Jean-Claude Vannier

An 18-year-old beauty develops an attraction to an older photographer.

O filme conta a história de um casal formado por opostos. Carole (Laura Smet) é uma estrela de cinema que recebe os amigos em casa em clima de celebração, mas não esconde uma melancolia latente no olhar. Até receber o fotógrafo François (Louis Garrel), disposto a captar seu âmago com uma câmera. Ela é casada, mas há muito perdeu a intimidade com seu marido, que vive mais em Hollywood do que na França. O filme se estrutura em pequenos capítulos, cada um incrementado por um novo episódio que dá mais contornos aos dois.

Em 1969, um grupo de jovens se dedica ao ópio depois de ter vivido os acontecimentos de 1968. Dentro do grupo nasce um louco amor entre uma garota e um rapaz que se conheceram durante a revolução. O filme levou o Prêmio de Direção e Fotografia no Festival de Veneza 2005.

Paul, a former insurer, is struggling to make ends meet. He agrees to meet Sarrebry, a loan shark introduced to him by his friend Daubelle. Paul mortally knocks out the disgusting crook and steals a large sum of money from him.

A movie director does a new film against heroin consumption, and the producers are heroin dealers.

Eric and Ramzy are working as window washers at the Montparnasse skyscraper in Paris. Thinking that he has a date set up with beautiful executive Marie-Joelle (who in reality hates his guts), Ramzy stays at work late while Eric hangs around with him. As a result, the pair witness a gang of terrorists seize the tower and take its late-night occupants (including Marie- Joelle) hostage. Knowing that only they can save the day, Eric and Ramzy swing into action.

A french fantasy film with Christoph Waltz

Adrien does not see eye to eye with his patrician father about much. It is 1912, and the old man still believes in the old rules which strait-jacket "men of class." He believes that the elite have the right to conquer where they can, that they should refrain from publicizing their improprieties, and he is rabidly pro-military. Adrian, kicked out of his military school for his own improprieties (and hiding that from his father), is naturally drawn to Vicky a beautiful divorced woman and friend of the family who is staying at their mansion. The family tutor, a man of ordinary background (with some ideas which seem radical in this household) is similarly smitten. On the basis of their shared attraction, the two men form a friendship. Meanwhile, the object of their affection finds it diverting to toy with them.

In a routine sex farce, Gautier (Jean-Claude Dauphin) is a man determined to figure out how to give a woman an orgasm -- which of course requires a lot of practice and experimentation. His buddy Roussel (Jean-Luc Bideau) also chases after women but does not share Gautier's unique quest. Rose (Nathalie Nell) finds Gautier entrancing and devises a way to capture his heart while helping him on his search for the ultimate turn-on.

In a routine sex farce, Gautier (Jean-Claude Dauphin) is a man determined to figure out how to give a woman an orgasm -- which of course requires a lot of practice and experimentation. His buddy Roussel (Jean-Luc Bideau) also chases after women but does not share Gautier's unique quest. Rose (Nathalie Nell) finds Gautier entrancing and devises a way to capture his heart while helping him on his search for the ultimate turn-on.

Playwright Charles Watson entertains his niece Lily by telling her about the adventures of Philibert.Both these people have something to do with Philibert.

In a deliberately erratic and disjointed fashion, this film follows the adventures of Bernard (Jean-Pierre Leaud). A young man from the provinces, he makes his pilgrimage to Paris and seeks adventure while living on a barge.

A large company offers consumers to acquire a "second identity", having the character traits that individuals would not normally adopt. Because of all these uninhibited behaviors, anarchy is quick to take hold.

Complications abound in this French film, which tells the story of a filmmaker who is attempting to put his real life into a movie; his interactions with the people in the movie he is filming create reverberations in his "real" life, although the past remains unchanged. Among the complications is his growing regard for the woman who plays his cinematic wife. She may wind up replacing his actual wife in real life. One of the highlights of this film is the insight it gives into the actual mechanics of filmmaking.

Jean é um homem casado, que mantém um caso com Catherine há seis anos. Sua relação é marcada por brigas e desentendimentos por parte dele, que faz de tudo para manter a amante sob seu controle.

A rebellious socially-conscious man travels to Nepal to find his dead-beat dad. There, he meets Jane, a beautiful hippie girl hooked on drugs. He's forced to steal artefacts for his father's slimy employer to earn money to help Jane.