Kim Hendrickson

In this new video essay, filmmaker Alexandre O. Philippe delves into the dread-inducing mood and tone of Kiyoshi Kurosawa’s modern horror classic Cure, deploying a dizzying range of cinematic references to unravel the film’s eerie magic.

In this new documentary, produced by the Criterion Collection in 2022, directors Sean Baker and Shih-Ching Tsou and actors Charles Jang, Wang-Thye Lee, and Jeng-Hua Yu consider the making of the film and its importance in their lives since.

Explores the ten-year journey of adapting Uzodinma Iweala's 2005 novel "Beasts of No Nation" into the 2015 film.

To pay tribute to one of his filmmaking heroes, Sean Price Willams adopts a style that’s just as out there as his subject, mixing new material and never-before-seen archival footage in this portrait of the underground film titan Robert Downey (A Prince).

In this program, director Bing Liu, executive producer Gordon Quinn, and producer Diane Quon discuss the conception of Minding the Gap and its evolution. The program features separated interviews that were conducted in 2020.

In this short documentary and personal essay, Bruce Goldstein, founder of Rialto Pictures and repertory director at New York’s FIlm Forum, tracks down many of the 100+ New York City locations—from the Bronx to the Lower East Side—used in his friend Jules Dassin’s classic police procedural THE NAKED CITY, while also spotlighting the contributions of producer Mark Hellinger and cinematographer William Daniels.

Director Miranda July took a new video camera to the 2005 Deauville American Film Festival in France, which she was invited to attend with ME AND YOU AND EVERYONE WE KNOW. Criterion discovered the footage she shot there in July’s archives and edited it for this release. Presented here, it offers a glimpse into July’s capacity to turn any occasion into an opportunity for artistic expression.

In this documentary, produced in 2019, director Miranda July and filmmaker Lena Dunham explore July’s beginnings, including her early work as a performer, the creation of her Joanie 4 Jackie project, and the development and production of her first feature film, ME AND YOU AND EVERYONE WE KNOW.

A collection film of additional footage from Paris is Burning

Film critic J. Hoberman discusses the best-selling 1962 novel by Eugene Burdick and Harvey Wheeler on which "Fail Safe" is based, along with the pervasiveness of nuclear paranoia in films of the sixties.

In the sixth installment of the Criterion Channel's Meet the Filmmakers series, director Alex Ross Perry (Her Smell, Listen Up Philip) visits the ever-iconoclastic auteur Paul Schrader during the making of his 2017 masterpiece First Reformed. On set and at home- where, for his own pleasure, he continues to work and rework his previous films- Schrader reflects on the highs and lows of his legendary career, the challenges and rewards of slow cinema, and the influences and experiences that continue to shape his approach to filmmaking. With this insightful portrait of one of his filmmaking heroes, Perry captures an artist who is continually at play, intentionally provocative, and never less than vital.

In this conversation, shot by the Criterion Collection in 2019, actors Daniel London and Will Oldham reunite for the first time since the release of Old Joy and discuss their memories of making the film.

Laura Truffaut shares her memories of her legendary filmmaker father.

A new documentary by Daniel Raim on Yasujiro Ozu's relationship with longtime screenwriter Kogo Noda.

A collection of excerpted on-screen interviews with fifteen of the Apollo astronauts.

An analysis of stylistic and narrative cinematic choices, themes, patterns composing scenes and shots in Hitchcock's films, focusing on "Notorious" that demonstrate his genius as a master craftsman

An analysis of Hitchcock's Notorious through Hitchcock's camera work, shots, camera angles, lens, and stylistic choices.

A deeper look at the human interactions and motivations in Notorious by Hitchcock biographer David Spoto

The making of a film about a bunch of people in Virgil, Texas.

In this new video by filmmaker Daniel Raim, production designer Robert F. Boyle uncovers how two great artists—Alfred Hitchcock and Edward Hopper—mastered the subtle art of suspense.

An interview with film scholar Mia Mask, co-editor of Poitier Revisited.

In this documentary, filmmaker Daniel Raim delves into Yasujiro Ozu's remarkable late work, in which the master made the leap from black and white to color. In his stirring tribute to the great filmmaker, Raim examines Ozu's life and work through archival treasures such as his diary and the red teakettle from the family drama "Equinox Flower" (1958); sits down with Ozu's nephew and the producer of the director's gently elegiac final film, "An Autumn Afternoon" (1962); and interweaves many scenes and images from the vibrant and humane films with which the director capped his career.

Canadian actor and filmmaker Connor Jessup (Closet Monster, Falling Skies) profiles Apichatpong Weerasethakul, a maverick of Thai cinema who explores the slippery nature of time and consciousness with a sublimely idiosyncratic, often surreal approach to film form.

In a new video for the Criterion Channel on FilmStruck, Marvel Comics mastermind Stan Lee talks about his friendship with Alain Resnais.

Musician Bo Harwood discusses his work with filmmaker John Cassavetes.

Playwright Philip Barry and actor Katharine Hepburn, both experiencing career downturns in the late 1930s, worked closely together to create the iconic character of Tracy Lord, Philadelphia “Main Line” socialite, for Barry’s play “The Philadelphia Story.”

