Thomas Imbach

The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.

The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.

The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.

The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.

The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.

Routinely, but with dedication, Mare runs her small family’s modest household, even though a new washing machine is not the only thing that is missing. When a chance encounter rekindles her libido, she does not hold back for long.

Routinely, but with dedication, Mare runs her small family’s modest household, even though a new washing machine is not the only thing that is missing. When a chance encounter rekindles her libido, she does not hold back for long.

Lena is in love with her brother Noah. In the desperate attempt to conquer her feelings, she retreats into a world of her own.

Lena is in love with her brother Noah. In the desperate attempt to conquer her feelings, she retreats into a world of her own.

Lena is in love with her brother Noah. In the desperate attempt to conquer her feelings, she retreats into a world of her own.

Lena is in love with her brother Noah. In the desperate attempt to conquer her feelings, she retreats into a world of her own.

Teens Linda and Eta are inseparable friends, though they have plenty of disagreements, but one horrific argument has unexpected consequences.

Love Island tells the story of a pregnant French woman who lives in Sarajevo with her Bosnian husband and their daughter. They go for a vacation at a Croatian island, where things get complicated when they all become attracted to a beautiful woman.

Mary (Camille Rutherford) foi destinada a se tornar a rainha da França. Mas depois que seu jovem marido morre, ela volta sozinha para a Escócia, um país devastado pela guerra. Ao mesmo tempo, Elizabeth acaba de se tornar a rainha da Inglaterra. Mary se casa novamente, com Lord Darnley (Aneurin Barnard), e tem um herdeiro, mas ela encontra o amor verdadeiro nos braços do Conde de Bothwell (Sean Biggerstaff). Quando seu segundo marido é assassinado e ela assume seu amor publicamente, tanto os nobres como o povo a desprezam. Para evitar uma guerra, Mary terá que desistir de sua felicidade.

Mary (Camille Rutherford) foi destinada a se tornar a rainha da França. Mas depois que seu jovem marido morre, ela volta sozinha para a Escócia, um país devastado pela guerra. Ao mesmo tempo, Elizabeth acaba de se tornar a rainha da Inglaterra. Mary se casa novamente, com Lord Darnley (Aneurin Barnard), e tem um herdeiro, mas ela encontra o amor verdadeiro nos braços do Conde de Bothwell (Sean Biggerstaff). Quando seu segundo marido é assassinado e ela assume seu amor publicamente, tanto os nobres como o povo a desprezam. Para evitar uma guerra, Mary terá que desistir de sua felicidade.

Mary (Camille Rutherford) foi destinada a se tornar a rainha da França. Mas depois que seu jovem marido morre, ela volta sozinha para a Escócia, um país devastado pela guerra. Ao mesmo tempo, Elizabeth acaba de se tornar a rainha da Inglaterra. Mary se casa novamente, com Lord Darnley (Aneurin Barnard), e tem um herdeiro, mas ela encontra o amor verdadeiro nos braços do Conde de Bothwell (Sean Biggerstaff). Quando seu segundo marido é assassinado e ela assume seu amor publicamente, tanto os nobres como o povo a desprezam. Para evitar uma guerra, Mary terá que desistir de sua felicidade.

A poetic but also wryly humorous study of the selfish artist trying to play the indifferent God, but ending up revealing himself as all too human.

A poetic but also wryly humorous study of the selfish artist trying to play the indifferent God, but ending up revealing himself as all too human.

Roger is a young, dashing banker full of boyish self-confidence. He has a highly successful business, smuggling black money across the border for reinvestment. But then a split second reaction changes his entire life. Flagged down one day by a customs officers, Roger loses his cool and makes a run for it. His only means of escape: diving headlong into Lake Constance, thereby catapulting himself out of his life as a banker and into a totally new universe, populated with shy mermaids decked out in Lara Croft gear, and cunning magpie witches in helicopters. As in a Grimm Brothers fairy tale, Roger has to pass three tests to cast off the witch’s curse and find happiness. His underwater journey through an intoxicatingly beautiful Switzerland is enhanced by the enchanting songs of sirens – a fable full of lust for life and love.

