Tadashi Hattori

A descent into Eastern Europe's haunted woodlands uncovers the secrets, fairy tales, and bloody histories that shape our understanding of man's place in nature.

In 1955 Tadahito Mochinaga was asked to create commercials for Asahi beer, which he created using stop-motion, followed by the 1956 short film "Beer Mukashi Mukashi" (Beer, those were the days...), created specifically for theatres. With the help of Kikachiro Kawamoto and Noburo Ofuji, this is the first animated short/commercial in stop-motion made for Japanese cinemas!

A Japanese drama featuring the one-eyed, one-armed swordsman

Japanese war film.

A kappa village is devastated by a large storm during festival preparations. With no fish in the river, the village is weakened. Kawatarou and his girlfriend head the mountains to find anything to bring back.

Japanese war drama.

A comedic retelling of the legend of the loyal 47 ronin.

Based on the story of Shimizu no Jirocho.

Japanese comedy film.

Directorial debut by Umetsugu Inoue, the famous director of Musicals

Depois de vencer uma sangrenta batalha naval contra o clã rival Heike, o triunfante senhor Yoshitsune Minamoto retorna a Kyoto para assumir o comando. No entanto, seu irmão ciumento e invejoso, Shogun Yoritomo, ordena que seus homens prendam Yoshitsune e todos os seus camaradas. Devido a uma circunstância de sorte, Yoshitsune e seis de seus leais guardas samurais são capazes de escapar. Para ficarem verdadeiramente seguros, eles precisam viajar pelo país e encontrar abrigo na casa de uma única amiga, Idehira Fukiwara. Este filme foi proibido no Japão por quase 8 anos. O lançamento original previsto foi em 1945. (e 12 - Estimado 12 Anos)

Though recognized worldwide almost exclusively for his colorful kaiju fare, director Ishirō Honda (Godzilla, Rodan, Mothra) was a natural humanist with a particular understanding of the relationship between people and their social environs. His debut fiction feature, The Blue Pearl (Aoi Shinju) – virtually unseen in the west until now – depicts the melodramatic, but keenly-observed interplay between a young man from Tokyo and two ama (pearl divers; literally “women of the sea”) in a superstitious coastal town. Though raised within the same tradition-bound crucible, the two women – Noe and Riu – are portrayed as diametric opposites; the former meek but affectionate, the latter strong-willed but jaded by a tryst with metropolitan life. Nonetheless, Honda provides equal weight to their desires and their ambitions to break free from the social mold imposed upon them from birth.

Japanese comedy film.

Three humorous love stories set in rural Japan.

Japanese noir.

A young man rents an apartment in Tokyo and discover it was built by his father. He falls in love with the daughter of the mistress of the house and decides to marry her. Only to discover that his father is is in debt and wants him to marry Ranko so that she may help his company by granting 1.5 million yen. Teruko decides to borrow money from a greedy bar owner who lends her money on certain conditions and photographs her without her consent. A love traingle forms between Koroku, Ranko, and Teruko. Things complicate when Koroku marries Teruko and Tsugawa threatens them for the money causing many twists and turns.

A family of cats find an abandoned kitten and take him in to their home. But one of the siblings becomes jealous about the attention the new cat gets from her mother and runs away from home. The new member of the family goes looking for her. Can he bring her back home safely and get her to accept him as part of the family?

A family of cats find an abandoned kitten and take him in to their home. But one of the siblings becomes jealous about the attention the new cat gets from her mother and runs away from home. The new member of the family goes looking for her. Can he bring her back home safely and get her to accept him as part of the family?

Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen. They manage to have many small adventures, especially because Masako's optimism and belief in dreams is able to lift Yuzo from his realistic despair.

Yukie, a filha bem-educada de um professor universitário, fica chocada quando o seu pai é dispensado do seu cargo pelos seus ensinamentos políticos e ainda mais quando o seu amante, um aluno do seu pai, é preso e executado como espião. Ela decide deixar Kyoto para viver com os pais do rapaz na aldeia camponesa. Mas a vida ainda tem muitas lições para ela... (e 12 - Estimado 12 Anos)

After learning that he has accidentally killed a man in a fight, Unokichi must look after the man's pregnant widow.

1946 Toho film directed by Kiyoshi Saeki

Based on a short story by Dazai Osamu, produced under the national film law. The film's hero falls in love with the youngest daughter of a family he is visiting to arrange an engagement for his friend who has been drafted to fight in the war.

The premature death of a young mother serves as inspiration for her husband and son.

Story of Jiro

Arichan the Ant finds a violin in a sandbox and keeps it. However, realizing how important it is to its owner, he returns it to her.

The conflict between ducklings and frogs escalates into war. However, a lightning strike makes the fighters realize the trivial nature of their battle.

Song of the White Orchid was a co-production of Toho and Mantetsu, the railway that served the colonial region of Manchuria, and the first film in the Kazuo Hasegawa/Shirley Yamaguchi (Ri Koran) “Continental Trilogy.” Handsome Hasegawa (representing Japan) runs up against an impertinent Yamaguchi (representing the continent); not surprisingly, in the course of the film the woman comes around and realizes the benevolent intentions of the Japanese. In Song of the White Orchid Yamaguchi leaves Hasegawa, who plays an expatriate working for the railway, because of a misunderstanding. She joins a communist guerilla group plotting to blow up the Manchurian railway. Learning of the subterfuge that led to the misunderstanding, she renews her faith in Hasegawa—and by extension Japan—and tries to undermine the plot.

Two young girls, Nobiko and Tomiko, go to the same school. The less fortunate girl Nobiko is one of the top students, while the rich girl Tomiko is not. At one time Tomiko's father was quite fond of Nobuko's mother.

A priest in Hokkaido adopts a blind orphan girl, and as she grows up he finds himself falling in love with her.