Kathleen Battle

Glimpse behind the curtain at opera legends Kathleen Battle and Jessye Norman’s famed concert at Carnegie Hall on March 18, 1990, featuring performance clips and new interviews with opera star Angel Blue, Met Opera General Manager Peter Gelb, and more.

The concert setting of the Temple of Zeus in Athens could not be more atmospheric if it tried and those cosmic and Hellenic artefact images projected onto the backdrop are superbly integrated with the music.Whoever edited the footage deserves an oscar,because every fade,cut-away and image-meld is executed with a supremely expert eye and ear,and more than one image will stun you with it's breathtaking beauty.Very well done to all concerned!

Mozart’s allegorical fairy tale has charmed audiences and inspired artists, for more than 200 years. A few weeks before this telecast, the Met unveiled a new production of the opera featuring the colorful designs of acclaimed artist David Hockney. His bold colors and vivid images enchanted audiences and seemed to inspire the striking cast, led by James Levine’s affectionate conducting. Francisco Araiza is the young prince Tamino, who finds himself in a strange land, forced to undergo mysterious tests so he can rescue, then marry, the woman he loves, Pamina, played by Kathleen Battle. Kurt Moll is the compassionate Sarastro and Luciana Serra is the Queen of the Night.

John Copley’s colorful production, with designs by Beni Montresor, was created around the beloved superstar Luciano Pavarotti. As the simple, good-hearted Nemorino, he enchanted audiences with his larger-than-life personality as well as his golden voice. Enzo Dara as the quack Dr. Dulcamara provides the elixir of the title that helps Nemorino win the heart of Adina, the girl of his dreams, sung with youthful energy by Kathleen Battle.

"Spirituals in Concert" featuring Jessye Norman and Kathleen Battle.

A filmed concert of two famed sopranos.

With its hilarious hijinks and vocal virtuosity, Rossini’s madcap comedy always proves a delightful treat. For this 1988 telecast, the Met assembled a cast capable of tackling both the musical and physical challenges of this bel canto farce, seen here in a whimsical production by John Cox. From the moment he takes the stage with Figaro’s iconic aria “Largo al factotum,” Leo Nucci combines winning charm with a robust baritone. Soprano Kathleen Battle tosses off one glittering vocal display after another as the feisty Rosina, while tenor Rowell Blake makes for an ardent Count Almaviva. Ralf Weikert conducts the lively performance, which also includes the comic duo of Enzo Dara as Dr. Bartolo and Ferruccio Furlanetto as Don Basilio.

Jessye Norman is a regal Ariadne, the mythological Greek heroine in this opera-within-an-opera, opposite the passionate Bacchus of the great James King. Kathleen Battle delivers the coloratura fireworks of Zerbinetta, the leader of a commedia dell’arte troupe that finds itself stranded on Ariadne’s island. Tatiana Troyanos and Franz Ferdinand Nentwig star as the young Composer and the Music Master in the opera’s prologue. James Levine brings out all the color and charm of Strauss’s brilliant chamber-sized score with its equal amounts of pathos and humor. Bodo Igesz’s production features sets by esteemed designer Oliver Messel.

Live performance from Salzburger Festspiele in 1987. Herbert von Karajan conducting the Wiener Philharmoniker and Wiener Staatsopernchor. Stage director Michael Hampe. Starring Samuel Ramey and Anna Tomowa-Sintow.

This recording of Karajan's 1987 New Year's Day Concert with the Vienna Philharmonic and the ballet of the Vienna State Opera at the Großer Musikvereinsaal in Vienna features the music of Josef Strauss and Johann Strauss, Jr. With an emphasis on the polka music of these celebrated composers, this exciting concert features acclaimed soprano diva Kathleen Battle performing "Frühlingsstimmen, Op.410", a waltz by Johann Strauss, Jr.

From the "James Levine: Celebrating 40 Years at the Met" DVD box set. Jean-Pierre Ponnelle’s landmark production of Mozart’s most human comedy provides the perfect setting for this superb cast under James Levine’s ebullient leadership. The philandering and arrogant Count Almaviva (Thomas Allen) is no match for his wily servant Figaro (Ruggero Raimondi), whose soon-to-be-wife Susanna (Kathleen Battle) is as manipulative as she is charming. Add in one beautiful, disillusioned Countess (Carol Vaness) and one irrepressible, testosterone-laden teenage boy (Cherubino, played by Federica von Stade), and it’s no wonder some critics say this is the perfect opera.

In celebration of its 100th anniversary in 1983, the Metropolitan Opera hosts a four-hour performance uniting some of the world's most spellbinding opera singers and conductors. The event includes a ballet from Samson et Dalila and boasts incredible classical performances from Kathleen Battle, Plácido Domingo, Jose Carerras, Leonard Bernstein, Marilyn Horne, Leona Mitchell, Luciano Pavarotti and many more.

An excellent performance of this delightful opera. The principals are superb, especially the sisters. Bruscantini as Don Alfonso is past his prime, but he knows and understands the role inside out, so one does not even notice his vocal limitations. Araiza is in top form as Ferrando, and Morris makes virile Guglielmo. The only disappointment is Battle as Despina. Unlike her partners, she does not have feel for the Mozart ensemble, and her vocal mannerisms are totally unbecoming. How the producers allowed that to happen is a mystery. Muti's conducting is terrific, much better than on his La Scala video, where he is uninvolved.