Tatsushi Ōmori

The Women in the Lakes

In the black marcket, a war orphan is confronted with the struggles of people living in the immediate aftermath of WWII.

Anzai, Mutoh, Hamada, Hagiwara, and Miru are in a car headed to a love hotel used by the Sugiyama Clan for money laundering. This one night only gang succeed in robbing them blind and though they were supposed to go their separate ways after splitting the money, the five end up being hunt down by a detective hired by the clan and clan members themselves. An ending nobody ever even dreamed of.

When Chihiro was a baby, she suffered from eczema. Her parents tried to find a cure, but nothing worked. Her father's co-worker then gave him some water from a strange religious group. Chihiro was miraculously cured by the water. Her parents began to follow the strange religion and became fervent followers. Chihiro is now in the 3rd grade of middle school and she faces changes in her life.

When Chihiro was a baby, she suffered from eczema. Her parents tried to find a cure, but nothing worked. Her father's co-worker then gave him some water from a strange religious group. Chihiro was miraculously cured by the water. Her parents began to follow the strange religion and became fervent followers. Chihiro is now in the 3rd grade of middle school and she faces changes in her life.

A errática mãe de Shuhei se sente ameaçada quando ele começa a despertar para um mundo além de seu controle distorcido, enviando a família à tragédia.

A errática mãe de Shuhei se sente ameaçada quando ele começa a despertar para um mundo além de seu controle distorcido, enviando a família à tragédia.

Tarō is a vagabond, a wannabe, an urchin, and not what anyone would call mainstream. He does not care. Do not even ask him about his background or age. He would not know and he would not bother. The man meets two others and he begins to experience a new set of conditions.

Tarō is a vagabond, a wannabe, an urchin, and not what anyone would call mainstream. He does not care. Do not even ask him about his background or age. He would not know and he would not bother. The man meets two others and he begins to experience a new set of conditions.

Tarō is a vagabond, a wannabe, an urchin, and not what anyone would call mainstream. He does not care. Do not even ask him about his background or age. He would not know and he would not bother. The man meets two others and he begins to experience a new set of conditions.

When Satoshi was little, his mother Akiko always took good care of him. She was gentle, but mentally strong. However, two years ago she was diagnosed with cancer and now it's Satoshi's turn to comfort and care for her. However, despite his best efforts, she passes away. A year after Akiko's passing, Satoshi, his father Toshiaki and his older brother Yuichi start new lives. Around that time, Satoshi receives a present from his mother.

When Satoshi was little, his mother Akiko always took good care of him. She was gentle, but mentally strong. However, two years ago she was diagnosed with cancer and now it's Satoshi's turn to comfort and care for her. However, despite his best efforts, she passes away. A year after Akiko's passing, Satoshi, his father Toshiaki and his older brother Yuichi start new lives. Around that time, Satoshi receives a present from his mother.

A university student attends a Japanese tea ceremony near her house with her cousin. There she has the Japanese tea ceremony in her life and it's there for her during moments when she is sad or happy.

A university student attends a Japanese tea ceremony near her house with her cousin. There she has the Japanese tea ceremony in her life and it's there for her during moments when she is sad or happy.

Na sequência da agitação social causada pelo Grande Terremoto de Kanto de 1923, duas atletas de sumô feminino, Kiku e Tokachi, e um grupo anarquista chamado Sociedade Guilhotina criam um vínculo improvável.

On Mihama, one of Tokyo's outlying islands, Shinji witnesses the rape of his girlfriend and middle-school classmate, Haruka, then commits an irreversible crime. But the following day, the island is besieged by a tidal wave which wipes out everything. Twenty-five years later, Shinji has a wife and daughter. A childhood friend, Tasuku, presents himself to Shinji and discloses the real truth of his hidden past. Shinji will have to try and protect Haruka again.

On Mihama, one of Tokyo's outlying islands, Shinji witnesses the rape of his girlfriend and middle-school classmate, Haruka, then commits an irreversible crime. But the following day, the island is besieged by a tidal wave which wipes out everything. Twenty-five years later, Shinji has a wife and daughter. A childhood friend, Tasuku, presents himself to Shinji and discloses the real truth of his hidden past. Shinji will have to try and protect Haruka again.

Utsumi and Seto's daily routine is to spend their afterschool hours just jabbering with one another along a riverbed. Getting excited over trivial word play, agonizing over the content of an email to be sent to a girl, and, at times, talking about a serious problem, the two endlessly engage in meaningless idle talk as if it were meaningful.

Utsumi and Seto's daily routine is to spend their afterschool hours just jabbering with one another along a riverbed. Getting excited over trivial word play, agonizing over the content of an email to be sent to a girl, and, at times, talking about a serious problem, the two endlessly engage in meaningless idle talk as if it were meaningful.

The fifth work of the "Kita-Shirakawa school movie" in which a student of Kyoto University of Art and Design, a professional film staff, and a cast team up to make a film. With a certain big disaster, people are struggling for love while holding their own circumstances, and as a result, they ask what it is to "live correctly" even in a vague and uneasy era. Ittoku Kishibe played Yanagida, the protagonist of the protagonist who created and exhibited objects that incorporate radioactive materials to create and display indiscriminate terrorism.

Set within the fictional city of Mahoro, Keisuke Tada runs a "benriya" - a general problem solver for hire. His assistant is his former high school classmate Haruhiko Gyoten. A big crisis then occurs for them.

Set within the fictional city of Mahoro, Keisuke Tada runs a "benriya" - a general problem solver for hire. His assistant is his former high school classmate Haruhiko Gyoten. A big crisis then occurs for them.

