Zosya Rodkevich

Zosya Rodkevich

Nascimento : 1990-10-09, Moscow, USSR

História

Zosya Rodkevich was born in Moscow. Zosya graduated from Marina Razbezhkina's School of Documentary Filmmaking and was one of the directors of the award-winning documentary Winter Go Away (2012). She also participated in the documentaries The Term (2014) and Kiev/Moscow (2015). Zosya's first full-length film My Friend Boris Nemtsov (2016) was named Best Documentary at the Krakow FF and participated in the Jihlava IDFF and other film festivals.

Perfil

Zosya Rodkevich
Zosya Rodkevich
Zosya Rodkevich
Zosya Rodkevich

Filmes

Three Years Later
Director of Photography
The main character of the film, Alexander Strizhenova, became famous in talk shows and tabloid media as the daughter of a Soviet actress, Natalya Strizhenova, who grew up without a father - but this is not mentioned in the film by Rastorguev. Sasha, beaten by life, when we meet her, lives in a cluttered and untidy village house somewhere in the Moscow Region with her husband, with whom they swear dirtyly in the presence of their young son Ilya. Sasha smokes, drinks and endlessly suffers from a lack of love and from the fact that no one can understand it. Three years later, the viewer again sees her life - in another place, with another man and with a new child, but in about the same circumstances.
Down With the Tsar!
Director
Two days before the inauguration of Vladimir Putin, a protest action "Down with the tsar" took place in Moscow. The organizer of the rally, Alexei Navalny, was detained, the demonstrators were attacked by Cossacks, they were beaten by the police.
White Mama
Camera Operator
Аlina Makarova is a mother of six of her own children and one adopted child. Her ex husband is from Ethiopia, and all her own children are mixed race. Only her adopted son is white, but he has serious health problems and is psychologically unstable. Alina's older children realise what complications the adoption might bring and are afraid that there won't be enough room, time and love for everyone. But she convinces them that it's the right thing.
White Mama
Director
Аlina Makarova is a mother of six of her own children and one adopted child. Her ex husband is from Ethiopia, and all her own children are mixed race. Only her adopted son is white, but he has serious health problems and is psychologically unstable. Alina's older children realise what complications the adoption might bring and are afraid that there won't be enough room, time and love for everyone. But she convinces them that it's the right thing.
Ballot Boxes
Director of Photography
Several independent observers capture silly and cute nonsense that is going on in homes of disabled voters and in polling stations during presidential election day on March 18, 2018 in Russia.
Ballot Boxes
Author
Several independent observers capture silly and cute nonsense that is going on in homes of disabled voters and in polling stations during presidential election day on March 18, 2018 in Russia.
Ballot Boxes
Director
Several independent observers capture silly and cute nonsense that is going on in homes of disabled voters and in polling stations during presidential election day on March 18, 2018 in Russia.
Day of Russia
Director
On June 12, Russia Day, opposition leader Alexei Navalny moved the protest from Sakharov Avenue to the very center of the city, on Tverskaya Street, where the reenactors ' festival was held that day. People in armor mingled with the streams of protesters, with the police in full combat gear... The result - tough detentions, a stampede and flags from the window of the paddy wagon.
Гетто против Кадырова
Director of Photography
Гетто против Кадырова
Screenplay
Гетто против Кадырова
Director
My Friend Boris Nemtsov
Director of Photography
An intimate portrait of Russian opposition leader Boris Nemtsov — once Deputy Prime Minister and “an heir of President Yeltsin”, later an uncompromising adversary of Putin — that was assassinated near the Kremlin in February 2015. Election campaigns and hotel beds, protest rallies and office routine, train compartments and courtrooms, night walks and police vans – you have never seen any politician so close. This is a story how a journalist assignment turns into a genuine friendship.
My Friend Boris Nemtsov
Director
An intimate portrait of Russian opposition leader Boris Nemtsov — once Deputy Prime Minister and “an heir of President Yeltsin”, later an uncompromising adversary of Putin — that was assassinated near the Kremlin in February 2015. Election campaigns and hotel beds, protest rallies and office routine, train compartments and courtrooms, night walks and police vans – you have never seen any politician so close. This is a story how a journalist assignment turns into a genuine friendship.
The Term. Beginning of a Big Story
Director of Photography
The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.
Winter, Go Away!
Director of Photography
Ten director graduates from Marina Razbezhkina’s School of Documentary Film and Documentary Theatre lived with a camera for two months in order to chronicle the last “Russian winter” and its popular uprising against Vladimir Putin’s presidential run. People, faces, conversations, protests, failures and triumphs come together to chronicle the campaign.
Winter, Go Away!
Director
Ten director graduates from Marina Razbezhkina’s School of Documentary Film and Documentary Theatre lived with a camera for two months in order to chronicle the last “Russian winter” and its popular uprising against Vladimir Putin’s presidential run. People, faces, conversations, protests, failures and triumphs come together to chronicle the campaign.