Megumi Matsushita

Tokyo Family Court judicial research official Akira Yamanobo is in charge of Tetsuo and Ayano Katase's divorce arbitration. Ayano, the wife, who works for a boutique company, insists her husband is involved with another woman. Supported by her employer Kotomi Saegusa, the company president, she demands a divorce as soon as possible. On the other hand, her husband Tetsuo, a trading professional, denies having a relationship with a woman. He says he will not agree to the divorce and does not plan to let his only son Kenta go, so the arbitration continues. According to Akira's investigation, Ayano gave birth to Kenta as a single mother five years ago when she was working as a hospital clerk, making him Tetsuo's stepson. Tetsuo loves Kenta as his own child, so Akira doesn't understand why Ayano is so insistent on getting a divorce. However, Tetsuo's insistence on not giving up custody of his stepson Kenta is also very unusual.

Tsuchiya Anna blasts back in time playing an oiran, a top-notched geisha of the Edo period’s Yoshiwara District, navigating brothel politics while trying to cling to the man she loves.

Nami, the young madam of a well-established hot spring hotel in Kotohira, is reunited with her childhood friend Kana who has come to participate in an art auction. However, when people with links to the auction start getting killed one after another, Nami sets out to find the criminal with her detective husband Ryohei.

Akiko returns to her home village in Japan after seven years in South America, where she contracted AIDS from a blood transfusion. The town, thick with paranoia, is quick to ostracize the ailing Akiko. With only her best friend and her mom in her corner, Akiko suffers awful discrimination at school and at home.