Roger is a young, dashing banker full of boyish self-confidence. He has a highly successful business, smuggling black money across the border for reinvestment. But then a split second reaction changes his entire life. Flagged down one day by a customs officers, Roger loses his cool and makes a run for it. His only means of escape: diving headlong into Lake Constance, thereby catapulting himself out of his life as a banker and into a totally new universe, populated with shy mermaids decked out in Lara Croft gear, and cunning magpie witches in helicopters. As in a Grimm Brothers fairy tale, Roger has to pass three tests to cast off the witch’s curse and find happiness. His underwater journey through an intoxicatingly beautiful Switzerland is enhanced by the enchanting songs of sirens – a fable full of lust for life and love.

Roger is a young, dashing banker full of boyish self-confidence. He has a highly successful business, smuggling black money across the border for reinvestment. But then a split second reaction changes his entire life. Flagged down one day by a customs officers, Roger loses his cool and makes a run for it. His only means of escape: diving headlong into Lake Constance, thereby catapulting himself out of his life as a banker and into a totally new universe, populated with shy mermaids decked out in Lara Croft gear, and cunning magpie witches in helicopters. As in a Grimm Brothers fairy tale, Roger has to pass three tests to cast off the witch’s curse and find happiness. His underwater journey through an intoxicatingly beautiful Switzerland is enhanced by the enchanting songs of sirens – a fable full of lust for life and love.

Roger is a young, dashing banker full of boyish self-confidence. He has a highly successful business, smuggling black money across the border for reinvestment. But then a split second reaction changes his entire life. Flagged down one day by a customs officers, Roger loses his cool and makes a run for it. His only means of escape: diving headlong into Lake Constance, thereby catapulting himself out of his life as a banker and into a totally new universe, populated with shy mermaids decked out in Lara Croft gear, and cunning magpie witches in helicopters. As in a Grimm Brothers fairy tale, Roger has to pass three tests to cast off the witch’s curse and find happiness. His underwater journey through an intoxicatingly beautiful Switzerland is enhanced by the enchanting songs of sirens – a fable full of lust for life and love.

Roger is a young, dashing banker full of boyish self-confidence. He has a highly successful business, smuggling black money across the border for reinvestment. But then a split second reaction changes his entire life. Flagged down one day by a customs officers, Roger loses his cool and makes a run for it. His only means of escape: diving headlong into Lake Constance, thereby catapulting himself out of his life as a banker and into a totally new universe, populated with shy mermaids decked out in Lara Croft gear, and cunning magpie witches in helicopters. As in a Grimm Brothers fairy tale, Roger has to pass three tests to cast off the witch’s curse and find happiness. His underwater journey through an intoxicatingly beautiful Switzerland is enhanced by the enchanting songs of sirens – a fable full of lust for life and love.

The filmmaker Lenz has left his native Berlin for the Vosges to research the story behind Georg Büchner's novel fragment Lenz. But he soon trades the Alsatian landscape for higher altitudes and more emotional territory: a reunion with his estranged wife Natalie and their son Noah in the Swiss Alps. Like his literary counterpart, the modern-day Lenz follows the Romantic motto: Genius writes its own rules. Against a background of kitsch global tourism - provided by the authentic Zermatt locations - Thomas Imbach's Lenz portrays an unconventional family and a man struggling between euphoria and desperation.

The filmmaker Lenz has left his native Berlin for the Vosges to research the story behind Georg Büchner's novel fragment Lenz. But he soon trades the Alsatian landscape for higher altitudes and more emotional territory: a reunion with his estranged wife Natalie and their son Noah in the Swiss Alps. Like his literary counterpart, the modern-day Lenz follows the Romantic motto: Genius writes its own rules. Against a background of kitsch global tourism - provided by the authentic Zermatt locations - Thomas Imbach's Lenz portrays an unconventional family and a man struggling between euphoria and desperation.

The filmmaker Lenz has left his native Berlin for the Vosges to research the story behind Georg Büchner's novel fragment Lenz. But he soon trades the Alsatian landscape for higher altitudes and more emotional territory: a reunion with his estranged wife Natalie and their son Noah in the Swiss Alps. Like his literary counterpart, the modern-day Lenz follows the Romantic motto: Genius writes its own rules. Against a background of kitsch global tourism - provided by the authentic Zermatt locations - Thomas Imbach's Lenz portrays an unconventional family and a man struggling between euphoria and desperation.

