James Blue

The life of the legendary Italian photojournalist Paolo Di Paolo through his photographs, which capture the essence of a fascinating and turbulent Italy, the one inhabited by Anna Magnani and Pier Paolo Pasolini, a country that no longer exists.

Originally founded as Freedman’s Town after the Civil War, The Fourth Ward is one of the oldest and most culturally significant black communities in Houston, Texas. In the 1970s, the city along with big business interests planned to redevelop the Fourth Ward in order to revitalize the dilapidated real estate and freshen the image of downtown Houston. The price of progress in this case would be the removal of many poor black families. The film explores a complex series of encounters with elected city officials, businessmen and the people of Fourth Ward in order to better understand how a city like Houston works. Who makes the decisions about where resources are spent and so determines the growth and wealth of the community.

Originally founded as Freedman’s Town after the Civil War, The Fourth Ward is one of the oldest and most culturally significant black communities in Houston, Texas. In the 1970s, the city along with big business interests planned to redevelop the Fourth Ward in order to revitalize the dilapidated real estate and freshen the image of downtown Houston. The price of progress in this case would be the removal of many poor black families. The film explores a complex series of encounters with elected city officials, businessmen and the people of Fourth Ward in order to better understand how a city like Houston works. Who makes the decisions about where resources are spent and so determines the growth and wealth of the community.

Originally founded as Freedman’s Town after the Civil War, The Fourth Ward is one of the oldest and most culturally significant black communities in Houston, Texas. In the 1970s, the city along with big business interests planned to redevelop the Fourth Ward in order to revitalize the dilapidated real estate and freshen the image of downtown Houston. The price of progress in this case would be the removal of many poor black families. The film explores a complex series of encounters with elected city officials, businessmen and the people of Fourth Ward in order to better understand how a city like Houston works. Who makes the decisions about where resources are spent and so determines the growth and wealth of the community.

Originally founded as Freedman’s Town after the Civil War, The Fourth Ward is one of the oldest and most culturally significant black communities in Houston, Texas. In the 1970s, the city along with big business interests planned to redevelop the Fourth Ward in order to revitalize the dilapidated real estate and freshen the image of downtown Houston. The price of progress in this case would be the removal of many poor black families. The film explores a complex series of encounters with elected city officials, businessmen and the people of Fourth Ward in order to better understand how a city like Houston works. Who makes the decisions about where resources are spent and so determines the growth and wealth of the community.

Made for the United States Information Agency (USIA). Shot all over the globe.

Made for the United States Information Agency (USIA). Shot all over the globe.

Abner Hale, a rigid and humorless New England missionary, marries the beautiful Jerusha Bromley and takes her to the exotic island kingdom of Hawaii, intent on converting the natives. But the clash between the two cultures is too great and instead of understanding there comes tragedy.

The March, also known as The March to Washington, is a 1964 documentary film by James Blue about the 1963 civil rights March on Washington. It was made for the Motion Picture Service unit of the United States Information Agency for use outside the United States – the 1948 Smith-Mundt Act prevented USIA films from being shown domestically without a special act of Congress. In 1990 Congress authorized these films to be shown in the U.S. twelve years after their initial release. In 2008, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". (Wikipedia)

The March, also known as The March to Washington, is a 1964 documentary film by James Blue about the 1963 civil rights March on Washington. It was made for the Motion Picture Service unit of the United States Information Agency for use outside the United States – the 1948 Smith-Mundt Act prevented USIA films from being shown domestically without a special act of Congress. In 1990 Congress authorized these films to be shown in the U.S. twelve years after their initial release. In 2008, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". (Wikipedia)

"Evil Wind Out" (1962) was written, directed, and narrated by James Blue, with cinematography by Stevan Larner. The film was produced by the United States Information Agency (USIA) for audiences outside of the United States.

"A Letter from Colombia" (1962) was written, directed, and narrated by James Blue, with cinematography by Stevan Larner. The film was produced by the United States Information Agency (USIA) for audiences outside of the United States.

"The School at Rincon Santo" (1962) was written, directed, and narrated by James Blue, with cinematography by Stevan Larner. The film was produced by the United States Information Agency (USIA) for audiences outside of the United States.

The son of a French colonialist in Algeria returns to Algeria after learning that his father is ill. Memories from childhood return. He also must deal with some problems involving the Algerian fight for independence.

The son of a French colonialist in Algeria returns to Algeria after learning that his father is ill. Memories from childhood return. He also must deal with some problems involving the Algerian fight for independence.

A sublime documentary on childhood and bereavement that’s one of several shorts the filmmaker completed while working in Algeria for Georges Derocles’s company Les Studios Africa, for whom he would shortly make his breakthrough feature The Olive Trees of Justice.

A sublime documentary on childhood and bereavement that’s one of several shorts the filmmaker completed while working in Algeria for Georges Derocles’s company Les Studios Africa, for whom he would shortly make his breakthrough feature The Olive Trees of Justice.

Johan van der Keuken's first film is a uniquely beautiful portrait of Paris at dawn.

"Clio Capers" is a short film about the Clio Club, the Latin club James Blue belonged to at Jefferson High School in Portland, Oregon. The film features "Jupiter" and his fellow immortals atop Mt. Olympus looking back through the "Clio scrapbook," actual home movie footage James Blue shot of club activities between 1946-1948. Originally shot on 8mm film. No sound.

"Clio Capers" is a short film about the Clio Club, the Latin club James Blue belonged to at Jefferson High School in Portland, Oregon. The film features "Jupiter" and his fellow immortals atop Mt. Olympus looking back through the "Clio scrapbook," actual home movie footage James Blue shot of club activities between 1946-1948. Originally shot on 8mm film. No sound.