Fred Renata

Inspired by actual events, MURU is the story of a local Police Sergeant 'Taffy' Tawharau (Cliff Curtis), who must choose between his badge and his people, when the Government launches an armed raid through his Ruatoki community, on a school day.

An airplane lands. A massive cruise boat anchors off the reef, disgorging tourists for tropical island vacations. This postcard paradise depends on petroleum imports to fuel its cars, motorbikes, boats, hotels, pumps and machinery. Yet if the tourists stopped coming, what then? The film opens with the prophetic words of Niuean artist John Pule and continues as a visual tone poem, without dialogue or narration, moving forward into the past to ask questions about the future. A young man travels back in time, from luxury resorts and lagoon tours through pandemic and population exodus, to early Christianity when missionaries incinerated his island’s atua and marae. Finally he reconnects with his tīpuna who settled the island a thousand years ago.

An airplane lands. A massive cruise boat anchors off the reef, disgorging tourists for tropical island vacations. This postcard paradise depends on petroleum imports to fuel its cars, motorbikes, boats, hotels, pumps and machinery. Yet if the tourists stopped coming, what then? The film opens with the prophetic words of Niuean artist John Pule and continues as a visual tone poem, without dialogue or narration, moving forward into the past to ask questions about the future. A young man travels back in time, from luxury resorts and lagoon tours through pandemic and population exodus, to early Christianity when missionaries incinerated his island’s atua and marae. Finally he reconnects with his tīpuna who settled the island a thousand years ago.

Emocionante e extremamente divertido como qualquer sucesso de bilheteria de Hollywood, esta é a extraordinária história real da aclamada gravadora neozelandesa Dawn Raid Entertainment e seus dois fundadores, Andy Murnane e Brotha D. De origem humilde, vendendo camisetas nas ruas do sul de Auckland, essa dupla inusitada formou uma parceria lendária que contrariou todas as expectativas e entrou para a realeza da música local e mundial.

Return to Gandhi Road tells the powerful story of Kangyur Rinpoche; a renowned Tibetan Master who, heeding the imminent danger of the 1950’s Cultural Revolution, and under the instructions of the Dalai Lama, braved the dangerous journey over the Himalayan mountains to India, rescuing two tons of Buddhist texts that otherwise faced potential extinction. Once in Darjeeling he built a Monastery at 54 Gandhi Road. It was here where the few single-minded Westerners in search of a more meaningful life, began to arrive in the late 1960’s. Told through the eyes of one of those first Westerners, New Zealander Kim Hegan, as he now, more than 40 years after Rinpoche’s passing, and his Buddhist practice abandoned, will trace the journey he made to Darjeeling 45 years earlier, to tell Rinpoche’s profound story, while healing the trauma that kept him away for so long.

Te Puhi prepares for the toughest day of her life—she must come to terms with her father’s dementia. But first, the two share a traditional meal.

Started in 2018, the project – comprised of 11 segments by filmmakers from all around the world – reflects on the intertwined relationship between human society and nature that is aggravated by climate change on multiple scales, hinting at possible solutions.

An ailing Polynesian matriarch must find the strength to lead her family one last time.

Written and directed by Tearepa Kahi (Mt Zion) and starring Maaka Pohatu (The Modern Maori Quartet, Two Little Boys) the film tells the story of musician Dalvanius Prime and the origin of the song “Poi E”, a ground-breaking fusion of 1980s pop and traditional Māori music. “Poi E”, composed by Dalvanius and Ngoingoi Pēwhairangi and performed by the Patea Māori Club, remains the only song in Te Reo Māori to reach No 1 in the charts, over 30 years since its 1984 release.

Written and directed by Tearepa Kahi (Mt Zion) and starring Maaka Pohatu (The Modern Maori Quartet, Two Little Boys) the film tells the story of musician Dalvanius Prime and the origin of the song “Poi E”, a ground-breaking fusion of 1980s pop and traditional Māori music. “Poi E”, composed by Dalvanius and Ngoingoi Pēwhairangi and performed by the Patea Māori Club, remains the only song in Te Reo Māori to reach No 1 in the charts, over 30 years since its 1984 release.

Singer Stan Walker makes his acting debut playing the lead role in feature film Mt Zion, shot in Pukekohe, Auckland. Walker stars as Turei, a talented young musician with a dream – for his band to win the audition to be the support act for Bob Marley’s 1979 concert in Auckland. Set amongst a Maori family of contract potato pickers in Pukekohe, in which Turei’s desperate ambition clashes with traditional whanau values, leading to an emotional showdown and powerful change. Temuera Morrison (Once Were Warriors), plays Turei’s father, the hard-working head contractor who has some lost ambitions of his own. Mt Zion is written and directed by Tearepa Kahi, who made the international award-winning short film Taua. Stan Walker won the 2009 Australian Idol singing contest and is now signed to Sony Music as a recording artist and EMI publishing as song writer.

How a South Pacific love song touched hearts around the world.

A documentary about the threat posed to New Zealand's Kaipara Harbour by rapacious commercial fishing and development.

A young solo mother loves her son and his needs are formost, but she still has room in her heart for her very broken brother, even as her fundamentalist mother rejects her. But when the brother is responsible for a woman's broken neck, during his burglary of her house, families are changed as crisis amplifies and at times the young mother seems to be the only adult.

Ralph Hotere (Te Aupōuri) is regarded as one of New Zealand's greatest artists. This documentary by Merata Mita provides a perspective on his world, largely by way of framing his extensive body of work. Hotere remains famously tight-lipped throughout, but there are interviews with artists, friends and commentators, alongside scenes of Hotere working and of his contemporary home context. Mita's impressionistic film is set to a Hirini Melbourne-directed score of jazz, māori and pop songs, and poetry reading by Hotere's first wife Cilla McQueen.

As everyone in town gears up for the annual Hokitka Wild Foods Festival, Magik and Rose are locked in a poignant and funny off-beat tale of friendship and fertility. The result could end a good marriage, redefine the "perfect man", as well as discover what it means to be mother and daughter.