Valentina Bassi

Esta é a história de Gabriela, uma sofrida mãe de gêmeos que não sabe que a angústia, a insônia recorrente e a autoflagelação impostas à filha transgênero, que foi designada homem ao nascer, se deve ao desejo reprimido de expressar livremente como o que ela sente ser: uma menina.

Julia works as a waitress on the night shift of the Comodoro Rivadavia casino. There, she meets Gwynfor, a customer who offers an interesting work opportunity in the oil industry. And so, what starts out as a morning appointment, résumé in hand, becomes a nightmarish journey in the middle of the arid landscape of Patagonia, a space Ulises Rosell uses with the cinematic power of a western, with the inclemency of the sun and the darkness of night ravaging the protagonists. Inspired by the stories of captive women from the 19th century,

The host of a folk music radio program risks his life by reporting on clashes between police and guerrillas.

Camilo is a 10-year-old boy who has a conscience that is too awake, serene and transcendent for his age. He lives in the midst of amusing and dangerous chaos, of a family of characters deeply affected by the tremendous impossibility of developing normally in the world, in our current society. Through their eyes we will see how each one, consciously or unconsciously, inevitably constructing their own destiny.

After their humble dwelling is destroyed by a fire, a marginalized family occupies an abandoned house. From there, they dig a hole to the vault of a neighboring bank.

Sebastián Pagani, a young film director, returns to his hometown to film a story of Haroldo Conti. There he expected a ghost from the past: recently, a childhood friend just committed suicide in mysterious circumstances. Pagani gets to know details about his death only multiply the enigmas. Slowly, he begins to become disenchanted with their own project to become more involved in research on the last day of the suicide. But towards the end, both concerns come together in unexpected ways. The Turn is a sad irony about memory and identity

The stories of five railroad workers who have been sacked as a consequence of the economic crisis.

Professor universitário de Buenos Aires é obrigado a se aposentar por idade. Com o pouco que recebe de aposentadoria, ele e a esposa vão morar em uma fazenda. Enquanto se adapta à vida rural, o casal renova a esperança no futuro.

Teresa é aeromoça de uma agitada companhia aérea e adora o seu trabalho, que lhe permite levar uma vida livre de compromissos sérios. Mas ela acaba por conhecer um viúvo que transporta as cinzas da mulher e que vai fazê-la mudar de ideia.

Buenos Aires in the year 2002; the economical depression has caught the country. Elsa keeps her head above water through several badly paid jobs and occasional criminal offenses with her friends Walter, Laura and Toni. She's saving money for a ticket to Rome to get out of her life and visit an Italian with whom she had a one night stand several months ago.

Pedro, a Falklands veteran, cannot forget the days when he was in the trenches, nor can he forget Raúl, his best friend, who stayed forever in that desolate place of nightmares.

Nominal movie. Description of the world of young people of Ituzaingó, in which they survive and fight without going out of his locality dominated by pizzerias, lounges of pool and low houses.

Ernesto is a journalist in his 40's who comes from a generation which encountered much political persecution and exile; between the memories and unhealed wounds of his past, stands Ernesto. When his good friend Ricardo calls him one day and proposes to get together after 25 years, they decide to gather all the members of the “old gang” in order to revive those old feelings the best way they know how, through some good old rock n' roll. Amongst one of Ernesto's encounters is Ana, an old love who will bring a twisting unexpected turn into his life. The old gang is comprised of Ricardo's depressive, hypochondriac wife Ana and her socially-conscious former lover Ernesto, a journalist who left Ana years ago to pursue his political ideologies in post-revolutionary Cuba.