Juan Julio Baena

An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.

A Spanish singer, known as "El Ángel", owner of a nightclub, lives a double life as an expert in alarms for gangs of thieves. In his last robbery, he betrays his partners, and his lover is kidnapped and he is blackmailed. Thinking that she has betrayed him, he abandons her to her fate. Finally, she committed suicide. El Ángel reconsiders his life and decides to become a monk. But his former life will meet him within the walls of the monastery.

A former soccer player is morally and mentally destroied by the death of his wife. But when he gets the chance to train a team he regains his life by making victories and also finding another love.

The girlfriend of a young gypsy tries to guide her life in a proper way but does not achieve it. When she gets difficulties because of a fight everything changes.

A tough CIA agent is called in to put a stop to a shipment of weapons to the Viet Cong from an arms smuggling ring in this intercontinental spy thriller.

Manuel, a young man of eighteen, arrives in Madrid with the illusion of being a bullfighter. On arrival he meets Juan a ruined singer in his fifties who, along with his friend Lola, will help the boy to get a chance to bullfight in a probe at the estate of a famous businessman.

An ill-assorted group of international criminals executes a tightly-planned ransom sting in Spain. Things go along swimmingly until various tensions within the group come to the fore.

Ramiro, a bank clerk and father of two young children, has been left, after his wife's death, in the care of Tula, his sister-in-law. From the novel by Miguel de Unamuno, Miguel Picazo (" Dark dreams of August ") premieres as director with this portrait of one of those small provincial cities where nothing ever happens.

Three stories in which love plays a decisive role intersect. The first of them is led by a couple who decides to break with the chastity they have been keeping until then. In the second Mary discovers that the man with whom he wants to lose his virginity is a ruffian and in the third, and last, a marriage tries to maintain happiness despite the miseries of his daily life. Second film by director and screenwriter Julio Diamante , composed of three autonomous episodes, minimally chained, called " The sunset ", " The night " and " The morning ". The three chapters are very influenced by the social realism that invaded the Spanish literature of the time and by the badly assimilated cinema of Michelangelo Antonioni. This means that, for example.

In the late 1800's, Sicilians Franco and Ciccio are serving 20 years of prison for stealing two mules, when they are helped to escape by an American who says he is a friend of their grandfathers, who were killed in Texas by a gang of bandits who wanted to take over their gold mine. The two friends travel to America to take posses of the gold mine, but they soon discover that they are not the only ones who want it.

Secret agent FX-18 goes undercover to break up an espionage ring.

Based on the eponymous play Ricardo López Aranda. It narrates the life of the components of a large family for a whole day, with their problems and illusions.

A couple of young university students decide to spend the day in Toledo, in order to forget a little of the routine in which they are. At nine o'clock in the morning, José Luis waits at the Atocha station for his girlfriend, Mari Carmen. The couple has deceived their families, who have told that they will eat in the Faculty. The journey is eternal and the stay in the city, rather than surprise them, as they expected, immerses them, even more, in the monotony in which they live. Without friends, without relatives and without university partners, the couple will spend twelve hours in Toledo, half a day of tenderness in the rain and the December sun that will help them to know themselves better.

Catherine bears a strong resemblance to Silvia, daughter of a millionaire who has escaped with a bullfighter. A group of ruffians who intends to defraud the Silvia's father used to Catalina for their plans.

The star of a magazine company suffers an appendicitis attack during a shift and has to stay in a small Spanish town to be operated. But the doctor who takes care of his speech falls in love for her and tries to prolong their convalescence.

Lola and Maria are two Spanish young ladies engaged to Franz and Pepe, all so eager to spend their honeymoon that the moment seems never to come, as all sorts of problems pave their way.

Se relata la historia de Laura (Elsa Daniel), desde su salida del colegio interno de monjas, pura y virginal (impactante la primera escena de Laura personificando a la Virgen María en un acto de fin de año de la escuela) hasta su regreso a la ciudad (ya como amante de Francisco Rabal). Laura llega a su casa donde viven su madre y su tía, en un ambiente oscuro y riesgoso. Sabe que en el altillo, está el opa de la familia, un ser que avergüenza a todos, pero que se mantiene oculto. Laura, en complicidad con su novio (Leonardo Favio) descubrirá quién habita realmente ese altillo y qué secreto encierran todos. La película fue una coproducción con España y contó además de Elsa Daniel, Francisco Rabal y Leonardo Favio en el elenco, con María Rosa Gallo, Berta Ortegosa, entre otros.

Don Anselmo, a retired old man, decides to buy a motorized disabled stroller since all his pensioner friends own one. His family strongly refuses him to purchase the vehicle, so don Anselmo decides to take extreme measures to achieve his goal…

Three restless slum boys are turned to a life of petty thievery, but when one of them expresses a hopeful desire to become a bullfighter, the others pool their energies to pull one big heist in order to finance their pal's dream.

This excellent short film written by the magnificent filmmaker duo of Luis García Berlanga and screenwriter Rafael Azcona was to be part of a series entitled Los Pícaros (The Rogues) which was never continued. These two artists were responsible for such masterpieces of Spanish cinema as Plácido and El verdugo (The Executioner). Here, Berlanga and Azcona collaborated for the first time, setting the stage for the post-war "Berlanguiana" vision that would develop. José Luis López Vázquez plays Julián, a seedy swindler, who with his cronies tries to sell a streetcar to a rich but naive farmer, a newcomer to the city. High jinx ensue. With this film begins the great stage of Berlanga's filmmaking in which he mixes a little social criticism and notes of anti-clericalism with a great deal of farce.

Eudosio and Carlos were imprisoned by mistake. Now out of prison, are trying to get a job and to adapt to a society that rejects them.

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.

Madrid, Spain. A mutilated man, a war veteran, walks, leaning on a crutch, through the stadium of the Ciudad Universitaria, a place that still preserves in walls and buildings the terrifying traces of one of the bloodiest battles of the Spanish Civil War.