William Dickerson
História
William Dickerson is an American filmmaker and author.
Novel
Thomas Harrison is determined to start his own alternative band after the suicide of Kurt Cobain—it's an obsession that blinds him to what's either the mental collapse, or the eruption of musical genius, of his little sister, Bridget. Bridget boldly rejects her brother's music, and the music of an entire generation of slackers, by taking on the persona of a gangsta' rapper.
Writer
Thomas Harrison is determined to start his own alternative band after the suicide of Kurt Cobain—it's an obsession that blinds him to what's either the mental collapse, or the eruption of musical genius, of his little sister, Bridget. Bridget boldly rejects her brother's music, and the music of an entire generation of slackers, by taking on the persona of a gangsta' rapper.
Director
Thomas Harrison is determined to start his own alternative band after the suicide of Kurt Cobain—it's an obsession that blinds him to what's either the mental collapse, or the eruption of musical genius, of his little sister, Bridget. Bridget boldly rejects her brother's music, and the music of an entire generation of slackers, by taking on the persona of a gangsta' rapper.
Screenplay
A troubled young woman inherits a cabin filled with memories, but revealed secrets of the past ruin her hopes of a fresh start.
Director
A troubled young woman inherits a cabin filled with memories, but revealed secrets of the past ruin her hopes of a fresh start.
Producer
Who is Taylor? That is the question filmmaker William Dickerson tries to answer in this metafictional satire about a quirky and charismatic lifestreamer. "Taylor" is an open book who magnetically draws others into his world where public and private are one and the same. But as Dickerson pushes Taylor to delve deeper into his traumatic past, the story takes an unexpectedly dangerous turn.
Writer
Who is Taylor? That is the question filmmaker William Dickerson tries to answer in this metafictional satire about a quirky and charismatic lifestreamer. "Taylor" is an open book who magnetically draws others into his world where public and private are one and the same. But as Dickerson pushes Taylor to delve deeper into his traumatic past, the story takes an unexpectedly dangerous turn.
Director
Who is Taylor? That is the question filmmaker William Dickerson tries to answer in this metafictional satire about a quirky and charismatic lifestreamer. "Taylor" is an open book who magnetically draws others into his world where public and private are one and the same. But as Dickerson pushes Taylor to delve deeper into his traumatic past, the story takes an unexpectedly dangerous turn.
William Dickerson
Who is Taylor? That is the question filmmaker William Dickerson tries to answer in this metafictional satire about a quirky and charismatic lifestreamer. "Taylor" is an open book who magnetically draws others into his world where public and private are one and the same. But as Dickerson pushes Taylor to delve deeper into his traumatic past, the story takes an unexpectedly dangerous turn.
Writer
Ao retornar para Los Angeles em um reboque através do deserto, o motorista Neil convence seus amigos Tara, harmonia, Loopz, Michelle, Lee e Cashie de fazer um desvio para uma mina isolado onde poderia ter uma plantação de peyote. O proprietário de um posto de gasolina aconselha o grupo a não ir para o lugar, mas o Neil teimoso não prestar atenção às suas palavras. Durante a condução em uma estrada secundária, Neil vê uma menina e destrói o carro em uma rocha. Ele decide voltar a pé para a estação de gás para chamar um caminhão de reboque, enquanto Michelle e Lee subir um morro tentando conseguir sinal para seus telefones celulares. Quanto mais cedo os adolescentes acham que eles estão sob o cerco de um grupo de canibais deformadas sádicos e eles têm que lutar para sobreviver.
Director
Ao retornar para Los Angeles em um reboque através do deserto, o motorista Neil convence seus amigos Tara, harmonia, Loopz, Michelle, Lee e Cashie de fazer um desvio para uma mina isolado onde poderia ter uma plantação de peyote. O proprietário de um posto de gasolina aconselha o grupo a não ir para o lugar, mas o Neil teimoso não prestar atenção às suas palavras. Durante a condução em uma estrada secundária, Neil vê uma menina e destrói o carro em uma rocha. Ele decide voltar a pé para a estação de gás para chamar um caminhão de reboque, enquanto Michelle e Lee subir um morro tentando conseguir sinal para seus telefones celulares. Quanto mais cedo os adolescentes acham que eles estão sob o cerco de um grupo de canibais deformadas sádicos e eles têm que lutar para sobreviver.
Story
A war hero forces himself to relive the war by watching the film of his own torture.
Screenplay
A war hero forces himself to relive the war by watching the film of his own torture.
Director
A war hero forces himself to relive the war by watching the film of his own torture.
