Jesús Aristu

Filmes

¡Se armó el belén!
Don Melchor
An old priest, who has old ideas, is intended to exercise the apostolate in a neighborhood in the suburbs of Madrid. There the revolutionary climate and anti-religious character of the congregation thwarts all his attempts to attract them. The Archbishop admonishes him and asks to renew his methods, using the example of a young priest of a modern parish. The old priest tries to apply in his environment what he has seen in the parish model, setting off a chain of events.
Esa mujer
Luis
Al ponerse el sol
A famous singer and actor is at the peak of his career but fatigue, stress and harassment of the media makes feel unbalanced. His star began to fall rapidly and so goes into a clinic to cure his pain. Coming out, away from his audience, will spend some time at a house that is in the North, to the seashore. There he feels haunted by the story of characters who have lived in a nearby house, in one of which identifies his former secretary.
Las salvajes en Puente San Gil
Roque Sala
The film explains the vicissitudes of a group of revue stars who arrive into a small provincial village in the dark Spain of the sixties, called Puente San Gil. There the women are received with aggressiveness and contempt by the ultraconservative bourgeoisie, to the point of becoming denounced and imprisoned because of the scandal caused by the sensual content of their variety show. But they refuse to remain silent and sing their protest as a song. —jsanchez
Los ojos perdidos
Luis Valle
Trampa para Catalina
José Ochoa
Catherine bears a strong resemblance to Silvia, daughter of a millionaire who has escaped with a bullfighter. A group of ruffians who intends to defraud the Silvia's father used to Catalina for their plans.
Pachín
Festival en Benidorm
Quijano
La fiel infanteria