Annette Clarke

Martin Duckworth is a staunch defender of peace and justice and one of Quebec’s most important documentary filmmakers. Helped by his 47-year-old daughter, who is on the autism spectrum, the octogenarian supports his wife, photographer and activist Audrey Schirmer, through the final stages of Alzheimer’s disease. Characterized by captivating resilience and strength, this moving biography soberly directed by Jeremiah Hayes allows Duckworth to reflect candidly on the key personal and professional moments of the couple’s lives. Dear Audrey tells a story marked by incredible twists and turns and a consistent attitude toward challenges. The film takes place more in the present than the past, becoming a powerful testimonial to the growing and unshakable love of a husband for his wife.

Martin Duckworth is a staunch defender of peace and justice and one of Quebec’s most important documentary filmmakers. Helped by his 47-year-old daughter, who is on the autism spectrum, the octogenarian supports his wife, photographer and activist Audrey Schirmer, through the final stages of Alzheimer’s disease. Characterized by captivating resilience and strength, this moving biography soberly directed by Jeremiah Hayes allows Duckworth to reflect candidly on the key personal and professional moments of the couple’s lives. Dear Audrey tells a story marked by incredible twists and turns and a consistent attitude toward challenges. The film takes place more in the present than the past, becoming a powerful testimonial to the growing and unshakable love of a husband for his wife.

Global pandemics are like prairie thunderstorms. Full of terror and havoc, they eventually pass. Bringing a new baby into the world can also feel like a storm.

Global pandemics are like prairie thunderstorms. Full of terror and havoc, they eventually pass. Bringing a new baby into the world can also feel like a storm.

Cut off from his loved ones due to the strict COVID-19 lockdown at the long-term care facility where he lives, a quadriplegic rabbi is filmed by his daughter while reflecting on love, mortality and longing.

For generations, the sound of traditional Inuit drum dancing fell silent in Labrador due to colonization. In the early 21st century, the beat of the drum returned, and with it a renewed sense of pride in Inuit culture. Evan’s Drum tells the story of seven-year-old Evan Winters of Happy Valley-Goose Bay as he learns from his mother, Amy, how to drum dance. Amy hopes that her son will continue this newly reclaimed tradition and help to pass it on to future generations of Inuit. Labrador Inuk filmmaker Ossie Michelin brings us into the home of the Winters-Allen family for an intimate look as the revitalized tradition of drum dancing is once more passed down through the generations. Evan’s Drum provides a window into modern Inuit family life through the story of Evan and his family, who work alongside their community to keep the drumbeat alive.

Lean into loneliness — and know you’re not alone in it. Filmmaker Andrea Dorfman reunites with poet Tanya Davis to craft tender and profound animation on the theme of isolation, providing a wise and soaringly lyrical sequel to their viral hit How to Be Alone.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

O final dos anos 1970 ficou conhecido como a era de ouro do cinema para alguns cineastas afegãos, à medida que os comunistas assumiram o poder.

The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.

Deanne Foley profiles fellow Newfoundlander Mary Walsh, the Great Warrior Queen of Canadian comedy, musing on time wasted as an object of desire and time well spent as the fearless agent of her own destiny. A joyous call to action.

Follows four women of the estimated 40,000 displaced people moved from the banks of the Xingu River in the Amazon Basin to make space for construction of one of the world's largest dams, the Belo Monte.

Follows four women of the estimated 40,000 displaced people moved from the banks of the Xingu River in the Amazon Basin to make space for construction of one of the world's largest dams, the Belo Monte.

Over five years, acclaimed filmmaker Andrea Dorfman follows the heartbreaking yet uplifting story of the girls of Meru and their brave steps toward meaningful equality for girls worldwide. In Kenya, one in three girls will experience sexual violence before age 18, yet police investigations are the exception. In The Girls of Meru, a multinational team led by Canadian lawyer Fiona Sampson and Tumaini Shelter head Mercy Chidi Baidoo builds the case of 11 girls to pursue an unheard of legal tactic. Together they created legal history.

Inuit artist Asinnajaq plunges us into a sublime imaginary universe—14 minutes of luminescent, archive-inspired cinema that recast the present, past and future of her people in a radiant new light. Diving into the NFB’s vast archive, she parses the complicated cinematic representation of the Inuit, harvesting fleeting truths and fortuitous accidents from a range of sources—newsreels, propaganda, ethnographic docs, and work by Indigenous filmmakers. Embedding historic footage into original animation, she conjures up a vision of hope and beautiful possibility.

