Marie Eline

The first screen adaptation of Harriet Beecher Stowe's novel to star a black man in the title role.

Her parents said she was a darling. The long-suffering servants thought otherwise. From the time that she could first crawl and talk she had had her own way. Her nurse did not like her. The little girl never obeyed, but always argued and protested. She smashed her toys and tore her clothes, and screamed so her sick mother took a turn for the worse. Her parents, however, were satisfied she would outgrow her unpleasant habits, and sure enough she did. One evening the nurse rushed into her room, attracted by the cries of the child. She had tumbled out of bed, but strange to say was not peevish. She apologized to the nurse for causing any trouble and altogether was so sweet that the nurse was convinced the child was seriously ill. Her father questioned her and the little one told him of the remarkable conduct of her newest and biggest doll.

A romantic story utilizing flashback sequences, featuring Harry Benham, Mignon Anderson and Helen Badgley (http://thanhouser.org/).

A recreation of the Thanhouser Studio fire of 13 January 1913, it includes the rescue of a small child from the flaming building.

: Count Eberhard von Alderstein was one of the robber barons who flourished in Europe during the Middle Ages. He was cruel and lawless, plundered the merchants who passed his castle, and cared for no one, except his little sister, Ermyntrude.

A kind hearted actress who befriended a poor little waif of the street, soon grew to love the child. When she went on the road she found him a home with her old nurse. She realized how much the child meant to her when he was crippled in an accident, for as soon as she heard the news she gave up her position and hurried to his side.

Family drama of a a brother and sister who take to the stage.

A messenger boy is wrongfully accused of stealing bonds worth $20,000. Luckily, a film crew is shooting a moving picture on the same street. The boy's accuser has the police convinced, until...

Forester and Maywood, two wealthy neighbor planters, volunteered their services to defend their country when the war of the Revolution broke out. Forester was made colonel of his regiment, while Maywood became a captain. The men mortgaged their plantations and gave the benefits to the government, which was hard pressed for funds. Colonel Forester was mortally wounded at the battle of Cowpens, but before he passed away, Captain Maywood promised that he would care for Forester's motherless little girl.

A little boy, inmate of an orphan asylum, ran away. He fell in with an itinerant knife grinder. The boy had had no home life and when his companion suggested that they steal some chickens, he did not object. The farmer was alert, however, and although the knife grinder escaped, the boy was made a prisoner.

The story concerns the love of Henry Little for Grace Carden and its reciprocal sentiment, with the time-honored interference of those who attempt to arrange the affairs of Cupid to suit social exigencies.

Over the years, an old gardener observes a romance develop between a young boy and girl. 20 years after they break up over a misunderstanding, the old man is instrumental in bringing them back together again.

Happy in the love of his devoted wife and their child, a young businessman found life's pathway pleasant. Then the greatest of sorrows came; his wife died and he was plunged into gloom.

The banker's motto was "Everyone for himself, and me first." The girl believed in aiding the poor, and that wealth carried with it an obligation to be useful. The father admired his beautiful daughter, even though he did not understand her. She loved him and hoped some day to bring him to a realization of his duty toward the helpless and friendless. Before this happened, the clash came.

The rich little boy was seven years old and his kind Mama gave him a birthday party. A number of children were invited to wish him happy returns of the day, and it promised to be a wonderful event in the child's life. There was one unpleasant feature, however, the host's cousin, who was a boy of twelve, therefore almost venerable, was a guest, and the prettiest little girl of the party soon became this old man's darling. As the rich little boy had favored her with his attention it angered him to find that he had a rival in his elderly relative.

The husband was stern, solemn and never could understand why anyone should laugh. The wife didn't have much sense, perhaps, but she was full of life and laughter. Why they should have married was a mystery; that there should have come a matrimonial shipwreck was hardly a surprise.

Dottie was very proud of her great big beautiful doll but sometimes they are in danger of getting broke. And that was what happened to "Beautiful Bess" and it nearly broke her mother's tiny heart.

His home was a dreary room in a basement; he was hopelessly crippled; his widowed mother was just able to keep their home together by steady work as a washerwoman; and he had no toys or other boys to play with. Despite his sickness and poverty the little shut-in was a cheery chap, and invented games of his own.

An indictment of the evils of child labor, the film was controversial in its time for its use of actual footage of children employed in a working mill.

Her parents were humble peasants, and were fond of her when she was a baby, for they believed she would grow up to be a beautiful woman and make a good match. The trouble was that she didn't grow up. When she was nineteen she was no bigger than a child of six. Naturally they were overjoyed when an offer for their daughter's hand was made by another midget who lived in the same village. To their astonishment and anger, the girl refused to entertain it, declaring the husband she chose would have to be a man of whom she could be proud. Her home life was most unhappy after that, and the entire family rejoiced when a showman from the United States arrived and offered what seemed big money if she would join his "Congress of Freaks," which was quite an institution in America. And the girl went gladly.

