Alejandro Fajardo

Óculos de Sol Amarelos, conta a história de Julia, que após uma separação, muda-se para um frio apartamento cercado de caixas por desempacotar. Lá, ela enfrenta os pequenos conflitos diários da solidão: passar o dia de pijama, aceitar empregos medíocres e comer demasiado, enquanto tenta, sem muita coragem, se candidatar a uma bolsa e realizar seu sonho de ser escritora.

Afraid to face upcoming parenthood and the ultimate deadline for his long-awaited novel, a once-promising writer develops a crush on a defiant muse, the 16-year-old girl next door, and escapes into a second adolescence, alienating his partner and those who care about him.

Antonia is a little photographer. She likes to capture special moments with her camera and she will spend her vacations with her grandparents. Although she go to the beaches with her dog who isn't very happy about it, Mario her grandfather, is a very quiet man, and he will help her study math. This vacations seems to be destined to be a failure, but it all will change when Mario give her a peculiar present, an old Polaroid camera. New friends, adventures, paint wars, ghosts and much more.

No Autumn, No Spring depicts modern day Guayaquil City and its invisible generation. Iván Mora Manzano’s punk ballad of rebellion, confrontation and the disenfranchised reveals the tribulations of young men and women who struggle deeply with the transition from adolescence to adulthood.

Paco leva uma vida despreocupada. Mantém um romance com Lucía, sua namorada da escola, que é casada. Ao lado do irmão, vive entre a música e as drogas. Com uma família disfuncional, Paco tentará manter seu estilo de vida por muito tempo.

Blaquito is thirty years old and lives with his mother in El Matal, a small fishing village on the coast of Ecuador. One day, the beach turns up filled with cocaine packets. Blanquito, along with his friend Lorna, decide to travel to Guayaquil, where people will pay five times more per package. Little does Blanquito realize that in the days that follow he will be staring at death in the eye and losing his head for love.

In an unknown first world airport the arrival of an ecuadorian flight is heard. The 'members of the European Union' passby migration, while the 'others', in the other line, wait. In the middle of the claims, a group of ecuadorians is arrested. They are taken to the Room, where they wait to be deported. Seems like everyone hides something, like PROMETEO the youn magician with his hands tied like a delinquent who has a 'magical' trunk as luggage. Time passes, a way of being, Ecuador happens in this waiting room. Seems like there is no possible exit. Meanwhile, a different but well-known way of life takes place. The only thing left as a promising way out is illusion.

Second feature film by Pablo Arturo Suárez.