Director
Cinematography
On the occasion of the 150th anniversary of Matisse's birth and of the exhibition at the Center Pompidou which will be dedicated to him in 2020, this art documentary brings us back to life of the journeys made by Matisse that influenced his art. And particularly his last trip to Polynesia in 1930 which will bring him to the threshold of contemporary art with the invention of his gouache cut-out papers.
Director
On the occasion of the 150th anniversary of Matisse's birth and of the exhibition at the Center Pompidou which will be dedicated to him in 2020, this art documentary brings us back to life of the journeys made by Matisse that influenced his art. And particularly his last trip to Polynesia in 1930 which will bring him to the threshold of contemporary art with the invention of his gouache cut-out papers.
Writer
In 1932, Chaplin, in full midlife crisis, escapes to Bali in search of himself to find the artistic rejuvenation and inspiration to do his difficult transition to sound film.
Director
In 1932, Chaplin, in full midlife crisis, escapes to Bali in search of himself to find the artistic rejuvenation and inspiration to do his difficult transition to sound film.
Producer
In 1932, Chaplin, in full midlife crisis, escapes to Bali in search of himself to find the artistic rejuvenation and inspiration to do his difficult transition to sound film.
Producer
Samuel comes back to his hometown for a business trip, having not return since leaving for college, almost thirty years ago. On his way to an important meeting, he gets knocked over by a car, driven by a young man. It seems like a harmless accident and Samuel decides to take some rest in a park. Memories from his youth come rushing back as the night falls and the consequences of the accident slowly emerge.
Producer
Mixing interviews, rare archival footage and film extracts, the film shows how Melville's works were impacted by what he experienced in his youth during WWII, and how it structured his whole approach to cinema, not only in its thematic but also in its aesthetics.
Script
In 1912-1913, movie pioneer Gaston Méliès, brother of Georges Méliès, did a ten month long trip around Asia-Pacific, shooting both documentaries and fictions on location in Polynesia, New Zealand, Australia, Java, Singapore, Cambodia and Japan. He wanted the “real” thing” he filmed, with the locals, being one of the first to give Polynesians, Maoris, Aborigines and Khmers a chance to appear on screen. His hybrid cinema dealt with questions of alterity, identity and representation.
Director
In 1912-1913, movie pioneer Gaston Méliès, brother of Georges Méliès, did a ten month long trip around Asia-Pacific, shooting both documentaries and fictions on location in Polynesia, New Zealand, Australia, Java, Singapore, Cambodia and Japan. He wanted the “real” thing” he filmed, with the locals, being one of the first to give Polynesians, Maoris, Aborigines and Khmers a chance to appear on screen. His hybrid cinema dealt with questions of alterity, identity and representation.