The following roundtable conversation features director Kirsten Johnson along with documentary filmmaker Gini Reticker and sound recordists Wellington Bowler and Judy Karp, frequent collaborators of Jonhson’s whose work is featured in CAMERAPERSON. It was produced in 2016.

This ten-minute segment, heralded as part of a new shorts program, is composed of excerpts from a 1972 audio conversation between Hawks and Peter Bogdanovich, as well as a 1973 interview of Hawks with Richard Schickel, wherein the director reminisces about casting "His Girl Friday" (1940) and the changes from the original source material.

In this 25-minute video essay, film scholar David Bordwell, co-author of "Film Art: An Introduction", conducts an analysis of Howard Hawks's "His Girl Friday" (1940), which he believes to be the apotheosis of classical Hollywood storytelling. Bordwell discusses the film's history and the status of Howard Hawks as an auteur before delving into a detailed analysis of various aspects of the film's narrative, dialogue, use of props, editing, and staging.

New conversation between director Christian Petzold and actor Nina Hoss

New interview with cinematographer Hans Fromm.

An interview with Sharon Malone and Eric Holder regarding the 1963 desegregation of the University of Alabama.

In 1998, documentary filmmaker Robert Drew and his associates attend the Museum of Tolerance.

A conversation between Jill Drew and D.A. Pennebaker.

An overview of the life and career of documentary filmmaker Robert Drew, in his own words.

Historian Andrew Cohen discusses Robert Drew's 1963 documentary Crisis: Behind a Presidential Commitment.

In this interview, conducted in 2015, prolific author Kazuo Koike talks about his original LADY SNOWBLOOD manga.

This new video essay by filmmaker Kogonada explores the many layers of director Francois Truffaut's masterpiece "Day for Night."

In this short documentary, produced in 2015, actors Jeremy Irons and Meryl Streep and editor John Bloom discuss director Karel Reisz and their experiences working on THE FRENCH LIEUTENANT'S WOMAN.

Documentary taking a look at the career of Jackie Coogan who was considered the first child star.

Filmmaker ::kogonada explores director Ingmar Bergman’s “Cries and Whispers," a film in three movements.

Crew members recount the production of the 1961 gothic film The Innocents.

FOREIGN CORRESPONDENT was released a year before the U.S. entered World War II. The ending of the film was added at the last minute to bolster anti-isolationist sentiment among American viewers.

A visual essay by filmmaker Michael Almereyda.

Actor Tom Gaman (Simon) narrates some 8mm movies shot during the film's three-month production and shares memories of working on the movie during his summer vacation.

An overview of the making of Badlands (1973).

A 25-minute visual essay by Kent Jones about Jean-Luc Godard and his film 'Weekend'.

In this visual essay, Charles Chaplin biographer Jeffrey Vance, author of "Chaplin: Genius of the Cinema", draws upon a wealth of photography as well as a wide range of interviews (Paulette Goddard, Sydney Chaplin, Chuck Jones, Leni Riefenstahl, Mel Brooks, Joan Collins et al.) to examine the production history of "The Great Dictator", the film's importance as a satire, and legacy.

A new documentary on Brooks’s career in television and film, featuring actresses Marilu Henner and Julie Kavner, among other collaborators.

Documentary exploring the production of "The Night of the Hunter."

Interview-based documentary looking back on the making and reception of Nobuhiko Ōbayashi's 1977 film House.

A making of documentary on "The Darjeeling Limited".

Documentary and interview with Japanese film critic and scholar Tadao Sato about Yasujiro Ozu film The Only Son.

CHE was the first feature to use the Red camera, which Soderbergh embraced for its versatility and image quality. This short 2009 documentary looks at the evolution of the camera during the film’s production and at the many ways it has enhanced and altered the process of modern digital filmmaking.

A documentary created by the Criterion Collection for their release of Italian film director Federico Fellini's Amarcord about his relationship with his home town, Rimini, featuring archive interviews with the director and more recent interviews with some of his friends and collaborators.

Seven Samurai: Origins and Influences, a documentary looking at the samurai traditions and films that helped shape Kurosawa's masterpiece

Mother and daughter - Big Edie and Little Edie Beale - live with six cats in a crumbling house in East Hampton. Little Edie, in her 50s, who wears scarves and bright colors, sings, mugs for the camera, and talks to Al and David Maysles, the filmmakers. Big Edie, in her 70s, recites poetry, comments on her daughter's behavior, and sings "If I Loved You" in fine voice. She talks in short sentences; her daughter in volumes. The film is episodic: friends visit, there's a small fire in the house, Little Edie goes to the shore and swims. She talks about the Catholic Church. She's ashamed that local authorities raided the house because of all the cats. She values being different.

Radio producer Harry Alan Towers discusses his work with Orson Welles.

A retrospective interview with director Werner Herzog.

In this collection of interviews conducted in 2004, directors Spike Lee, Mira Nair, Julian Schnabel, Steven Soderbergh, and Oliver Stone discuss the influence, style, and importance of Gillo Pontecorvo’s film THE BATTLE OF ALGIERS.

An interview with Paul Schrader on his 1990 film "The Comfort of Strangers"

Featurette included on the Criterion Collection's release of Gordon Parks’ feature debut, The Learning Tree. This documentary, produced in September 2021, features filmmakers Ina Diance Archer, Ernest R. Dickerson, and Nelson George, and curator Rhea L. Combs.