Alfredo Gurrola

Conviced that the aliens have taken over the Earth, Andres locks his family under the basement.

This documentary begins searching for the whereabouts of the films that Servando Gonzalez did about the events of October 2nd 1968 in Tlatelolco, research that later will deal with the fire of March 24th 1982 at the National Film Archives, which destroyed a lot of important part of the footage from Mexico.

Uma história de amor transformou-se em assassinato contra o pano de fundo do massacre estudantil de 1968 cujo status não resolvido é finalmente resolvido em tensas condições de ameaça à vida. A história de um jornalista teimoso que empreende o esclarecimento e a apresentação à justiça do hediondo assassinato de um estudante quarenta anos depois representa um esforço dedicado para forçar um país a se reconciliar e encerrar eventos sociais e políticos trágicos na história de um país. Uma nação não pode permitir encobrimentos oficiais que procurem apagar e apagar os eventos da memória coletiva que impedem a marcha de uma nação em direção à justiça social

Uma história de amor transformou-se em assassinato contra o pano de fundo do massacre estudantil de 1968 cujo status não resolvido é finalmente resolvido em tensas condições de ameaça à vida. A história de um jornalista teimoso que empreende o esclarecimento e a apresentação à justiça do hediondo assassinato de um estudante quarenta anos depois representa um esforço dedicado para forçar um país a se reconciliar e encerrar eventos sociais e políticos trágicos na história de um país. Uma nação não pode permitir encobrimentos oficiais que procurem apagar e apagar os eventos da memória coletiva que impedem a marcha de uma nação em direção à justiça social

Wandering gunslinger trains peaceable farmers to defend themselves for an impending range war.

Four different director contribute a segment to this horror anthology.

Strange things are happening in the carriers' guild: a madman has sown death and paranoia among the truck drivers, and Mario hasn't been himself lately: he's excessively serious and he no longer has a sense of humor. In the midst of the collective hysteria, Fernando begins to doubt his brother Mario, and the fear and the murders continue until there is an attempted rape. Mario also has his doubts about Fernando, and a detective embarks on the investigation with a team of agents disguised as truck drivers to find the real culprit, with results that range from the obvious to the unintentionally humorous.

Five men escape from prison to get revenge on the accomplices who set them up for arrest.

José José was born in a Mexican family of talented musicians. His father was an alcoholic operatic tenor and his mother was a pianist. Growing up in the tough neighborhoods of Mexico City, José began his career as a singer in serenades, and later in a jazz trio. His father died and his career took off due to his enormous talent. José started a relationship with Anel (Bach), a beautiful young actress, but because of his alcoholism and infidelities, she leaves him. José marries Kiki Herrera (Gina Romand), a beautiful socialite twenty years older than he is. After several fights and irreconcilable differences, José leaves her. After suffering a terrible pneumonia that nearly ended his career, Anel returns to be by his side and he recovers. After a couple of years without success, José signed a contract with a major record label and returns to the pinnacle of success to stay there for the rest of his career.

Career criminal is busted out of jail by shadowy figures who want to hire him to help them pull jobs.

Industrial spies are holed up in a safe-house after killing a half-dozen people to steal some data. On their way to the private airfield where their handlers are waiting to extract them, they run afoul of a small-town wedding. Unfortunately, it's the wedding of the town's chief of police.

Mario Balbuena, a honest cop, becomes the victim of an ambush by drug dealers and dirty cops, after that, he recruits a group of sleazy criminals in order to strike his revenge.

Bad guys blackmail some ex-commando veterans into stealing a racehorse.

That cartel guy wants to buy the Terraza family's ranch, but they don't want to sell. Can they hold out till their tough-guy older brother comes home to take charge of this situation?

This is a story of revenge, as detective Shayne's own clients sabotage his actions, and leave him blind in one eye. The cases then become personal and Shayne vows to destroy the guilty.

A private detective starts a game of cat and mouse with a psychopath who strangles women who leaves messages on the bodies of his victims.

General Argumedo refuses to disband his troops at the end of the Mexican Revolution because he doesn't trust the new regime.

Political intrigue drama which aired dimly, some of the most common vices Latin American government systems, at least hypothetically and not still be scenarios. Its characters have the dictator whose intentions are to inherit the power to his son, little interest in the issue. In a moment in which he is forced to decide who will succeed him, other characters see the opportunity to replace him in the supreme command of this country without a name.

Roving gambler teams up with a small-town priest to break the bank at a local casino that's sucking the townspeople dry.

Romantic triangle on the hacienda. Ends badly for all concerned.

"Nuestro Juramento" is the life of the singer, Julio Jaramillo, presented episodically, having as background his childhood, youth, his first loves, the apotheosis of his career and his dramatic end. The musicalization of the film has the singles taken from the singer's original recordings.

After being unjustly accused of corruption and seriously injured in prison, Miguel's personality will merge with the characters he reads in his police novels.

Documentary showing the efforts to bring cinema to marginalized communities in Mexico.

An unnamed man goes to a hotel to commit suicide with pills while listening to songs by Marlene Dietrich. But that act that seems to trigger the mere memory of places and experiences before dying, suddenly merges with other characters and dramatic experiences, which give life to a limit work, of desperate, almost intolerable courage, obstinate in dismantling all institutional discourses of the history of Mexico, without ceasing to use extraordinarily all possible cinematographic resources.

A young woman of wealthy class rejects the world that surrounds her and dies, but in her wake a shaman resuscitates her. She is dedicated to transgressing all the rules of her society. In the end a strange character offers him a flower and they both love each other.

A young woman of wealthy class rejects the world that surrounds her and dies, but in her wake a shaman resuscitates her. She is dedicated to transgressing all the rules of her society. In the end a strange character offers him a flower and they both love each other.

La segunda primera matriz (The second first womb) told visually and poetically a story about humanity, from its origin to the Space Race, as a new frontier. In a first section, amongst shots of clouds, swirls and darkness, it referred to the origin of life. (...) After the launch of a rocket and images about exploring space, the film shows a woman naked in the country. The camera makes a slow tilt down of her body. When passing by the pubis, the camera follows a drop of blood that slides by the leg. When it reaches the floor, a parade of miniature war tanks appear, red, like the ones previously shown. The film ends with a sign that says 'But you can also give birth to nothing'.