The filmmaker Lenz has left his native Berlin for the Vosges to research the story behind Georg Büchner's novel fragment Lenz. But he soon trades the Alsatian landscape for higher altitudes and more emotional territory: a reunion with his estranged wife Natalie and their son Noah in the Swiss Alps. Like his literary counterpart, the modern-day Lenz follows the Romantic motto: Genius writes its own rules. Against a background of kitsch global tourism - provided by the authentic Zermatt locations - Thomas Imbach's Lenz portrays an unconventional family and a man struggling between euphoria and desperation.

The filmmaker Lenz has left his native Berlin for the Vosges to research the story behind Georg Büchner's novel fragment Lenz. But he soon trades the Alsatian landscape for higher altitudes and more emotional territory: a reunion with his estranged wife Natalie and their son Noah in the Swiss Alps. Like his literary counterpart, the modern-day Lenz follows the Romantic motto: Genius writes its own rules. Against a background of kitsch global tourism - provided by the authentic Zermatt locations - Thomas Imbach's Lenz portrays an unconventional family and a man struggling between euphoria and desperation.

A raw, honest look at the relationship between filmmakers, actors, and the characters they create together. Sometimes comical, sometimes infuriating, always fascinating.

A raw, honest look at the relationship between filmmakers, actors, and the characters they create together. Sometimes comical, sometimes infuriating, always fascinating.

A raw, honest look at the relationship between filmmakers, actors, and the characters they create together. Sometimes comical, sometimes infuriating, always fascinating.

A raw, honest look at the relationship between filmmakers, actors, and the characters they create together. Sometimes comical, sometimes infuriating, always fascinating.

A raw, honest look at the relationship between filmmakers, actors, and the characters they create together. Sometimes comical, sometimes infuriating, always fascinating.

We accompany a handful of teenagers on their forays into department stores, listen to techno musik, stand on the sidelines as a big kid picks on someone half his size. But the film has nothing of the usual voyeuristic sensationalism à la reality TV; it is rather a patently constructed, analytical montage of reality that opens out into times and spaces, and provides food for thought. Ghetto is divided into six loosely interwoven chapters. Each of the six chapters has its own coloring, its own pace and actors, its own treatment of the raw material. And each has its own distinctive scenery – interspersed shots of the geographical or architectural environment in which the young protagonists live. –First Hand Films

The world we have just entered resembles a futurist machine. It is a colossus of concrete and glass, with a heart deep inside, a computer heart pulsating with an endless stream of data, while hundreds of beings in its labyrinthine veins are busy or trying to keep the coursing data under control… MUBI

Kick That Habit is a 1989 film by PETER LIECHTI, an audio-visual portrait of his native country, eastern Switzerland. The film collects samples from the land-and-soundscape, underscoring in the process the oft-ignored industrial underpinning of our latter-day culture. Also native to eastern Switzerland is VOICE CRACK, the everyday household electronics duo of NORBERT MOSLANG and ANDY GUHL, whose musical workings are explored as part of Liechti s vision. Whether clicking quietly and rhythmically or humming and shrieking at ear-splitting volume, their recycled electronics produce innovative sounds and provide an appropriate accompaniment in this cinematic search for the detritus of our culture, the lost and destroyed remains of the last century of progress.

Kick That Habit is a 1989 film by PETER LIECHTI, an audio-visual portrait of his native country, eastern Switzerland. The film collects samples from the land-and-soundscape, underscoring in the process the oft-ignored industrial underpinning of our latter-day culture. Also native to eastern Switzerland is VOICE CRACK, the everyday household electronics duo of NORBERT MOSLANG and ANDY GUHL, whose musical workings are explored as part of Liechti s vision. Whether clicking quietly and rhythmically or humming and shrieking at ear-splitting volume, their recycled electronics produce innovative sounds and provide an appropriate accompaniment in this cinematic search for the detritus of our culture, the lost and destroyed remains of the last century of progress.