The son of an Argentine chemist travels to Vienna, to solve the murder of his father. Step by step, he realizes that his father was internationally entangled in secret service machinations and chemical weapon sales, and ends up in mortal danger himself. Meanwhile, he also realizes that there is no connection between his father's murderess and those dubious activities. Her motive for killing him goes back much futher, to a court hearing during the Third Reich...
B 501, a newly developed controller for missiles, has disappeared despite the strict surveillance. Phillippe Tissout is sent by his boss to Paris to take over the case.
Apoiado pela sua mãe e muito ao pesar do seu pai, um garoto Australiano de classe trabalhadora decide se unir ao coro de crianças de Viena, resultando ter um extraordinário talento. Os ritos de iniciação que os novos meninos têm que afrontar dos alunos perto a se graduar no seu caso vai ser ainda pior, já que ele tem acordado os ciúmes de Peter, o líder do coro. A voz do Peter esta se debilitando, mas graças ao estimulo do diretor Peter vai encontrar um novo rol como compositor e diretor.
A serial killer is on the run, after escaping a mental institution. He befriends a woman and her child, but the urge to strangle women with red necklaces still haunts him.
This movie takes place during the premiere of Mozart's Die Zauberfloete (The Magic Flute). Not really depicting his entire life and loves, much of this is fictionalized scatology. Although not without basis in fact, Mozart has attained a somewhat colorful reputation and this is really just more of the same. The music is a joy, but the movie bogs down in titillation. Mozart's last days were lived in poverty and disgrace--stemming chiefly from his embracing of the Freemason stance, which was essentially a heresy in Austria and the rest of Europe at that time. None of this is depicted and even a satyr could not sustain the lifestyle Mozart has been portrayed as having here. Still, this is an interesting movie and worth a listen to.
