Ramon Zürcher
Nascimento : 1982-06-20, Aarberg, Switzerland
História
Born in 1982 in Aarberg, Switzerland. 2002-05 Studied Art at the HKB (Hochschule der Künste Bern). 2006-13 Studied Film at the DFFB (Deutsche Film- und Fernsehakademie Berlin). The award-winning debut film THE STRANGE LITTLE CAT (2013) premiered at the Berlinale Forum and screened at festivals such as TIFF, Cannes, Viennale and New Directors / New Films New York. THE GIRL AND THE SPIDER (2021), codirected with his brother, premiered in the Encounters section of the Berlinale.
Producer
Lisa está saindo do apartamento onde vive com Mara e Markus, e sua mudança significa o fim de uma era. À medida que caixas são deslocadas, paredes pintadas e armários construídos, os abismos começam a se abrir. Enquanto Lisa está ansiosa pela mudança, Mara enfrenta uma montanha-russa de emoções.
Editor
Lisa está saindo do apartamento onde vive com Mara e Markus, e sua mudança significa o fim de uma era. À medida que caixas são deslocadas, paredes pintadas e armários construídos, os abismos começam a se abrir. Enquanto Lisa está ansiosa pela mudança, Mara enfrenta uma montanha-russa de emoções.
Writer
Lisa está saindo do apartamento onde vive com Mara e Markus, e sua mudança significa o fim de uma era. À medida que caixas são deslocadas, paredes pintadas e armários construídos, os abismos começam a se abrir. Enquanto Lisa está ansiosa pela mudança, Mara enfrenta uma montanha-russa de emoções.
Director
Lisa está saindo do apartamento onde vive com Mara e Markus, e sua mudança significa o fim de uma era. À medida que caixas são deslocadas, paredes pintadas e armários construídos, os abismos começam a se abrir. Enquanto Lisa está ansiosa pela mudança, Mara enfrenta uma montanha-russa de emoções.
Sound Designer
It is a Saturday in autumn, and Karin and Simon are visiting their parents and youngest sister Clara. This family gathering provides the occasion for a dinner together, at which other relatives appear over the course of the day. While the family members animate the apartment’s space with their conversations, everyday activities and cooking preparations, the cat and dog range through the various rooms. they too become a central element in this quotidian familial dance that repeatedly manifests stylized elements, disrupting any naturalistic mode of presentation. In this way, adjoining spaces open up between family drama, fairy tale and the psychological study of a mother.
Writer
It is a Saturday in autumn, and Karin and Simon are visiting their parents and youngest sister Clara. This family gathering provides the occasion for a dinner together, at which other relatives appear over the course of the day. While the family members animate the apartment’s space with their conversations, everyday activities and cooking preparations, the cat and dog range through the various rooms. they too become a central element in this quotidian familial dance that repeatedly manifests stylized elements, disrupting any naturalistic mode of presentation. In this way, adjoining spaces open up between family drama, fairy tale and the psychological study of a mother.
Director
It is a Saturday in autumn, and Karin and Simon are visiting their parents and youngest sister Clara. This family gathering provides the occasion for a dinner together, at which other relatives appear over the course of the day. While the family members animate the apartment’s space with their conversations, everyday activities and cooking preparations, the cat and dog range through the various rooms. they too become a central element in this quotidian familial dance that repeatedly manifests stylized elements, disrupting any naturalistic mode of presentation. In this way, adjoining spaces open up between family drama, fairy tale and the psychological study of a mother.
Editor
A young woman is walking through the city. She meets a friend at a coffee shop. This friend tells her every detail about how she bought a bike the day before. The young women listens.
Writer
A young woman is walking through the city. She meets a friend at a coffee shop. This friend tells her every detail about how she bought a bike the day before. The young women listens.
Director
A young woman is walking through the city. She meets a friend at a coffee shop. This friend tells her every detail about how she bought a bike the day before. The young women listens.
Editor
A nighttime odyssey just before New Year's Eve: a woman and a man walking along a back road, caught up in a fight. Their conflict spreads out around them: it covers the dirty coat the woman is wearing, a child she meets and a waiter who doesn't want to leave her alone. Between external stimuli and internal conditions an idiosyncratic and seemingly inescapable space of repressed aggression and confrontation emerges.
Writer
A nighttime odyssey just before New Year's Eve: a woman and a man walking along a back road, caught up in a fight. Their conflict spreads out around them: it covers the dirty coat the woman is wearing, a child she meets and a waiter who doesn't want to leave her alone. Between external stimuli and internal conditions an idiosyncratic and seemingly inescapable space of repressed aggression and confrontation emerges.
Director
A nighttime odyssey just before New Year's Eve: a woman and a man walking along a back road, caught up in a fight. Their conflict spreads out around them: it covers the dirty coat the woman is wearing, a child she meets and a waiter who doesn't want to leave her alone. Between external stimuli and internal conditions an idiosyncratic and seemingly inescapable space of repressed aggression and confrontation emerges.
Editor
Nadine and Janine share a flat together with their friends Mark and Andreas. The flat share is a universe with its own rules, languages, manners and relationships. A stimulating place, where chaos is floating through corridors and rooms. Pending over everything is the approaching breakup of the community, which becomes more and more perceptible within short moments of silence. One of the flat mates, Janine, is going to leave. Janine's farewell party affects each other of her friends in an different way. A precise description of a fragile structure breaking apart.
Writer
Nadine and Janine share a flat together with their friends Mark and Andreas. The flat share is a universe with its own rules, languages, manners and relationships. A stimulating place, where chaos is floating through corridors and rooms. Pending over everything is the approaching breakup of the community, which becomes more and more perceptible within short moments of silence. One of the flat mates, Janine, is going to leave. Janine's farewell party affects each other of her friends in an different way. A precise description of a fragile structure breaking apart.
Director
Nadine and Janine share a flat together with their friends Mark and Andreas. The flat share is a universe with its own rules, languages, manners and relationships. A stimulating place, where chaos is floating through corridors and rooms. Pending over everything is the approaching breakup of the community, which becomes more and more perceptible within short moments of silence. One of the flat mates, Janine, is going to leave. Janine's farewell party affects each other of her friends in an different way. A precise description of a fragile structure breaking apart.
Editor
Alexandra is spending the weekend at her parents' house. As she arrives at the familiar apartment, nobody's home. Yet successively, the mother, a friend of the family and the father get in. The rooms, which were quite in the beginning, slowly fill up with noises, conversations and activity. Alexandra withdraws from the social world of the family structure repeatedly. Finally, the mother, the father and the friend go to the movies together. Alexandra is left behind by herself.
Writer
Alexandra is spending the weekend at her parents' house. As she arrives at the familiar apartment, nobody's home. Yet successively, the mother, a friend of the family and the father get in. The rooms, which were quite in the beginning, slowly fill up with noises, conversations and activity. Alexandra withdraws from the social world of the family structure repeatedly. Finally, the mother, the father and the friend go to the movies together. Alexandra is left behind by herself.
Director
Alexandra is spending the weekend at her parents' house. As she arrives at the familiar apartment, nobody's home. Yet successively, the mother, a friend of the family and the father get in. The rooms, which were quite in the beginning, slowly fill up with noises, conversations and activity. Alexandra withdraws from the social world of the family structure repeatedly. Finally, the mother, the father and the friend go to the movies together. Alexandra is left behind by herself.