Producer
An artistic audiovisual project emanating from the economic and social confusion that first emerged in recent years between Germany and Greece and now is spreading throughout Europe and the rest of the world. The two countries are presented here as examples, representative of the differences and conflicts that are exacerbated by a crisis.
Script
An artistic audiovisual project emanating from the economic and social confusion that first emerged in recent years between Germany and Greece and now is spreading throughout Europe and the rest of the world. The two countries are presented here as examples, representative of the differences and conflicts that are exacerbated by a crisis.
Director
An artistic audiovisual project emanating from the economic and social confusion that first emerged in recent years between Germany and Greece and now is spreading throughout Europe and the rest of the world. The two countries are presented here as examples, representative of the differences and conflicts that are exacerbated by a crisis.
Jeanine Meerapfel
From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.
Self
"A Woman" is a cinematic essay about identity. A search into the wounds of exile and a reflection on the function of memory. A haunting and intimate portrait of the director’s own mother. It is the story of an imitation artist, trying to adapt to the challenges of real life … as a woman.
Co-Producer
"A Woman" is a cinematic essay about identity. A search into the wounds of exile and a reflection on the function of memory. A haunting and intimate portrait of the director’s own mother. It is the story of an imitation artist, trying to adapt to the challenges of real life … as a woman.
Writer
"A Woman" is a cinematic essay about identity. A search into the wounds of exile and a reflection on the function of memory. A haunting and intimate portrait of the director’s own mother. It is the story of an imitation artist, trying to adapt to the challenges of real life … as a woman.
Director
"A Woman" is a cinematic essay about identity. A search into the wounds of exile and a reflection on the function of memory. A haunting and intimate portrait of the director’s own mother. It is the story of an imitation artist, trying to adapt to the challenges of real life … as a woman.
Writer
Artificial Intelligence is already changing almost every area of life today. This documentary essay is inspired by the changes that influence our perception of Topos. By combining film images, graphics with documentary text modules, the author associatively points out how the progress of data and technology colonizes human existence and fundamentally influences the balance between the psychological, mental, and biological aspects of life.
Narrator
Artificial Intelligence is already changing almost every area of life today. This documentary essay is inspired by the changes that influence our perception of Topos. By combining film images, graphics with documentary text modules, the author associatively points out how the progress of data and technology colonizes human existence and fundamentally influences the balance between the psychological, mental, and biological aspects of life.
Producer
Artificial Intelligence is already changing almost every area of life today. This documentary essay is inspired by the changes that influence our perception of Topos. By combining film images, graphics with documentary text modules, the author associatively points out how the progress of data and technology colonizes human existence and fundamentally influences the balance between the psychological, mental, and biological aspects of life.
Director
Artificial Intelligence is already changing almost every area of life today. This documentary essay is inspired by the changes that influence our perception of Topos. By combining film images, graphics with documentary text modules, the author associatively points out how the progress of data and technology colonizes human existence and fundamentally influences the balance between the psychological, mental, and biological aspects of life.
Producer
It’s the late 1950s, and in an affluent and quietly respectable part of Buenos Aires, young Sulamit Löwenstein strikes up a friendship with her next-door neighbour Friedrich over the whereabouts of her family dog. She is the daughter of German-Jewish immigrants to Argentina, he is the son of a senior SS officer, a tragic political legacy from whose shadow both characters struggle to escape over the next three decades. Following the teenaged Friedrich to Germany, Sulamit finds him caught up in the radical politics of late-1960s student life; and she’s forced to make important decisions about her attitude to her homeland when Friedrich returns to Argentina to join the fight against the military junta.
Writer
It’s the late 1950s, and in an affluent and quietly respectable part of Buenos Aires, young Sulamit Löwenstein strikes up a friendship with her next-door neighbour Friedrich over the whereabouts of her family dog. She is the daughter of German-Jewish immigrants to Argentina, he is the son of a senior SS officer, a tragic political legacy from whose shadow both characters struggle to escape over the next three decades. Following the teenaged Friedrich to Germany, Sulamit finds him caught up in the radical politics of late-1960s student life; and she’s forced to make important decisions about her attitude to her homeland when Friedrich returns to Argentina to join the fight against the military junta.
