Alireza Barazandeh

Roya and Babak are a young couple who intend to emigrate from Iran. Roya's encounter with an anonymous girl is the beginning of strange events in their life.

Na noite de 19 de agosto de 1978, quatro homens incendiaram o Cinema Rex, na cidade de Abadan, matando mais de 400 pessoas que assistiam a uma projeção de “The Deer”, de Masoud Kimiai. Marco da revolta popular que meses depois derrubaria o governo monárquico, o episódio traumático é revisitado em um jogo ficcional labiríntico que imagina a repetição do crime na sala escura. Ao vislumbrar o risco do infinito na história iraniana, o filme circunscreve o cinema como um protagonista ao mesmo tempo incontornável e desconcertante.

A teenage girl gets involved in the process of delivering a pack of cocaine to its client, and gets stuck in a weird cycle of occurrences.

A Group of refugees tries to reach themselves to a safe country in search for a better life. They pay a smuggler to convey them across the boarders in a fridge truck. However, the freezing temperature of the truck turns their hopes for a better future into a fierce struggle for survival.

"Invasion To Interpretation" is the title of the performance lecturer that Nasim Ahmadpour performed in 2018 during the Fajr International Theater Festival in the off-stage section and in the conference hall. This video has been designed on the sidelines of the making and showing of the film "Invasion" Directed by Shahram Mokri.

Someone’s been murdered and the police is investigating in a stadium, the crime spot. They have arrested the murder suspect and they just try to find out the murdering procedure, however, it is quite complicated and the friends of the murdered person are not to be very collaborative.

The story of a young poor aspiring filmmaker who is trying to raise money to make a short film about a man who stops trains while having to deal with family issues such as his mother's illness.

A review of the artistic and personal life of Masoud Kimiai and the analysis of five decades of filmmaking.

A woman searches for her husband on the streets of Tehran.

For some time Taha [Saber Abar] and Reyhan [Nazanin Bayati] have been looking after an old man named Manuchehr Asef [Khosro Bamdad] because of a newspaper advertisement. When Asef dies of ...

Bita (Hatami), a successful lawyer specializing in championing the cause of women’s rights in divorce cases, is blind to the trouble brewing in her own marriage. A snatch of gossip and a problem client with an unwanted pregnancy unexpectedly bring Bita’s problems home. (Gene Siskel Film Center)

A thief comes out of prison and begins searching for his sister. Along the way, he meets another thief, a girl, they work together to gather money, but things don't go well.

Actress Leila bursts into laughter on camera during the filming of a dramatic scene. Her improper behavior is a reaction to the recent death of her husband Koshrow, who accidentally fell down a flight of stairs. And it is Koshrow who serves as the film’s somewhat unreliable narrator, appearing in the movie even after his death. The couple’s complicated yet loving relationship unfolds as a delicately ironic detective story inside the elusive and, at the same time, obsessively arranged space- time of memory. Nevertheless, it reveals Koshrow’s secret life crisis and delves deep into the past, to an ancient house in the mountains.