Bluefin is a tale of epic stakes set in “the tuna capital of the world.” In North Lake, Prince Edward Island, filmmaker John Hopkins tries to shed light on a baffling mystery: normally wary bluefin tuna no longer fear humans, and no one is quite sure why. Astonished Island fishermen and scientists offer conflicting explanations for the bluefin’s puzzling behaviour. One thing is certain: this great resurgence of gigantic tuna flies in the face of scientific assessments claiming that endangered stocks are down by 90 percent.

This animated short tells the story of a ferocious polar bear turned to stone by an Inuk shaman. The tale is based on emerging filmmaker Echo Henoche's favourite legend, as told to her by her grandmother in her home community of Nain, Nunatsiavut, on Labrador's North Coast. Hand-drawn and painted by Henoche in a style all her own, Shaman is the first collaboration between the Labrador artist and the NFB.

An extraordinary soup kitchen in Milan - the Refettorio Ambrosiano - run by internationally renowned chef Massimo Bottura and 40 of the world's best chefs including Ferran Adria, Rene Redzepi, Alain Ducasse, Daniel Humm and many others. All food served was made from the food waste of Expo Milano 2015. The film also tells the compelling story of several of the refugees and homeless the Refettorio served.

Set in the coldest waters surrounding Newfoundland’s rugged Fogo Island, this short film follows a group of “people of the fish”—traditional fishers who catch cod live by hand, one at a time, by hook and line. Filmmaker Justin Simms takes viewers deep inside the world of these brave fishermen. Travel with them from the early morning hours, spend time on the ocean, and witness the intricacies of a 500-year-old tradition that’s making a comeback.

Set in the coldest waters surrounding Newfoundland’s rugged Fogo Island, this short film follows a group of “people of the fish”—traditional fishers who catch cod live by hand, one at a time, by hook and line. Filmmaker Justin Simms takes viewers deep inside the world of these brave fishermen. Travel with them from the early morning hours, spend time on the ocean, and witness the intricacies of a 500-year-old tradition that’s making a comeback.

Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.

Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.

This short experimental documentary about memory and music follows a young Cuban couple charting a new course for their lives on an island in the North Atlantic.

This short experimental documentary about memory and music follows a young Cuban couple charting a new course for their lives on an island in the North Atlantic.

Director Bruce Alcock takes his inspiration from Chopin’s eponymous composition in this wonderful 3D animation, which pays tribute to the moments of beautiful chaos that can spring suddenly from the mundane.

This short film pays tribute to actress and comedian Mary Walsh. Layering archival photographs of downtown St. John’s and evocative imagery, it tells the remarkable story of a little girl who grew up next door to her family. Inspired by Mary Walsh’s one woman play Dancing with Rage, the film reveals the heart of the unique characters created by Newfoundland’s grand dame of comedy. Produced by the National Film Board of Canada in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2012 Governor General's Performing Arts Awards.

For ancient Mayans, cocoa was as good as gold. For subsistence farmer Eladio Pop, his cocoa crops are the only riches he has to support his wife and 15 children. As he wields his machete with ease, slicing a path to his cocoa trees, the small jungle plot he cultivates in southern Belize remains pristine and wild. His dreams for his children to inherit the land and the traditions of their Mayan ancestors present a familiar challenge. The kids feel their father's philosophies don't fit into a global economy, so they're charting their own course. Rohan Fernando's direction tenderly displays a generational shift, causalities of progress in modern times and a man valiantly protecting an endangered culture. Breathtaking vistas of lush rainforests contrast with the urban dystopia that pulled Pop’s children away from him. Will one child return to carry on a waning way of life

The tale of a tragic love story set in Newfoundland. When illness takes the woman he loves, a simple man raises his voice in melancholy song as a last farewell. The film, based on a song by local musician Emile Benoit, is anchored in a beautiful, remote corner of the province, and pays homage to its land, sea and the harsh lives of the local fishermen.

Combining archival photos with new and found footage, this short film presents a personal, impressionistic rendering of what it's like growing up Mi'kmaq in Newfoundland, while living in a culture of denial. Vistas is a series of 13 short films on nationhood from 13 Indigenous filmmakers from Halifax to Vancouver. It was a collaborative project between the NFB and APTN to bring Indigenous perspectives and stories to an international audience.

Four Feet Up is an intimate portrayal of child poverty in Canada by award-winning photographer and documentary filmmaker Nance Ackerman. Twenty years after the promise of the House of Commons 'to eliminate poverty among Canadian children,' 8-year-old Isaiah contemplates what 'less fortunate' means as he finds his voice through his own magical drawings and photographs. Four Feet Up invites us into the lives of this determined family, revealing an intimate and touching experience of child poverty in one of the world's richest nations.

Explores the intimidating terrain of girlhood by following three 12-year-olds over the period of one year. As these girls move from childhood to maturity, it's clear that peer pressure is an important influence, but as the films shows, the greatest influence in a young girl's life is family.