Director
It’s the late 1950s, and in an affluent and quietly respectable part of Buenos Aires, young Sulamit Löwenstein strikes up a friendship with her next-door neighbour Friedrich over the whereabouts of her family dog. She is the daughter of German-Jewish immigrants to Argentina, he is the son of a senior SS officer, a tragic political legacy from whose shadow both characters struggle to escape over the next three decades. Following the teenaged Friedrich to Germany, Sulamit finds him caught up in the radical politics of late-1960s student life; and she’s forced to make important decisions about her attitude to her homeland when Friedrich returns to Argentina to join the fight against the military junta.
Writer
General Mosconi is a small town in the North of Argentina, rich with oil and gas. 1993 the state owned enterprise, YPF, that gave work, health care and education to the whole region, was privatised. The unemployment rate climbed to 70 percent, the whole infrastructure system collapsed. The town is an example for what is today understood as the loss of state and politics.
Director
General Mosconi is a small town in the North of Argentina, rich with oil and gas. 1993 the state owned enterprise, YPF, that gave work, health care and education to the whole region, was privatised. The unemployment rate climbed to 70 percent, the whole infrastructure system collapsed. The town is an example for what is today understood as the loss of state and politics.
Writer
A widow reminisces on her life after returning to her family home in Greece.
Director
A widow reminisces on her life after returning to her family home in Greece.
Director
Drama about the life of a few aorking class Germans.
Writer
Argentina, após o desaparecimento de sua esposa, um jovem pai, descendente de alemães, militante político da década de 1970, faz uma jornada com seu filho de oito anos, fugindo para o Equador, através do maravilhoso mundo rural da América do Sul.
Director
Argentina, após o desaparecimento de sua esposa, um jovem pai, descendente de alemães, militante político da década de 1970, faz uma jornada com seu filho de oito anos, fugindo para o Equador, através do maravilhoso mundo rural da América do Sul.
Writer
Since childhood, Raquel and Maria have been close friends. Now all grown-up, Raquel has fulfilled her dream of becoming an actress, while Maria has married a handyman, given birth to three children and runs the family household. In the wake of the Argentine military coup of 1976, Maria's oldest son Carlos is abducted. Desperate, Maria turns to her prominent friend for help. Yet the more Raquel gets involved in the search for Carlos, the more she becomes herself a target of the junta. Finally, she flees from Argentina to Berlin. Meanwhile Maria joins a group of women who investigate the fate of their disappeared relatives. In 1983, after the fall of the dictatorship, the two friends meet again.
Director
Since childhood, Raquel and Maria have been close friends. Now all grown-up, Raquel has fulfilled her dream of becoming an actress, while Maria has married a handyman, given birth to three children and runs the family household. In the wake of the Argentine military coup of 1976, Maria's oldest son Carlos is abducted. Desperate, Maria turns to her prominent friend for help. Yet the more Raquel gets involved in the search for Carlos, the more she becomes herself a target of the junta. Finally, she flees from Argentina to Berlin. Meanwhile Maria joins a group of women who investigate the fate of their disappeared relatives. In 1983, after the fall of the dictatorship, the two friends meet again.
Herself
Between 1976 and 1982 thousands of citizens were kidnapped, tortured and killed in Argentina. How do Argentinians cope with this tragedy? How do they elaborate their recent past?
Producer
Between 1976 and 1982 thousands of citizens were kidnapped, tortured and killed in Argentina. How do Argentinians cope with this tragedy? How do they elaborate their recent past?
Writer
Between 1976 and 1982 thousands of citizens were kidnapped, tortured and killed in Argentina. How do Argentinians cope with this tragedy? How do they elaborate their recent past?
Director
Between 1976 and 1982 thousands of citizens were kidnapped, tortured and killed in Argentina. How do Argentinians cope with this tragedy? How do they elaborate their recent past?
