
On July 13, 1924, Ernest Hemingway was on a balcony in Pamplona, Spain and saw a wounded main lying on the other side of the street. He became consumed with the feeling that he was that man, seeing himself in the near-dead Spaniard who had been attacked by bulls. "I am him," Hemingway later wrote. It was the very first time he wanted to be someone else, so he created the character of the adventurous writer. Notes on the Other follows the example of Hemingway's remarkable sensation in the form of an annual Hemingway lookalike contest in Key West, Florida. Dozens of older men do their utmost to be Hemingway, but what are they looking for?
Writer
Documentary about Al Lewis. He sits in the make-up chair and remembers part of his 92 years life.
Director
Documentary about Al Lewis. He sits in the make-up chair and remembers part of his 92 years life.
Director
O médico nazista Joseph Mengele dedicou parte de seus testes experimentais em seres humanos para provar que as mulheres ruivas tinham um nível de sensibilidade diferenciado. A narradora do filme, Emmy Blum, se estabeleceu em São Paulo nos anos 1950, onde trabalhou como esteticista. Deportada da Hungria em 1944, ela viu Mengele pela primeira vez no pátio principal de Auschwitz. Algumas semanas depois, tornou-se uma de suas cobaias. Depois da guerra, seus caminhos se encontraram novamente no Brasil. Sessenta anos depois, Emmy concorda em participar de um documentário sobre sua vida. Logo, o filme muda de marcha, tornando-se uma reflexão sobre as armadilhas da memória e as dificuldades de refletir o passado em um filme.
