Editor
In a dingy motel room that is as hot and clammy as the jungle painted on its walls, a sexual threesome has been arranged to take place. Except that the two men lying in wait are officers from the Central Narcotics Bureau, ready to apprehend their suspect, who is going to show up with crystal meth at any moment. Staff Sergeant Boon is garrulous and relaxed; for him, this is a job just like any other. Inspector Anton, on the other hand, is preoccupied and tense, and is increasingly restless. As the wait for the suspect lengthens, it is apparent Anton has something infinitely more personal at stake. In what appears to be a routine crackdown operation, which walls will come tumbling down, and what thresholds will be crossed? In the film’s tropical swelter, how does one ascertain that everything one sees is not a mirage from a fragmenting mind?
Producer
In a dingy motel room that is as hot and clammy as the jungle painted on its walls, a sexual threesome has been arranged to take place. Except that the two men lying in wait are officers from the Central Narcotics Bureau, ready to apprehend their suspect, who is going to show up with crystal meth at any moment. Staff Sergeant Boon is garrulous and relaxed; for him, this is a job just like any other. Inspector Anton, on the other hand, is preoccupied and tense, and is increasingly restless. As the wait for the suspect lengthens, it is apparent Anton has something infinitely more personal at stake. In what appears to be a routine crackdown operation, which walls will come tumbling down, and what thresholds will be crossed? In the film’s tropical swelter, how does one ascertain that everything one sees is not a mirage from a fragmenting mind?
Director
In a dingy motel room that is as hot and clammy as the jungle painted on its walls, a sexual threesome has been arranged to take place. Except that the two men lying in wait are officers from the Central Narcotics Bureau, ready to apprehend their suspect, who is going to show up with crystal meth at any moment. Staff Sergeant Boon is garrulous and relaxed; for him, this is a job just like any other. Inspector Anton, on the other hand, is preoccupied and tense, and is increasingly restless. As the wait for the suspect lengthens, it is apparent Anton has something infinitely more personal at stake. In what appears to be a routine crackdown operation, which walls will come tumbling down, and what thresholds will be crossed? In the film’s tropical swelter, how does one ascertain that everything one sees is not a mirage from a fragmenting mind?
Himself
A personal, unwavering documentary of a dialogue between mother and son regarding his sexuality.
Director
A personal, unwavering documentary of a dialogue between mother and son regarding his sexuality.
Jonathon
A series of intertwining tales involve "pleasure seekers and pleasure providers" during the course of one night in Geylang, Singapore's red-light district. There are three distinct stories, united only by the presence of characters from all the stories in a streetside eatery:
Boy
Inspirado em fatos reais, SOLOS explora relações entre os três indivíduos que estão lutando para abrir seus sentimentos para com o outro. Cineastas Kan Lume e Loo Zihan co-dirigiu este pathos que dramatiza o egoísmo do amor e seus resultados trágicos. Situado no contemporâneo Cingapura, SOLOS segue os esforços do menino, homem e mãe. Tendo sido em um relacionamento com o homem (Lim Yu Beng) por anos, BOY (Loo Zihan) eventualmente cresce e quer sair do relacionamento. Por outro lado, o homem ainda quer ficar com menino e para eles para resolver juntos. Enquanto isso, MÃE (Goh Guat Kian) está devastada que seu filho (menino) a abandonou e está em relação com o homem. Como os três personagens lutar contra seus próprios demônios, SOLOS justapõe realidade e cenas surreais, a fim de dar pistas de desejos internos de cada personagem. O filme tem conversa mínimo para dar liberdade para o público a interpretação individual do filme.
Director
Inspirado em fatos reais, SOLOS explora relações entre os três indivíduos que estão lutando para abrir seus sentimentos para com o outro. Cineastas Kan Lume e Loo Zihan co-dirigiu este pathos que dramatiza o egoísmo do amor e seus resultados trágicos. Situado no contemporâneo Cingapura, SOLOS segue os esforços do menino, homem e mãe. Tendo sido em um relacionamento com o homem (Lim Yu Beng) por anos, BOY (Loo Zihan) eventualmente cresce e quer sair do relacionamento. Por outro lado, o homem ainda quer ficar com menino e para eles para resolver juntos. Enquanto isso, MÃE (Goh Guat Kian) está devastada que seu filho (menino) a abandonou e está em relação com o homem. Como os três personagens lutar contra seus próprios demônios, SOLOS justapõe realidade e cenas surreais, a fim de dar pistas de desejos internos de cada personagem. O filme tem conversa mínimo para dar liberdade para o público a interpretação individual do filme.
