Jackie Raynal
Nascimento : 1940-10-20, Poilhes, France
História
Jacky Raynal is French directress, actress and film editor. She's born in 1940 near Montpellier. The film maker has a diploma in Linguistics. In the early 60's, already a photographer, young Jacky Raynal starts working in the field of cinema. She's assistent film editor for the documentarys of G. Patriss and F. Vienne. After that, she edits the first films of E. Rohmer. In 1965 J. Raynal gets the license of senior film editor for feature films in CNC (National Cinema Center). Now she's working with the film directors of the New Wave. She edits all of the skecthes of Six in Paris, directed by Jean Douchet, Jean Rouch, Jean-Daniel Pollet, Eric Rohmer, Jean-Luc Godard and Claude Chabrol. Jacky Raynal continues to work in editing till the end of 70's.
In 1968, with S. Boissonas and O. Mosset, she's the founder of the Zanzibar group. She works with Philippe Garrel, Serge Bard, Daniel Pommereulle, Alain Jouffroy and Patrick Deval. J. Raynal shoots her first feature film Two Times in Barcelona. In 1972, the movie wins the Grand Prix in the Festival of Hyères/Toulon. At that time she's already living in New York. There, between 1975 and 1992, she's responsible for the programs of Carnegie Hall Cinema and Bleeker Street Cinema. She shows there numerous independent international films. Her job in New York is appreciated by F. Truffaut (he compares it with the French Cinematheque) and awarded twice by the Village Voice in 1981 and 1991.
J. Raynal directs New York Story (Grand Prix in Melbourne) and Hotel New York. In the same time, she plays in several movies, organises numerous international cinema festivals, like Colombian Film Festival, Israel Film Festival or Avignon Film Festival. From 1973 to 1986, with Sid Geffen, they're publishing the independent international cinema review 1000 Eyes Magazine.
From 2000, Jacky Raynal directs numerous documentarys, like Notes on Jonas Mekas (2000) or Eric Rohmer, the Film Maker (2010).
In 2010, Jacky Raynal is rewarded for her work in arts the Légion d'Honneur (Knight in the Order Arts and Letters).
Herself
Documentary on director Jean-Denis Bonan
Herself
In a black bath, Jackie Raynal introduce her film Deux Fois to Metrograph in NYC.
Director
In a black bath, Jackie Raynal introduce her film Deux Fois to Metrograph in NYC.
A storm breaks out in a high mountain village. Thirty-year-old Maude then discovers a mysterious bird, which will inevitably lead her to a witch's abode.
Editor
She had been a director. He had been a film critic. Lockdowned in their flat, rue des chaufourniers, he begins to carry out household chores, which she would take charge of criticizing.
Director
She had been a director. He had been a film critic. Lockdowned in their flat, rue des chaufourniers, he begins to carry out household chores, which she would take charge of criticizing.
She had been a director. He had been a film critic. Lockdowned in their flat, rue des chaufourniers, he begins to carry out household chores, which she would take charge of criticizing.
Fall into the world of Felix Kubin's experimentation and creation of music sound and his mastering of his instrument of predilection, the KORG MS20. A portrait of a great artist who never stops living with music in his head.
A “Cinéma, de notre temps” series episode directed by french filmmaker Jackie Raynal, originally aired 29 May 2016.
Director
A “Cinéma, de notre temps” series episode directed by french filmmaker Jackie Raynal, originally aired 29 May 2016.
Esther Pardon
Thirty years old, a nothing job, a timid love affair: Rémi is a little at sea in his life. Until the day when he must share it with his double, another him, invasive and not so nice. Which one will be the true Rémi?
Dinner Guest
Mr. Devereaux (Gerard Depardieu) é um poderoso agente da economia mundial e a mesma gana que tem para somar dinheiro, tem para os prazeres da carne. Seu apetite sexual incontrolável o coloca frequentemente em apuros e ele vê sua carreira ruir de vez após um escândalo que vira manchete nos principais jornais do planeta. Com o apoio incondicional da esposa (Jacqueline Bisset), ele busca uma maneira de recuperar sua honra.
