Neus Ballús

Documentary that explores the unknown and mysterious world of whales that appear for a few weeks a year on the Catalan coast. Mar dreams of being able to record the sound of whales, which appear in the Mediterranean only a few weeks a year, depending on circumstances such as the amount of rain and krill, the food on which the whales feed. But when he embarks with a team that investigates cetaceans, Mar realizes that in order to listen to the largest animal in the world we must be silent.

Documentary that explores the unknown and mysterious world of whales that appear for a few weeks a year on the Catalan coast. Mar dreams of being able to record the sound of whales, which appear in the Mediterranean only a few weeks a year, depending on circumstances such as the amount of rain and krill, the food on which the whales feed. But when he embarks with a team that investigates cetaceans, Mar realizes that in order to listen to the largest animal in the world we must be silent.

Documentary that explores the unknown and mysterious world of whales that appear for a few weeks a year on the Catalan coast. Mar dreams of being able to record the sound of whales, which appear in the Mediterranean only a few weeks a year, depending on circumstances such as the amount of rain and krill, the food on which the whales feed. But when he embarks with a team that investigates cetaceans, Mar realizes that in order to listen to the largest animal in the world we must be silent.

“Sis Dies Corrents” de Neus Ballús mostra um choque cultural entre um jovem marroquino e seu chefe catalão, expondo os preconceitos e fetiches do “exótico” que os europeus possuem diante de Moha (Mohamed Mellali). Valero (Valero Escolar), o chefe, é um preconceituoso que não consegue admitir a eficiência do rapaz, sendo rude em todas as situações e partindo na defensiva para dizer que “preconceituoso são os outros, não eu” ou “os clientes não gostam dos estrangeiros”, tentando argumentar que a contratação foi um equívoco.

“Sis Dies Corrents” de Neus Ballús mostra um choque cultural entre um jovem marroquino e seu chefe catalão, expondo os preconceitos e fetiches do “exótico” que os europeus possuem diante de Moha (Mohamed Mellali). Valero (Valero Escolar), o chefe, é um preconceituoso que não consegue admitir a eficiência do rapaz, sendo rude em todas as situações e partindo na defensiva para dizer que “preconceituoso são os outros, não eu” ou “os clientes não gostam dos estrangeiros”, tentando argumentar que a contratação foi um equívoco.

“Sis Dies Corrents” de Neus Ballús mostra um choque cultural entre um jovem marroquino e seu chefe catalão, expondo os preconceitos e fetiches do “exótico” que os europeus possuem diante de Moha (Mohamed Mellali). Valero (Valero Escolar), o chefe, é um preconceituoso que não consegue admitir a eficiência do rapaz, sendo rude em todas as situações e partindo na defensiva para dizer que “preconceituoso são os outros, não eu” ou “os clientes não gostam dos estrangeiros”, tentando argumentar que a contratação foi um equívoco.

“Sis Dies Corrents” de Neus Ballús mostra um choque cultural entre um jovem marroquino e seu chefe catalão, expondo os preconceitos e fetiches do “exótico” que os europeus possuem diante de Moha (Mohamed Mellali). Valero (Valero Escolar), o chefe, é um preconceituoso que não consegue admitir a eficiência do rapaz, sendo rude em todas as situações e partindo na defensiva para dizer que “preconceituoso são os outros, não eu” ou “os clientes não gostam dos estrangeiros”, tentando argumentar que a contratação foi um equívoco.

Marta, a 17-year-old girl, is on holiday in an African resort with her with her estranged dad and annoying little brother. Martha’s fascination for Khouma, a Senegalese cameraman who works filming the tourists' excursions, will add even more tension to her already troubled relationship with her father.

Marta, a 17-year-old girl, is on holiday in an African resort with her with her estranged dad and annoying little brother. Martha’s fascination for Khouma, a Senegalese cameraman who works filming the tourists' excursions, will add even more tension to her already troubled relationship with her father.

Marta, a 17-year-old girl, is on holiday in an African resort with her with her estranged dad and annoying little brother. Martha’s fascination for Khouma, a Senegalese cameraman who works filming the tourists' excursions, will add even more tension to her already troubled relationship with her father.

Raül, a farmer who tries to grow organic food, hires Iurie, a Moldavian wrestling fighter, to help him in the fields. Slowly, their personal histories intertwine with those of three solitary women.

Raül, a farmer who tries to grow organic food, hires Iurie, a Moldavian wrestling fighter, to help him in the fields. Slowly, their personal histories intertwine with those of three solitary women.

Raül, a farmer who tries to grow organic food, hires Iurie, a Moldavian wrestling fighter, to help him in the fields. Slowly, their personal histories intertwine with those of three solitary women.

Immersion shows us the fascinating life of aquatic animals that are habitually submerged in the warm waters of a neighborhood pool. People of all ages and conditions do what they can to develop in an environment that, in principle, is not theirs. The film, shot entirely underwater, is a literal immersion into the environment where life originated. A descent into the emotional depths of the individual.

A unique encounter between a grandmother, a grandfather and a bird. Each of them gives us a clue about the relationship between humans and animals.