Little Duck chronicles the life of a young man pulled from his life in Manhattan back to his home in rural Japan when his estranged brother runs into trouble.

Uma criança foi encontrada morta perto da casa de Shunsuke Ozaki e de sua parceira, Kanako. A polícia mantêm um olhar atento sobre Shunsuke porque ele é o principal suspeito no caso, pois uma mulher alega ter tido um caso com ele. Enquanto isso, um jornalista de uma revista semanal, chamado Watanabe começa sua própria investigação e descobre informações sobre um caso de 15 anos, em que Shunsuke era o agressor em um estupro e Kanako foi vítima. Aos poucos, a natureza de seu relacionamento é revelado.

Uma criança foi encontrada morta perto da casa de Shunsuke Ozaki e de sua parceira, Kanako. A polícia mantêm um olhar atento sobre Shunsuke porque ele é o principal suspeito no caso, pois uma mulher alega ter tido um caso com ele. Enquanto isso, um jornalista de uma revista semanal, chamado Watanabe começa sua própria investigação e descobre informações sobre um caso de 15 anos, em que Shunsuke era o agressor em um estupro e Kanako foi vítima. Aos poucos, a natureza de seu relacionamento é revelado.

Set in Nagano Prefecture, the movie stars Shingo Mizusawa (8000 Miles) as an awkward 28-year-old temporary factory worker named Kaji; a character partially modeled after the perpetrator of the 2008 Akihabara massacre. His social interactions are limited to his postings on internet message boards until he starts hanging out with a co-worker named Tanaka (Shohei Uno) who suffers from the debilitating sleep disorder narcolepsy. The pair become involved in a predicament when they attempt to protect a girl named named Yuri (Ai Tamura) from their other co-worker Okada (Yasushi Fuchikami).

Set in Nagano Prefecture, the movie stars Shingo Mizusawa (8000 Miles) as an awkward 28-year-old temporary factory worker named Kaji; a character partially modeled after the perpetrator of the 2008 Akihabara massacre. His social interactions are limited to his postings on internet message boards until he starts hanging out with a co-worker named Tanaka (Shohei Uno) who suffers from the debilitating sleep disorder narcolepsy. The pair become involved in a predicament when they attempt to protect a girl named named Yuri (Ai Tamura) from their other co-worker Okada (Yasushi Fuchikami).

From the late 1950s through the '70s, more than 90,000 of the ethnic Koreans in Japan emigrated to North Korea, a country that promised them affluence, justice, and an end to discrimination. KAZOKU NO KUNI tells the story of one of their number, who returns for just a short period. For the first time in 25 years, Sonho is reunited with his family in Tokyo after being allowed to undergo an operation there. Sonho’s younger sister Rie is at the centre of the film, and is not hard to recognise as the director’s alter-ego. In her documentaries DEAR PYONGYANG and SONA, THE OTHER MYSELF, Yang Yonghi told the story of her own life, and how, at age six, she experienced the departure of her three older brothers, who left their family for Pyongyang.

In Mahoro, the fictional suburb of Tokyo, Tada works as a general problem solver for hire. One day, former classmate Gyoten appears unannounced. Both men are over 30 years old and divorced. With no explanation, Gyoten suddenly asks to spend the night at Tada's home. Eventually, Tada accepts Gyoten as his assistant and together they become involved in various cases concerning an assortment of people from different walks of life.

In Mahoro, the fictional suburb of Tokyo, Tada works as a general problem solver for hire. One day, former classmate Gyoten appears unannounced. Both men are over 30 years old and divorced. With no explanation, Gyoten suddenly asks to spend the night at Tada's home. Eventually, Tada accepts Gyoten as his assistant and together they become involved in various cases concerning an assortment of people from different walks of life.

The bittersweet events in the lives of people in Hakodate, a regional city connected by a streetcar network. A laid-off man and his younger sister go up a mountain to see the first sunrise of the year. Meanwhile, Haruo has inherited his family's gas business, but things aren't going well in his new endeavor and he becomes increasingly frustrated.

A Crowd of Three tells the story of two men, Kenta & Jun, who grew up as almost brothers at a children's facility. Kenta & Jun now works as part of a demolition crew but become fed up with their jobs. The friends then decide to take a road trip up north to visit Kenta's brother at the Abashiri prison.

A Crowd of Three tells the story of two men, Kenta & Jun, who grew up as almost brothers at a children's facility. Kenta & Jun now works as part of a demolition crew but become fed up with their jobs. The friends then decide to take a road trip up north to visit Kenta's brother at the Abashiri prison.

Rou has returned to the monastery he was raised in. As he listens to the whispering of the Gods through his germanium radio, Rou defies God in every which way and puts religion to the test.

Yuka is staying at hotel Seaside in a Japanese resort. She is alone and bored, so she gets something going with the night porter.

Yuka is staying at hotel Seaside in a Japanese resort. She is alone and bored, so she gets something going with the night porter.

Kawamoto works and lives in a dilapidated pool hall which also serves as a rehearsal space for him and his friend Chikako. They seem contented to while away their hours doing nothing much at all. Meanwhile, an old pool shark meets some people from his past that he is none too happy to see again. How will this affect their private haven?

A movie capturing the suburbs of Tokyo

Fu and Suzu are two pretty anarchist girls who decide to take to the road. They set off on a journey to visit the tomb of a small pig by name Pupu. On the way, they meet Suzu's ex-lover, a gay couple, and a golf player; always getting in trouble. But whenever trouble comes, 'Trunk Man' the hero appears to save them.