Luigi Malerba

Nascimento : 1927-11-11, Berceto, Emilia Romagna, Italy

Morte : 2008-05-08

Filmes

Il pataffio
Novel
An unlikely group of soldiers and courtiers led by Marcount Berlocchio and his new bride Bernarda take possession of a distant fief. But their castle is a decrepit dump and their villagers aren't willing to be ruled.
Il prato delle volpi
Screenplay
Baciami Strega
Writer
A beautiful witch is sent to Earth by the devil to capture the souls of a group of ambitious men.
How to Lose a Wife and Find a Lover
Writer
Alberto deceived by his wife, goes to some place in the mountains to escape. There he meets a woman who was there for the same reasons that he was.
In difesa di: Luigi Malerba e Orvieto
Himself
Sono stato io!
Story
Jus primae noctis
Writer
Body of Love
Screenplay
An estranged father and son on holiday bond over the beautiful foreign girl they find unconscious on the beach.
Tre nel mille
Writer
A few days after the arrival of the year 1000, bearer of great misfortune according to the Prophets, the cavalryman Fortunato and two soldiers, Pannocchia and Carestia, travel through Italy in the midst of numerous adventures: The prophetic year is marked only by the discovery on the part of the cavalryman of his wife's betrayal
Invasion
Writer
A professor and his wife suffer humiliation at the hands of an invading college dissidents protest.
Oh, Grandmother's Dead
Screenplay
Relatives brawl over the estate of a deceased grandmother who owned an insecticide factory.They stop at nothing, including bumping each other off.
Por Quê Estás Toda Nua?
Writer
Young bank employee is very surprised by his bride behavior...
Sissignore
Writer
A businessman is nicknamed "L'avvocato" and his driver, Oscar, is a yes-man. When L'avvocato has a crash while driving his car, Oscar is put in jail in his place. When Oscar gets out, he finds himself married to the beautiful Maria, but he can't even touch her: she is l'avvocato's lover. Afterwards Oscar is appointed manager, but he can't manage a dime. At the end he shall find himself again in jail, hoping that his "sissignore" (yessir) will let him have, sometime, a driver to send to prison in his place. —
Catch As Catch Can
Screenplay
Bob Chiaramonte é um desses atores famosos que aparecem nos comerciais e pensa que é famoso. Até que começa a descobrir a falsidade de tudo, passa por vários problemas e chega mesmo a trocar de lugar com um macaco no zoológico.
Catch As Catch Can
Story
Bob Chiaramonte é um desses atores famosos que aparecem nos comerciais e pensa que é famoso. Até que começa a descobrir a falsidade de tudo, passa por vários problemas e chega mesmo a trocar de lugar com um macaco no zoológico.
The Girl and the General
Screenplay
A young woman and a soldier team up to deliver an Austrian General to Italian forces during World War I. Their quest for the 1,000 Lire reward changes their lives unexpectedly.
Adultery Italian Style
Screenplay
To get her husband more interested in her, the wife invents a lover. The husband will collect every hint trying to figure out who is the lover.
Corrida!
Director
Ai poeti non si spara
Screenplay
A machine that creates poetry causes problems.
Women and Soldiers
Writer
Donne e soldati was an example of a ‘decentralised’ production, far from Rome, something that for the most part Italian cinema didn’t fully succeed in achieving until the 1990s. . In many ways the film, which is both Picaresque and anti-heroic, was too far ahead of its time, and it is often considered the precursor to Monicelli’s L’armata brancaleone. This time out, Ferreri takes the reins as producer of the ill-fated undertaking (the two directors will never make another film); however, Donne e soldati, apart from marking Ferreri’s estrangement from Italian cinema for a number of years, today appears to display earthy and carnivalesque elements that will subsequently influence certain aspects of the Milanese director’s vision.
Women and Soldiers
Director
Donne e soldati was an example of a ‘decentralised’ production, far from Rome, something that for the most part Italian cinema didn’t fully succeed in achieving until the 1990s. . In many ways the film, which is both Picaresque and anti-heroic, was too far ahead of its time, and it is often considered the precursor to Monicelli’s L’armata brancaleone. This time out, Ferreri takes the reins as producer of the ill-fated undertaking (the two directors will never make another film); however, Donne e soldati, apart from marking Ferreri’s estrangement from Italian cinema for a number of years, today appears to display earthy and carnivalesque elements that will subsequently influence certain aspects of the Milanese director’s vision.
The Boarder
Screenplay
A prostitute goes on vacation to a beach resort with her young daughter (who's being schooled by nuns). Everything is cheerful and pleasant at the seashore; the customers at the hotel think she's a poor widow - she always wears black - and treat her like a lady. But when one of her former clients arrives, her carefree days on the beach are numbered.
Di qua, di là del Piave
Screenplay
Amores na Cidade
Screenplay
Six separate episodes exploring themes of love, sex and romance in the Italian capital. "Paid Love" offers a glimpse into prostitution; "Attempted Suicide" features would-be suicides discussing their despair; "Paradise for Three Hours" depicts an evening at a provincial dance hall; "Marriage Agency" follows an investigative reporter posing as a husband-to-be; "Story of Caterina" tells the story of a young unwed mother forced to abandon her child; and "Italians Stare" catalogues the girl-watching techniques of Italian men.
She Wolf
Screenplay
A woman in her thirties is a single mother of a teenager daughter, and both are in love with the same young soldier. Mother sacrifices herself for Maricchia's marriage, but ultimately falls to her own passion, leading to family disruption.
The Overcoat
Second Assistant Director
Based on the Nikolai Gogol story but set in 1950s Italy, "The Overcoat" is the story of a poor city hall clerk whose only desire is to buy a new overcoat.
The Overcoat
Screenplay
Based on the Nikolai Gogol story but set in 1950s Italy, "The Overcoat" is the story of a poor city hall clerk whose only desire is to buy a new overcoat.