Bob James

Bob James

Nascimento : 1939-12-25, Marshall, Missouri, USA

Perfil

Bob James

Filmes

Bob James Trio - Feel Like Making LIVE!
Bob James made his name in fusion and smooth jazz, but some of us believe the pianist’s acoustic trio records represent his highest art. His 1996 album Straight Up, with bassist Christian McBride and drummer Brian Blade, and 2004’s Take It from the Top, with bassist James Genus and drummer Billy Kilson, are career highlights and gems of their genre. Those records will never escape the shadow of 1978’s Touchdown or 1975’s One, but now James gives us the best of both worlds, revisiting his biggest hits in a trio format and tossing in other tunes. Despite its title, Feel Like Making LIVE! isn’t a concert recording. It was recorded “live in the studio” with old pal Kilson and young bassist Michael Palazzolo, who’s been in James’ bands for several years now. Rather than swing like a bop trio, they play classy, R&B- and pop-tinged jazz that’s both accessible and adventurous.
Fourplay - Live in Cape Town
keyboards
The world's top contemporary jazz ensemble performs live in South Africa, blending their smooth jazz signature sound with large doses of pop, R&B and African beats.
Bob James: Live at Montreux
Self - keyboards
Grammy Award-winning artist Bob James performing live at the 1985 Montreux Jazz Festival in Switzerland, an event that's considered to be among the best ever in the industry and that James recalls as one of the most memorable of his long and illustrious career. Songs featured include "Touchdown," "Ruby, Ruby, Ruby," "Night Crawler," "Unicorn," "Westchester Lady/Lucille," "Zebra Man," "Angela (Theme from Taxi)," "Winding River" and more.
Fourplay: An Evening of Fourplay, Vol. I and II
Himself - Keyboards
This is the debut of Fourplay, a popular quartet comprised of keyboardist Bob James, guitarist Lee Ritenour, bassist Nathan East, and drummer Harvey Mason. The music sounds more or less like a Bob James small-group date with Ritenour as a major soloist. The style is between jazz, R&B, and pop with an emphasis on lightweight originals, soulful and moderately funky rhythms, and predictable radio-friendly music. Nothing unexpected occurs, but fans of James and Ritenour should enjoy both this CD and Fourplay in general.