The main character is a bookkeeper, 40, who lives a quiet, uninteresting life with her husband and son of school age. She realizes that soon she won't be needed much at home as the boy grows up and the relationship with her husband crumbles. It's only when an embezzlement is discovered at the office and she stands up to her management, that she realizes life has more to offer. She meets a well-off former classmate, married to an American. Then she meets Jacek and starts contemplating possibilities of a new start. She discovers love for the first time, but turns to old ways rather than to break loose.
A wealthy German family is divided by the immorality of Nazi Germany, circa 1944. Former professional colleague, Joachim Peters, escapes from a Nazi concentration camp, and seeks refuge with his friends, the Sonnenbruchs. Torn between their duty as German citizens, and their greater humanitarian sensibilities, the family is divided in how to deal with Joachim's presence.
This intense chamber drama centers on an ambitious young industrial designer who is summoned home to help his father and sister. Both the aristocratic family he fled in shame and scorn, and their dilapidated country estate, bathed in an oppressively nostalgic light, prove ultimately inescapable.
"In 1960 Kazimierz Kutz' second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time."
