Seiichirō Yamaguchi

This biopic is centered on New Year's Day of 1894, when Kitamura is recovering from a suicide attempt. Japan is then under the spell of fervent patriotism because the government wants to build up public support for a war with China. Kitamura's literary friends and militant comrades come to visit. They wonder why Kitamura wants to kill himself. Kitamura at first refuses to receive them, then he sits down with them and looks back on his days as a civil rights militant, his stormy love life and his ardent but destructive desire to live literature to the full.

Toda, a disillusioned journalist that was once a part of the student movement, recalls his former youth when he meets a confident young woman through his work.

Toda, a disillusioned journalist that was once a part of the student movement, recalls his former youth when he meets a confident young woman through his work.

Roman Porno from 1972.

Kyōko is a woman with a promiscuous past who is sexually unsatisfied with her marriage. Her frustrations lead her to have hedonistic dreams, such as her mother and grandfather having sex together. Seeking to rejuvenate her marriage, she throws a wild party. The ploy is a success.

Kyōko is a woman with a promiscuous past who is sexually unsatisfied with her marriage. Her frustrations lead her to have hedonistic dreams, such as her mother and grandfather having sex together. Seeking to rejuvenate her marriage, she throws a wild party. The ploy is a success.

Comedy about a young man who causes pandemonium by raiding a bar patronized by his father, winning the favors of a hostess and ends up feeling the breasts and hips of all the girls in his father's office.

A 1970 crime film.

Ao fim de quase quarenta filmes como realizador em pouco mais de dez anos de trabalho, Seijun Suzuki foi despedido da Nikkatsu, lendária produtora japonesa. A causa, este "Koroshi no Rakuin", considerado pela crítica a sua obra prima, mas visto como incompreensível e inaceitável pelo presidente da companhia, Kyusaku Hori. O filme valeu-lhe um circense processo judicial pela luta dos direitos das suas obras. Ao fim de três anos de litígio, Suzuki, mais do que uma vitória merecida, conquistou o estatuto de cineasta de culto no Japão e um despertar das atenções a Ocidente. A década seguinte seria de exílio em trabalhos menores para a televisão.