Diana Peñalver

Bianka aceita o trabalho por uma noite de babá. Em breve, descobrirá que ela faz parte de uma seita satânica online e nessa mesma noite acontecerá seu rito de passagem: o sacrifício de uma virgem.

Azucena is 22 years old and lives with her mother, who, due to a past trauma, can no longer speak. Azucena works in a photography lab with her best friend Paqui, and has just broken up with her latest boyfriend Dani. Azucena lives in fear of sex and physical contact, hiding in her own sheltered world. Cesar, a plastic artist feels an obsessive attraction for Azucena, as a result, making her his inspiration. This obsession is painfully observed by Jacinto, the unstable artist's lover, who is himself involved in a violent and destructive relationship with Cesar.

A group of nuns find an abandoned baby girl at the doorstep of their convent.

Lionel (Timothy Balme) é um rapaz quieto e reservado. Ele está apaixonado pela doce Paquita (Diana Penalver) e acredita que eles estão destinados a serem felizes para sempre. Sua mãe Vera (Elizabeth Moody) é possessiva e não gosta de imaginar seu filhinho amando outra pessoa. Quando Lionel e Paquita marcam um encontro romântico no zoológico, Vera os segue e acaba sendo mordida por uma criatura que se assemelha a um macaco. Logo, a mulher começa a se tornar um zumbi. A partir daí, Lionel terá de tentar esconder sua mãe do resto da sociedade antes que a praga zumbi se espalhe.

Quando acaba a Guerra Civil Espanhola, um cantor homossexual, Mário, um pianista, Juan e sua namorada Pepita se unem para formar um grupo, que fica famoso e conhecerá êxitos por toda a Espanha. Sua brilhante tragetória os levará novamente a Madri, onde conhecerão seus piores momentos, com a sociedade da época reprovando Mário por sua orientação sexual, e a mãe de Pepita querendo separá-la de seu namorado.

Two popular television actors, Ada and Bruno, are filming " Hotel de Fez ", a popular and popular television series that upsets the lives of its two protagonists. Together they will initiate a romance behind the small screen very particular since there will be no time or way to consummate it, which will cause a tremendous tangle sown with nonsense.

A peculiar family, which owns a nougat factory, decides to set out on a trip to Madrid in order to advertise its products in a Food Fair. Besides the disapproval from the family head and company founder, events are not as expected.

In Spain of the 1960s, a poor family of quinquis - a nomadic ethnic group with a tradition as old as that of the gypsises of Spain but with even more obscure origins - have a nomadic life marked by poverty. The son, Eleuterio Sánchez Rodriguez, nicknamed "El Lute", steals some chickens and is condemned to six months in jail. El Lute moves to the slum outskirts of Madrid with his common law wife, Chelo, starting an itinerant life as a peddler of pots and pans and living in a quinqui shantytown. He gradually embarks upon as life of petty criminality, eventually participating in the theft of a jewelry store during which a bystander is killed.

Honorio Sigüenza is a man in his forties who has always lived under the yoke of his possessive mother. When his mother dies, he undergoes a radical transformation that will lead him to live numerous love affairs in the face of the disapproval of his cousin Veni, who wanted to marry him.

April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, situated on the border with Portugal. Once in the sanatorium, Manolo, surrounded by boys all much younger than he is, feels a bit like the cock of the walk since the only other man around is the handyman Emilio who looks after the gardens and does whatever needs to be done about the place. His wife, Rafaela, is the cook. Manolo meets Irene, a falangist who runs the sanatorium, and the school teacher, Miss Transito, a crabby spinster. He has his first sexual experience, albeit as a voyeur, with his nurse Vicenta. When she has to leave, her place is taken by a girl from the village, Maria Jesus, with whom Manolo falls hopelessly in love. A relationship grows up between them which will mark them both for ever.

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.

The story of a Spanish Cardinal who is told he only has one more year to live. He decides to return to his hometown, after an absence of 30 years, to sort out his affairs.

Some friends struggle for their first jobs.