Jean-Charles Fitoussi

Short film commissioned by the Cinemathèque Suisse to celebrate Jean-Marie Straub’s 85th birthday. Directed by Jean-Charles Fitoussi.

Fitoussi’s back with yet another delicious philosophical treat. How about spending a summer afternoon in a garden of an old house bathed in southern light, listening to Clément Rosset and Spinoza converse about the mysterious pleasure that music gives to our body and mind?

Théophile spends his holidays in Italy, in the Marche hills, and enjoys the freedom he finds at his grandfather’s. The latter, who lives a reclusive life, becomes seriously ill and the child calls for a doctor, William Stein, who had saved the old man’s life seven years ago. Stein sends his best nurse along… who is absolutely free to do as she pleases.

Alix is a woman of 27 looking for the only thing she is incapable of: love.

Alix is a woman of 27 looking for the only thing she is incapable of: love.

Alix is a woman of 27 looking for the only thing she is incapable of: love.

Alix is a woman of 27 looking for the only thing she is incapable of: love.

Jean-Marie Straub's first film after the death of Danièlle Huillet is a love poem to her. Le Genou d'Artémide is based on Cesare Pavese's "Dialogues of Leuco", which had already been adapted by Straub et Huillet as Ces Rencontres Avec Eux (2006).

A “minute-film” directed as little scenes in Japan, according to Fitoussi’s own words that is never shown in the same editing, hence, if you see the film several times, you litteraly won’t see the film, there is as many versions as there are projections.

An elderly German composer is invited to Roma by the King to compose eight Notturni. But the memories of tragic events he experienced in the very place to which he is returning, leave him unable to compose.

The film is a love story which tells the impossible tale of two youths who have never before met. The action unrolls in Paris between 1979 and 1980.

Laurent comes to visit his father not far from Bethune. But his father, who lives a hermit's life deep in the woods, has only one thing on his mind : to do away with his six children in order to relieve them of the miseries of life. Welcomed at the Caboche farm where his brother Frederic works (Frederic advises him not to try to see their father), Laurent is delighted to see hardy 81 year old Alfred again. The gods are not far off, and, despite all, the pleasures of existence too.

Laurent comes to visit his father not far from Bethune. But his father, who lives a hermit's life deep in the woods, has only one thing on his mind : to do away with his six children in order to relieve them of the miseries of life. Welcomed at the Caboche farm where his brother Frederic works (Frederic advises him not to try to see their father), Laurent is delighted to see hardy 81 year old Alfred again. The gods are not far off, and, despite all, the pleasures of existence too.

A story that mixes fantasy, philosophy and everyday reality. The problem with Antoine Martin is that he only exists one day out of two. And it is from this circumstance so personal that he meets Clémentine, a girl who lives full time. All this will only deepen his anguish.

A story that mixes fantasy, philosophy and everyday reality. The problem with Antoine Martin is that he only exists one day out of two. And it is from this circumstance so personal that he meets Clémentine, a girl who lives full time. All this will only deepen his anguish.

A story that mixes fantasy, philosophy and everyday reality. The problem with Antoine Martin is that he only exists one day out of two. And it is from this circumstance so personal that he meets Clémentine, a girl who lives full time. All this will only deepen his anguish.

Former Straub/Huillet assistant Jean-Charles Fitoussi films them at work during the shooting of 1999's Sicilia!.

Depois de muitos anos longe, Silvestro volta do norte da Itália para o interior da Sicília, onde cresceu, para visitar sua mãe. Durante a viagem, ele conversa com estranhos em um porto, passageiros em um trem, sua mãe e um afiador de facas.

A child is confronted with the (ever young) old age of the world, its hazards, its cinema and music, shot in seven days in Rome, Fiumicino, Ciampino and Cineccità. What will happen on July 12, 1995, in Rome ? What will become of July 12, 1995, in Rome ?

A child is confronted with the (ever young) old age of the world, its hazards, its cinema and music, shot in seven days in Rome, Fiumicino, Ciampino and Cineccità. What will happen on July 12, 1995, in Rome ? What will become of July 12, 1995, in Rome ?

A child is confronted with the (ever young) old age of the world, its hazards, its cinema and music, shot in seven days in Rome, Fiumicino, Ciampino and Cineccità. What will happen on July 12, 1995, in Rome ? What will become of July 12, 1995, in Rome ?

A child is confronted with the (ever young) old age of the world, its hazards, its cinema and music, shot in seven days in Rome, Fiumicino, Ciampino and Cineccità. What will happen on July 12, 1995, in Rome ? What will become of July 12, 1995, in Rome ?

A child is confronted with the (ever young) old age of the world, its hazards, its cinema and music, shot in seven days in Rome, Fiumicino, Ciampino and Cineccità. What will happen on July 12, 1995, in Rome ? What will become of July 12, 1995, in Rome ?