Editor
Experimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up as part of the experimental film community.
A young woman's body becomes the medium for the viewer’s projections of the stories and biographies that are imagined about her.
Director
A tribute to Raynal’s parents, who were Resistance fighters and communists in the South of France during World War II. The interviews with those who worked together to save the persecuted are unmistakably moving, at once intimate and sprawling.
Director
A documentary by Jackie Raynal about the artistic movement Zanzibar.
Editor
directed by Jackie Reynal, from 2003
Cinematography
directed by Jackie Reynal, from 2003
Director
directed by Jackie Reynal, from 2003
Director
“My purpose in filming NOTES ON JONAS was not to make a portrait per se. As a film editor, I was mainly curious to know about his editing technique. When I tried to get an interview, Jonas played his accordion, his tuba, his harmonica… He even organized a jam session in the basement of AFA. I wondered: ‘Is Jonas too shy to let himself be interviewed by a woman?’ Enlisting a cameraman to shoot the film instead of me did the trick. Jonas invited us to his loft on Broadway and to his editing room. How happy I was to be watching as he gave me a long master class.” –Jackie Raynal
Herself
30 years after their artistic revolution, members of the Zanzibar group meet in 1999 in Saint-Sulpice Square in Paris (France) in front of Gérard Courant's camera.
French Intellectual
A Manhattan professor's (William Raymond, Larry Loonin) unseen artist wife mocks his pitiful existence.
Femme Fatale
An ode to musicals past. Handsome men spend their time in a beautiful manor.
Loulou
A comedy about New York and its eccentric inhabitants. A french filmmaker comes to New york to show her film at MOMA. Fascinated by the city, she decides to stay.
Writer
A comedy about New York and its eccentric inhabitants. A french filmmaker comes to New york to show her film at MOMA. Fascinated by the city, she decides to stay.
Director
A comedy about New York and its eccentric inhabitants. A french filmmaker comes to New york to show her film at MOMA. Fascinated by the city, she decides to stay.
N°110
Reel 12 of Gérard Courant's on-going Cinematon series.
Siamesischr Zwiling Leni un Bunny Jackie
FREAK ORLANDO is divided into five more-or-less distinct sections, all featuring "Freak" Orlando, a woman, played by the late Magdalena Montezuma, who appears in various guises, and deformities, throughout.
Critic Gary Indiana wrote this satire and plays Dom, a rich, naive and young homosexual who moves into his sister's apartment. He immediately becomes involved with the lives of his quirky new neighbors. Rippley (Taylor Meade) is the chatty but depressed author and talk show host. Dominatrix Mavis (Cookie Mueller) drops by to visit or ask for child sitting favors when free from the demands of her kinky clients. Jackie Curtis plays Buddie, the handsome hunk who picks up Dom in a local bar, and Geoffrey Carey is the Angel of Death who carefully watches over all activity. (IMDb)
Producer
A cineasta francesa Loulou procura trabalho como editora de filme na Broadway, mas logo conhece e se casa com o jornalista Sid. Porém, ela fica entediada rapidamente. Depois de sonhar com uma almôndega, ela confessa a Sid seu desejo de estar com outro homem. Isso o faz partir em busca de um.
Loulou
A cineasta francesa Loulou procura trabalho como editora de filme na Broadway, mas logo conhece e se casa com o jornalista Sid. Porém, ela fica entediada rapidamente. Depois de sonhar com uma almôndega, ela confessa a Sid seu desejo de estar com outro homem. Isso o faz partir em busca de um.
Director
A cineasta francesa Loulou procura trabalho como editora de filme na Broadway, mas logo conhece e se casa com o jornalista Sid. Porém, ela fica entediada rapidamente. Depois de sonhar com uma almôndega, ela confessa a Sid seu desejo de estar com outro homem. Isso o faz partir em busca de um.
