Alberto Menichetti lives with an aunt and an old housekeeper, Clotilde; he has a job in a firm and his boss is Mrs. De Ritis, a widow whose husband was killed during a wild boar hunt. She likes him but Alberto likes Marcella; she is under age and he is awaiting her birthday to declare his love. His greater traits are to be fearful of everything and to be selfish. This nature will get him into trouble..
la nonna
Uma jovem mãe não suporta as pressões geradas pela responsabilidade familiar e abandona o marido. O principal afetado por essa decisão é Prico, seu filho mais velho, que acaba com a vida pessoal destruída.
anziana madre di Giovanni
In Milan, an unwed mother, forced to flee from her town because of the scandal, meets a doctor who falls in love with her and marries her. But the couple's relationship breaks down almost immediately: the husband is unable to leave behind the woman's past and can not stand a son not his. So Dina, in an attempt to readjust the rapport, entrusts the child to the care of the mother of her seducer (meanwhile deceased). But the sacrifice is beyond her strength, and she's soon taken by the irresistible desire to get her child back: in damp and foggy night, on her way to the station...
Guido Renzi and his lawyer friend chase a beautiful girl to return a purse that he lost and after a long drive in the car reach the laboratory of an improvised astrophysicist - the girl's father - who, together with another scientist, is about to take off in the direction of Mars aboard a missile.
Eleonora Siriani madre di Tullio
A married woman hits a pedestrian with her car who requests that she must perform a particular punishment as a penance.
La direttrice
The Jealous Wife
His 1933 debut, following some years as a journalist and then script boy, was Treno popolare, an early sound lark about several Roman petit bourgeois on a day trip to the country that was influenced by the German proto-neorealist silent picture People on Sunday (1930). Produced at the height of the fascist era, Treno popolare was nonetheless free of propaganda, and featured the first film score by the legendary composer Nino Rota.