With The Old Curiosity Shop and David Copperfield, both released in 1911, and Nicholas Nickleby in 1912, Thanhouser established itself as producer of the best Dickens adaptations in American film.

Based on the novel of the same name by Mrs. Henry Wood (Ellen Wood).

Dr. Henry Jekyll experiments with scientific means of revealing the hidden, dark side of man and releases a murderer from within himself.

She was the first attempt in film to depict the story of H. Rider Haggard's 1886 novel She: A History of Adventure.

A wealthy miner, having no near relatives, leaves his two little daughters to the guardianship of a former chum of his, who had left the west with a fortune and returned to his old home in an eastern city. The guardian is rather overwhelmed by his responsibilities, but induces his old aunt to come and keep house for him, and prepares to give his charges a hearty welcome. The guardian is a young man, and is surprised to find that one of his wards is of marriageable age, beautiful and vivacious. He promptly proceeds to lose his heart to her, and while she admires him immensely the girl is finally thoroughly impressed with the idea that her guardian would gladly be rid of her. T

A lawyer is given the execution of a will, which bequeaths to the child of a disinherited son a large fortune. The disinherited son is now dead. The father, on his deathbed is penitent. By way of making amends he leaves to his son's offspring, his entire fortune. He is ignorant of his grandchild's fate, but provides that a thorough search should be made.

Thanhouser Company three-reel silent film based on Charles Dickens’s story of an English lad's tribulation-filled journey to adulthood, Thanhouser released the three films over the course of three weeks beginning on October 17, 1911, one 1,000 foot reel per week.

The myth, which is beautifully told on the screen, shows the stages of the struggle between the little love God and his inveterate enemy, Satan.

Grease paint, the spotlight and applause lose their fascination for the Five Rose Sisters, a dancing team full of vivacity, ability and pluck.

A young widow is compelled because of her poverty to leave her only child, a little daughter, at a charitable institution, while she hunts for work.

A young missionary, filled with religious fervor, joyfully accepts the post to carry the gospel to a section of Japan, where white men are not known. His wife and little daughter go with him, and he starts for his station with native guides and bearers.

A young artist, in love with a society girl, finally induces her to consent to pose for him. In a picture which he believes will be his masterpiece, and his confidence is increased when he finds just the child he wants for Cupid, to be in the painting with his lady fair.

After extracting the best that was in him in the course of twenty years' service, with them, the Peoples' Insurance Company discharges Joe Jackson, a faithful bookkeeper. So at middle life, Joe finds the sum-total of a "city career" a nervous wife, a drooping infant and a grown-up son and daughter, whom the city has converted into shallow, idle, selfish creatures. His own gains are a bank account that wouldn't stand the strain of city rent-paying and city living, while he was hunting for a job, so Joe concluded to get "back to nature." He bought a farm with his savings and transported himself there with his family, much against the wishes of two members thereof, the indolent son and daughter, of course.

According to the tale found in the ancient annals, the little town of Hamelin, in Hanover, found itself, five hundred years ago overrun with rats. The citizens tried every way to abate the plague, but without result. Finally a mysterious stranger appeared in the town and offered for the sum of 1000 guilders to clear the place of vermin.

Based on the play by Henrik Ibsen.

Lorna Dugal, the little daughter of an English nobleman, is carried off by her father's enemies, the Doones, when she is five years old. Sire Ensor Doone had been banished from court, and he and his family had established themselves in a well-protected valley, becoming outlaws and highwaymen.

When the two little daughters of a young widower are told that he is preparing to bring up to the house to see them, a young lady who is to be their new mamma, they are at once plunged into the depths of despair. They feel that their home will be no longer bearable if they are to have a stepmother, so they run away to go out in the world to earn their own living.

An investment plan that tells potential investors they can "get rich quickly" turns out to be a swindle, and investors are in danger of losing all their money.

A crippled little girl lives at home with her parents and her grandmother. She loves her grandmother deeply, but her parents can't get along with the old woman, and the girl is torn between both sides.

A kindly shop owner whose overwhelming gambling debts allow a greedy landlord to seize his shop of dusty treasures. Evicted and with no way to pay his debts, he and his granddaughter flee.

Edwin Thanhouser re-made The Vicar of Wakefield in 1917 as a eight-reel feature film providing us with a frame of reference for the maturation of film language and cinematic techniques over the ensuing eight year period.

Released on June 7, 1910, THE TWO ROSES was Thanhouser's 16th release and was advertised as "A powerful, pathetic, pretty story of life in Little Italy." The film featured Marie Eline (Tony, an Italian boy), Frank H. Crane (Tony Prolo, young Tony's father), and Anna Rosemond (Tony Prolo's wife). In this film Marie Eline was billed as "The Thanhouser Kid" for the first time.

Directed by Theodore Marston.

Silent film.