Carl Gregory

Conforme descrito na revista de cinema Exhibitors Herald, a pequena Marie Farrell (Axzelle), devido ao descuido de sua enfermeira, está perdida e acredita-se que se afogou. Ela vagou no navio do contrabandista Capitão Flagg (Brandt), que a encontra e a criou como sua. The Gulf Between é uma comédia dramática americana de 1917 que foi o primeiro filme feito em Technicolor.

Zudora, not knowing she's an heiress to a $20 million fortune, lives with her uncle, a mystic and detective, who covets her inheritance. She wants to marry John Storm but her uncle is against it. However, the uncle makes a bargain; if Zudora can solve the next twenty mysteries brought to him, she can marry as she chooses. Episodes 1,2 and 8, plus another unidentified chapter, survive. The rest is believed to be lost.

A rather complex interweaving of romance and crime is squeezed into one reel. A "respectable" couple of city "card sharpers" invite a distant country relative to visit, then use her as a pretty, unwitting decoy to lure rich victims. They flee town a step ahead of the law. At a resort, the innocent girl falls in love with the latest victim, but they help expose and apprehend the guilty parties.

Helen Gray, the daughter of a hard working carpenter, receives the attention of her employer, much against her father's will. On her birthday, Mr. Adams invites her to dine with him and presents her with a handsome bracelet. That night, on Helen's return home, at twelve o'clock, her father, who has waited up for her, upbraids her.

Directed by Carl Gregory.

An Immigrant has come to the United States and is sponsored by a relative. He takes him to find employment and show him how the American work is protected by showing different types of safety equipment.

Documentary footage showing the alligator in several stages of growth, from babyhood to a ripe old age; a film taken at an alligator farm in California. In early 1913 as Thanhouser staff and crews were setting up a facility in Los Angeles, cameraman Carl Louis Gregory was taking documentary footage, from which four “split reel” short subjects were created: A MILLION BIRDS, filmed at California pigeon and ostrich farms; LOS ANGELES THE BEAUTIFUL (two different version with the same title), showing scenic attractions; and SEVEN AGES OF AN ALLIGATOR, filmed at an alligator farm. Released together, HIS UNCLE'S WIVES and SEVEN AGES OF AN ALLIGATOR filled up one 1,000-foot “split reel.” (Fandor)

Her parents were humble peasants, and were fond of her when she was a baby, for they believed she would grow up to be a beautiful woman and make a good match. The trouble was that she didn't grow up. When she was nineteen she was no bigger than a child of six. Naturally they were overjoyed when an offer for their daughter's hand was made by another midget who lived in the same village. To their astonishment and anger, the girl refused to entertain it, declaring the husband she chose would have to be a man of whom she could be proud. Her home life was most unhappy after that, and the entire family rejoiced when a showman from the United States arrived and offered what seemed big money if she would join his "Congress of Freaks," which was quite an institution in America. And the girl went gladly.

Ellida was the daughter of a lighthouse keeper, and spent many hours near the water's edge. While she was still scarcely more than a child, one of these ships put in for repairs at a fishing village near the lighthouse, and its second officer, while on a day's outing to kill time, visited the lighthouse. He there met Ellida, whose youth and beauty he admired. While his ship was still undergoing repairs, the second officer quarreled with his captain, and a fight ensued in which the captain was killed. The guilty man escaped from the ship, and making his way to the lighthouse, forced Ellida to assist in his flight.

One of the first, of not the first, film adaptation of Grimm's fairytale.