N°110 / N°2929
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
Editor
The Continental Baths, a favorite hangout of New York homosexuals, provides the background of this socially conscious comedy drama that tries to examine the relationships between gay and heterosexual people. The story centers around a macho, heterosexual piano player who gets a job at the notorious nightclub and must therefore reconsider his attitudes. His girl friend helps him too. In the end, he winds up becoming sure of his sexuality when he tries to sleep with a gay man.
Editor
An indictment of the Greek military junta of 1967–1974. The film tries to give a reconstruction of the events during the students' uprising in the Athens Polytechnic (November 1973) by documents, rehearsals, interviews, songs and poems.
Sterling Hayden's Wife
This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...
Editor
Hippie
La femme torturée
A genuine performance film as Bernadette Laffont and Bulle Ogier engage, with reckless abandon, in a flurry of senseless destruction in a house at night. Somewhere between a hallucination and a nightmare. Both the explosive soundtrack and narration that accompanies the mayhem was provided by François Tusques.
Editor
Detruisez-vous is a ‘primitive’ film which breaks all the rules of film-making. It’s the first Zanzibar film (and predates the very naming of the movement), an attempt to make a film which defies the rules of production, the production line of commerce
Writer
Twice is a 1968 experimental film by Jackie Raynal. Raynal stars in the film, her first as a director; she had previously worked for several years as a film editor, most notably for films in Éric Rohmer's "Six Moral Tales" series (she was, reportedly, the youngest professional editor in France at the time). The film's title, which literally translates as Twice and is sometimes translated into English as Twice Upon a Time, refers to the occasional repetition of scenes or actions.
Twice is a 1968 experimental film by Jackie Raynal. Raynal stars in the film, her first as a director; she had previously worked for several years as a film editor, most notably for films in Éric Rohmer's "Six Moral Tales" series (she was, reportedly, the youngest professional editor in France at the time). The film's title, which literally translates as Twice and is sometimes translated into English as Twice Upon a Time, refers to the occasional repetition of scenes or actions.
Director
Twice is a 1968 experimental film by Jackie Raynal. Raynal stars in the film, her first as a director; she had previously worked for several years as a film editor, most notably for films in Éric Rohmer's "Six Moral Tales" series (she was, reportedly, the youngest professional editor in France at the time). The film's title, which literally translates as Twice and is sometimes translated into English as Twice Upon a Time, refers to the occasional repetition of scenes or actions.
Editor
An experimental arrangement of austerely executed but intensely hallucinatory episodes that build into a nightmarish fever of isolation and hopelessness.
An experimental arrangement of austerely executed but intensely hallucinatory episodes that build into a nightmarish fever of isolation and hopelessness.
Editor
La Concentration features an androgynous young man (Jean-Pierre Léaud) and woman (Zouzou), dressed only in their underwear, locked in a room with a bed.
Director
A series of 41 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.
Angèle
Paris, in the 1960s. A series of crimes troubles the public tranquility. On March, 22, 1968, Hélène Picard, a prostitute sentenced to death two years before for several murders, is killed by executioner Louis Guilbeau. Immediately, the violent crimes, similar to Hélène’s ones, go on again. In parallel, Louis is having an affair with the police woman in charge of the investigation… What are the obscure relations hidden behind the executioner and the mysterious killer? Who is this dark man in reality?
Jackie Raynal and Tina Aumont in Central Park. Seen from an apartment, from a car, Nico at the window above Tina Aumont. Jackie Raynal, pregnant, gets dressed in an apartment, Tina reads lying down. Walking in the streets of NYC at dusk.
