Michiko Sakyō

Pinku from 1973.

Depicting female karma and sexual sorrow in the midst of revenge and immorality, a woman betrayed by her lover plans to take revenge on him by seducing his only son and dragging him into a sensual trap, but before long she too is writhing in delight and falling in love with him.

Kazuko Shirakawa interpreta uma garota que saiu de casa para satisfazer sua luxúria interior. Sua paixão se transforma em desespero quando ela olha para sua vida miserável e vê a perda de seu único amor verdadeiro e eventualmente se torna uma prostituta. Tudo é arquitetado por sua irmã ciumenta, que espera ir para a cama com o marido. Ela finalmente consegue seu desejo.

Pinku from 1969.

Description of Lesbian sex.

Tomoko suffers at the hand of her husband, Arakawa, who practises sadistic sex with her and various other women. After Arakawa dies suddenly, Tomoko is at first relieved, but then discovers that she is incapable of enjoying sex unless she is in a masochistic position.

After being brutally gang-raped, a young girl grows into a woman with a double life: She's a well-to-do doctor by day and, by night, a revenge-driven streetwalker who uses sex as a weapon. That all changes when she finally falls in love and begins a new life with her husband -- only to discover that he has a troubling secret of his own.

In a complex story, various sexual escapades - heterosexual and lesbian - take place at a hospital.

Kidnapping drama, set in an isolated mountain district.

A woman joins with an insurance clerk in trying to kill her husband and thus secure a big insurance pay-out.

Pinku from 1967.

The husband of a young wife discovers she has a promiscuous background as a bar hostess. Feeling that his honor has been slighted, he refuses to have intimate relations with her. The woman flees her old-fashioned husband for solace in the arms of a former lover.

Pinku from 1966.

Pinku from 1966.

16-year-old Tachiko (Kimiko Asuka) discovers the true nature of her father's wife, Fumie (Michiko Sakyo), who is after the fortune of the company president, Gozo (Keisuke Senda), and recommends divorce to him, but she is kidnapped and her virginity is stolen by Hayata (Ryoichi Amano) who is colluding with Fumie. After the funeral for her father, who committed suicide out of pity for his daughter, Tachiko disappears.

Two women, an undercover cop, and a leader of the group of rude girls, defy the smuggling syndicate.

The year is 1945, months prior to Japan's ultimate defeat in WW2, and military lieutenant Sugawa is sent on a critical mission to deliver micro-fiche war plans to Tokyo from his base in Malaysia. But while flying over Chinese waters his plane is shot down and he is taken aboard a ship bound for Shanghai to deliver its merchandise - a ship filled with Female Slaves kidnapped from Japan. Will he abandon the women to pursue his main objective? Or will he fight foes, spies and pirates to save these women against all odds?

1959 Japanese film directed by Morihei Magatani for Shintoho.

Comedy about three soldiers, two female reporters, six prostitutes, and the wife of an officer, all stranded on a South Seas island at the end of World War II.

Nude models are being brutally murdered one after another. Is the painter with the dark sunglasses really the killer?

1958 Japanese film