François
Uma mãe e seu filho vão ao sul da França passar uma semana em uma casa de verão que estão tentando vender. Neste cenário, a desintegração da família toma forma e as coisas tornam-se mais complicadas com a entrada de um enigmático rapaz na vida dos dois.
Daniel Bernaud
Sophie é divorciada e mãe de uma menina, Louise. Gérard é viúvo e cria sozinho seu filho, Victor. Sophie e Gérard se conhecem por conta de uma batida de carro. Já seus filhos se conhecem à saída da escola. Dois encontros, duas histórias de amor.
Remi
La Fayette
Stephane
The film tells the true story of French clown Miloud Oukili from his arrival in Romania in 1992 (three years after the fall of Ceausescu) to his encounter with the street children of Bucharest, known as «boskettari» who live in the streets and sleep in Bucharest's sewers, eking a living out of petty crime, begging, and prostitution.
Olivier
When her biological clock starts ticking, Lucie tells her lesbian lover, Marion, that she wants a baby. Marion agrees, and the couple embarks on the delicate process of finding a suitable father -- eventually settling on Marion's old pal Hugo. Lucie and Marion's unconventional path to pregnancy elicits a full range of reactions from their friends and family in this charming French comedy.
Marcel Proust (1871-1922) is on his deathbed. Looking at photographs brings memories of his childhood, his youth, his lovers, and the way the Great War put an end to a stratum of society. His memories are in no particular order, they move back and forth in time. Marcel at various ages interacts with Odette, with the beautiful Gilberte and her doomed husband, with the pleasure-seeking Baron de Charlus, with Marcel's lover Albertine, and with others; present also in memory are Marcel's beloved mother and grandmother. It seems as if to live is to remember and to capture memories is to create a work of great art. The memories parallel the final volume of Proust's novel.