Juan Villoro

Juan Villoro

Nascimento : 1956-09-24, Mexico City, Mexico

Perfil

Juan Villoro

Filmes

The Truth Shall Not Be Killed
After being kidnapped in Syria and witnessing the execution of a colleague, war correspondent Témoris Grecko returns to a Mexico submerged in violence and starts a chronicle of the 3 most dangerous years for mexican journalists, from 2015 to 2017.
O Caos e a Ordem
O Caos e a Ordem é um documentário sobre a vida e obra do artista abstrato Manuel Felguérez, um dos mais importantes pintores e escultores mexicanos do século XX e a principal referência da Geração da Ruptura.
Isso é México!
Self
A paisagem, a arte e a cultura do México ganham vida neste mosaico visual ao som de alguns dos artistas mais aclamados do país.
Gimme the Power
Himself
A rock documentary, about the Mexican band Molotov, that focuses more in the political and musical context of Mexico rather than in the actual story of the band.
12th Warrior
Self
A documentary that tries to explain the reason for the passion of the Mexican football fandom.
Ojos rojos
Self
Documentary film about soccer and the passion it unleashes in a country qualifying for a world cup. During eight years of following the Chilean national team, the features and nuances that make up our society are reflected in both defeat and victory, trying to answer what mystery this sport has that makes it the most popular in the world.
Bolaño, Up Close and Personal
Generously included as a bonus DVD alongside the 502-page Bolaño salvaje, a book of essays about and reminiscences on the Chilean novelist/poet published by the Barcelona-based Editorial Candy. Bolaño cercano [a difficult to translate title approximating something like Bolaño, Up Close and Personal], which offers up a sympathetic portrait of Bolaño as a loving family man and tireless reader and writer and teases with ever so brief glimpses of his personal library and countless spiral notebooks filled with rough drafts of his novels and poetry and even comic book-like drawings and illustrations.
Vivir mata
Screenplay
A romantic comedy of our times about passion, friendship and lies, on one of those days when the city and its inhabitants go crazy and anything seems possible. Diego and Silvia meet each other and fall in love thanks to their masterly lies. The morning after, with their respective friends, they remember the encounter and slowly begin to realize how sincere and honest that relationship was. When the opportunity arises, both struggle to meet again on a day in which a sudden and unusual disorder reigns in Mexico City.