Assistant Director
Music
Deval shot “Héraclite l’obscur” in Tunisia in 1967, with his then-girlfriend and editor Jackie Raynal, in 35 mm and in color. He was the first Zanzibar member to shoot a film not only outside of Paris but also in an exotic location. “Héraclite l’obscur” is described by its author as a “philosophical peplum”. – spectacle theater
Editor
Deval shot “Héraclite l’obscur” in Tunisia in 1967, with his then-girlfriend and editor Jackie Raynal, in 35 mm and in color. He was the first Zanzibar member to shoot a film not only outside of Paris but also in an exotic location. “Héraclite l’obscur” is described by its author as a “philosophical peplum”. – spectacle theater
No primeiro filme a cores de Rohmer, um pretensioso comerciante de arte mulherengo e seu amigo pintor vão para uma vila na Riviera para relaxar durante o verão. Porém, seu idílio é perturbado pela presença da boêmia Haydée, acusada de ser uma “colecionadora” de homens.
Editor
No primeiro filme a cores de Rohmer, um pretensioso comerciante de arte mulherengo e seu amigo pintor vão para uma vila na Riviera para relaxar durante o verão. Porém, seu idílio é perturbado pela presença da boêmia Haydée, acusada de ser uma “colecionadora” de homens.
Editor
This spectacular opera film was taped in 1967 and is based on the 1966 Salzburg Festival production directed by Herbert von Karajan himself, who also conducts the fabulous Vienna Philharmonic Orchestra. The production features the three greatest exponents of their respective roles at the time: Grace Bumbry’s magnificently seductive-toned Carmen, Mirella Freni’s ineffably lovely, touching Micaëla and Jon Vickers’s thrillingly manic-depressive Don José. On its release the film was hailed by Die Presse, (Vienna) as a “unique artistic event”, while Le Monde felt that Karajan’s production brought “a whole new dimension” to the opera, “combined with a magisterial interpretation”. A classical and utterly dramatic approach to probably the world's most beloved opera – Karajan’s Carmen is as much a delicacy for opera fans as it is a perfect starter for newcomers.
Editor
Mulheres com pastas e livros nas mãos passam com pressa. O filme acompanha jovens estudantes no auditório, no laboratório e, à noite, de volta para seus maridos e filhos em casa. O que uma vez era considerado excepcional agora se tornou muito comum.
Editor
Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.
Editor
A drama directed by José Bénazéraf.
Editor
Instalada na cidade universitária, a jovem Nadja frequenta Sorbonne. Enquanto prepara uma tese sobre o escritor Marcel Proust, ela caminha pela cidade e apresenta suas impressões.
Editor
Cenas filmadas em vários países do Mediterrâneo, com assuntos variados, são exibidas diversas vezes durante o filme, sempre separadas e com diferentes durações. As imagens são acompanhadas por um texto de Phillippe Sollers e trilha sonora de Antoine Duhamel.
Editor
No segundo Conto Moral de Rohmer, Bertrand dá tempo ao tempo em uma amizade hostil e invejosa com o seu colega Guillaume. Mas quando o mulherengo Guillaume parece estar interessado na energética e independente Suzane, Bertrand observa amargamente com desagrado e ciúmes.
Editor
Paris. Um jovem estudante sente-se atraído por uma garota que vê todos os dias na rua, apesar de jamais ter falado com ela. Quando ele enfim toma coragem de se aproximar, a garota desaparece. Durante várias manhãs ele faz plantão no local, na esperança de vê-la novamente. Enquanto espera ele passa a frequentar uma padaria, onde acaba conhecendo uma jovem atendente.
Editor
The choreographer Merce Cunningham working with the musician John Cage and the painter Robert Rauschenberg.
Director
The choreographer Merce Cunningham working with the musician John Cage and the painter Robert Rauschenberg.
Small performance with Jackie Raynal and Marie Losier. Simply set up by Marie in an empty New York gallery, which she packed with props and shooting devices, with the idea to invite friends of her to come and shoot short films together. Good times with Jackie, trying to fold a green screen which in the end was never fold but instead allowed us to create a whole new choregraphy.