Writer
They meet in Yugoslavia. Katharina, daughter of a Yugoslavian immigrant worker, has grown up in the Federal Republic of Germany. She is a confident, energetic career woman who has managed to work her way up to become a successful television journalist. She goes to visit her parent's country, to do a story about the children of immigrant workers in their home country. Although she says she doesn´t need a "home" any more, even she feels strange in her own country. Peter is a rather "untypical" sort of man: a dreamer, a thinker. He has given up his steady job as a composer for advertising films and is divorced. He goes to Jugoslavia to find something out about the past. He travels to the places where his father was stationed during the Second World War.
Director
They meet in Yugoslavia. Katharina, daughter of a Yugoslavian immigrant worker, has grown up in the Federal Republic of Germany. She is a confident, energetic career woman who has managed to work her way up to become a successful television journalist. She goes to visit her parent's country, to do a story about the children of immigrant workers in their home country. Although she says she doesn´t need a "home" any more, even she feels strange in her own country. Peter is a rather "untypical" sort of man: a dreamer, a thinker. He has given up his steady job as a composer for advertising films and is divorced. He goes to Jugoslavia to find something out about the past. He travels to the places where his father was stationed during the Second World War.
Writer
In 1970, Melek Tez came to Berlin as a young worker from Turkey. A confident woman, she first countered racist resentments and remarks with irony and wit. Jokingly, she even referred to herself as a "Kümmeltürkin", a derogatory German term for Turkish migrants. Yet after fourteen humiliating years, her fighting spirit has given way to resignation: Melek Tez is returning to Turkey. Blending documentary, interviews and re-enacted scenes, director Jeanine Meerapfel chronicles Melek Tez' life experience.
Director
In 1970, Melek Tez came to Berlin as a young worker from Turkey. A confident woman, she first countered racist resentments and remarks with irony and wit. Jokingly, she even referred to herself as a "Kümmeltürkin", a derogatory German term for Turkish migrants. Yet after fourteen humiliating years, her fighting spirit has given way to resignation: Melek Tez is returning to Turkey. Blending documentary, interviews and re-enacted scenes, director Jeanine Meerapfel chronicles Melek Tez' life experience.
Herself
"Had it not been for Hitler, I would have been born a German-Jewish child, more German than Jewish, in a small village in the South of Germany. But as it happened, I was born in Argentina, my mothertongue is Spanish. I came to Germany 17 years ago." It is here, where author and director Jeanine Meerapfel starts searching for her own Jewish identity, being confronted time and time again with Federal Republic reality.
Writer
"Had it not been for Hitler, I would have been born a German-Jewish child, more German than Jewish, in a small village in the South of Germany. But as it happened, I was born in Argentina, my mothertongue is Spanish. I came to Germany 17 years ago." It is here, where author and director Jeanine Meerapfel starts searching for her own Jewish identity, being confronted time and time again with Federal Republic reality.
Director
"Had it not been for Hitler, I would have been born a German-Jewish child, more German than Jewish, in a small village in the South of Germany. But as it happened, I was born in Argentina, my mothertongue is Spanish. I came to Germany 17 years ago." It is here, where author and director Jeanine Meerapfel starts searching for her own Jewish identity, being confronted time and time again with Federal Republic reality.
Writer
Two life stories. That of Malou, a French woman, married to a German Jew, a refugee stranded in South America: a picture of the pre-war generation reflected in the unusual destiny of an individual woman. And that of Hannah, an alert, independent, modern woman, seeking after freedom and her own identity, and trying in present-day Berlin to save her shaky marriage.
Director
Two life stories. That of Malou, a French woman, married to a German Jew, a refugee stranded in South America: a picture of the pre-war generation reflected in the unusual destiny of an individual woman. And that of Hannah, an alert, independent, modern woman, seeking after freedom and her own identity, and trying in present-day Berlin to save her shaky marriage.
Director
Documentary by Jeanine Meerapfel.
Writer
A woman tries to end the relationship with her boyfriend.
Director
A woman tries to end the relationship with her boyfriend.