Soemardjono

Directed by Sjuman Djaya.

About a teacher who tries to bring change to a backward village and is resented for his efforts.

Parodying the TV police character Kojak, Leman, identifies himself with Kojak by his hat and lollipop, firmly stuck in his cheeks. He tries to help a woman by picking up a package that falls from her bag, and the package is filled with flour that he thinks is morphine. The woman turns out to be a flirtatious widow who wants to become a photo model. All the stories in the film are spoofs, and the suspected bandits reveal themselves as filmmakers.

A little boy is told the tale about the development of Jakarta, when a village was divided into two, and causing the people to oppose each other. On one side, there is Anton while the other side is lead by Mahmud. Maulana, the village boy whom Anton has adopted, falls in love with Laila, the sister of Mahmud. This love affair irritates Majid, Mahmud’s right-hand man, because he has loves Laila, long before her meeting with Maulana. Maulana and Laila refuse to take sides between the two opposing sides, and try to reconcile them. But a battle is inevitable. In the end, Mahmud kills Anton; but Mahmud dies at the hand of Maulana, his future brother-in-law. Then Maulana runs to Laila’s house and confesses. Laila forgives him, but Majid cannot. He orders a boy to steal the gun of Sabeni, an informant, and he shoots Maulana with it. While the intention was to make this film a musical, it didn’t work as the “realistic world” and the “musical world” could not blend fully.

Adapted from Achdiat Kartamihardja's novel of the same name. It follows a young Muslim man named Hasan who, through his interactions with others, loses his faith.

Irma a.k.a Ananda must struggle through the obstacle of her life for which she might or might not earns something better for her life.

Partoyo, a big-time businessman, abandons his family because of work. A sociopolitical snapshot of Jakarta in the changing governance.

Anwar returns to his village and actively preaches about going on the holy pilgrimage. Kyai Anwar sees him as a rival and calls Anwar a fake clerk and won’t allow his daughter, Rokayah, to have a relationship with Anwar. His hidden agenda is his fear about losing his broker business that holds most of the villager’s money, planning to go on the pilgrimage. This challenge is faced and solved by Anwar.

After hearing the mandate of independence leader and Indonesia’s first president, Sukarno, Suromo an author, finds an art form to express the people’s hardship. Together with Rutaf, a failed painter and Kadjiman, a film director, these artists meet a combatant who works at the National Trade Bank. Interested in the arts, he helps to promote their activities.

During the revolution, Japan is defeated but has yet to surrender so a 14-year-old boy insists on joining the army, to avenge his father, who is incarcerated in Nusa Kambangan for murder. His actions are brave yet extreme in every way. Recognising this, the commander promotes the boy to section head, even though all his men are older than he is. He takes the most dangerous missions and as a result, one of his men dies. The late man’s girlfriend then volunteers, and is also killed, after being just as reckless as the boy.

Revolves around a conflict between two step -siblings Omar and Salim. Salim who lives in the village works on a rubber plantation inherited by their father. While Omar is in the city depending on the money sent by Salim to finance his extravagant lifestyle.

Follows a young woman who is kidnapped by a group of bandits, only to fall in love with their leader.

This is the heroic story of Mochamad Toha, who successfully blew up a Dutch ammunition depot in Bandung and ruined their defences. Set in Bandung at the time of transition, between the departing Japanese and the incoming Dutch (who are supported by the British), Indonesians had to fight for their independence. Toha emerged as a leader of the common people, who saw injustice and oppression, and who sacrificed himself by blowing up the ammunition depot.

Devoted to the heroes who fought for their homeland’s freedom in the 1947 Indonesian war of liberation.

An Indonesian musical that comedically depicts of complex coming of age problems within a girl's dormitory, lead by Mrs. Siti.

Suro becomes obsessed with Ujung as a tool to take power over the village. His ambition stumbles when his daughter, Marni, falls in love with Kasan, an ordinary peasant from the same village.

Armansyah Perkasa Alam, a rising movie and radio star, receives a lot of fan letters that he uses to indulge his playboy behaviour. His friend, Trisno, keeps cautioning him to no avail. Armansyah begins to juggle too many appointments with too many girls. Finally, all eight girls that he is trying to seduce realise his trick and they all leave Armansyah.

Three sisters—Nunung (Chitra Dewi), Nana (Mieke Wijaya) and Nenny (Indriati Iskak)—are being raised by their grandmother (Fifi Young) in Jakarta after their mother's death. Though the sisters' father Sukandar (Hassan Sanusi (id)) lives with them, he is too involved in his own work to pay them heed. While the sisters are out with Nana's boyfriend Herman (Bambang Irawan), their grandmother tells Sukandar than she will not live to see Nunung, already aged 29, marry. He agrees to invite his colleagues to the house. When they come several days later, Nunung impresses all present with her piano-playing and singing. However, the men are all too old, and Nunung's grandmother insists that Sukandar find a younger man. Nenny, overhearing the conversation, suggests that they hold a party; this too is a failure, as Nunung takes no interest in the festivities.

Husin bin Said (Udjang) suddenly got the inspiration to become a shaman. He put up a nameplate. So in droves of people came asking for help: people who intend to become cultural attaches, members of parliament, wives of officials whose husbands are dating again, producers, aspiring film stars, etc. For some reason, film producer Henry Bross (S. Bono) and aspiring film star Mimi (Diana Subroto) have succeeded in making Husin try their best to help carry out their intention. This story is also the main pillar of the film, besides being an opportunity for the director to mock the world of film. Moreover, then came Husin's friend, Pedro (Rd. Ismail), an old and unused performer who still had illusions about his triumph as an actor. Husin's house is next door to the family of Jaka Prawira-Mariam (R. Sukarno, Tina Melinda). To this house came their in-laws, RA Berlian (Edifah Hanoem), a controlling noble.

An impending visit from a VIP causes chaos and confusion in the small, isolated village of Sukaslamet. Things take a hilarious turn when the herbal medicine seller is mistaken for the exalted guest and is accorded a ceremonial welcome in the most elaborate Javanese style.

A hero of revolution returns to civilian life to find the new society very different from the ideals he fought for.

During the time of the confrontation, a group of young men led by Harun broke through the barricades of the Dutch navy patrol and landed at Mentawai Island. Their special mission is to detain Kafedo who is accused of collaborating with the enemy. Both men are romantically involved with Hiya. When the Dutch troops land on the island, Kafedo bravely demonstrates his love for the nation. So in the end, Harun allows Kafedo to marry Hiya.

During the revolution, Jaka takes refuge and entrusts his house to Husin. Husin then rents the house to someone else and Maryam has to face this bitter fact. She is visited by Danu and his wife Ratih, whom Danu likes to spoil, using state funds. He is arrested when his baby’s shower party is being held. Out of shock, his pregnant wife prematurely delivers the baby and loses a lot of blood. While the others are busy panicking, the cool and composed Ridwan donates his blood. This act of compassion attracts Ros’s attention and she falls in love with him.

Set in the 1930s, and narrated like a ballad from the past, "The Tiger from Tjampa" tells of how a young man, Lukman, seeks to avenge his father’s murder by learning pencak silat, a traditional form of self defence, based on the movements of animals.

Iskandar is a talented clarinet player who trains under an old musician named Sobari. He also has moral support from his girlfriend. But when he becomes successful, he forgets about Sobari, his friends and his girlfriend. Only when his career crumbles does Iskandar remember again his girlfriend and friends.

An unexpected encounter between an estranged father with his former family that he had left for another woman.