Sara Carinhas

Filme baseado na obra de Dulce Maria Cardoso.

It is 1979. Four young ladies are hired to form a girl band. They can sing, they shine with their dancing, and they shock the country. They become a big hit. They are DOCE.

Somewhere in an unspecified time, Patrick Mendes presents an initiation ritual in a community at the ends of the earth.

Snu é dinamarquesa e a fundadora da editora D. Quixote, publicando livros que desafiam a censura do Estado Novo. Francisco é um dos mais carismáticos políticos portugueses. Ambos são casados. Ele tem cinco filhos e ela tem três. Snu Abecassis conhece Francisco Sá-Carneiro no dia 6 de Janeiro de 1976. Apaixonam-se irremediavelmente e decidem assumir esse amor num Portugal em plena reconstrução das cinzas do fascismo, abalando as convenções nacionais. Partilham valores e ambição, lutam juntos pela democracia e pela liberdade, deixando a sua marca na política e na sociedade. Morrem tragicamente em 1980, protagonizando uma das grandes histórias de amor do século XX.

Snu é dinamarquesa e a fundadora da editora D. Quixote, publicando livros que desafiam a censura do Estado Novo. Francisco é um dos mais carismáticos políticos portugueses. Ambos são casados. Ele tem cinco filhos e ela tem três. Snu Abecassis conhece Francisco Sá-Carneiro no dia 6 de Janeiro de 1976. Apaixonam-se irremediavelmente e decidem assumir esse amor num Portugal em plena reconstrução das cinzas do fascismo, abalando as convenções nacionais. Partilham valores e ambição, lutam juntos pela democracia e pela liberdade, deixando a sua marca na política e na sociedade. Morrem tragicamente em 1980, protagonizando uma das grandes histórias de amor do século XX.

Ramiro is a bookstore owner in Lisbon and a poet in perpetual creative block. He lives, somewhat frustrated, somewhat conformed, between his shop and the tavern, accompanied by his dog, his faithful drinking companions and his neighbors: a pregnant teenager and her grandmother recovering from a stroke. He would gladly continue living this quiet and somewhat anachronistic routine if events worthy of a soap opera did not invade his bubble.

We stare at mirrors as if 'image' was a weapon of self-defense. At night, I hide in actors' dressing rooms for a working class experience. By day, I face an old theatre being razed to the ground, making way for a parking lot. Graffitis have curtains, the nose cap of an umbrella arises from a mount of sand. Oh, Happy Days! No need to stage anything! The bulldozer is a dinosaur whose teeth and gracious neck swings by a EU flag. In the boxes, we await the audience. Sometimes, nobody comes. Lost in a symbolic show of reality, I can only watch the world's end because all the endangered species perform and a reflecting labyrinth of life stories breaks through the glass of the Economic Eating Machine. Even when the sky is falling, theatre will always happen. So, choose the right place.

David está numa depressão e perdeu o emprego. Joana trabalha o dia todo e trata dos filhos, Rafael e Maria, quando chega a casa. David perdeu a esperança, perdeu toda a vontade. Joana tem de aguentar, tem de ter paciência. Só que já passou algum tempo... e já começa a ser de mais.

Side Effects is the story of a woman who's not afraid to believe that happiness is not only possible but the only truth to be achieved. A woman who won't give up believing in people. A woman who will fight against all adversities in order to let others not to give up a life worth living. Nowadays, the desire for happiness is a real heroic act.

Teresa é uma actriz de telenovela. O reencontro de uma velha paixão traz-lhe memórias que ela própria julgava perdidas, levando-a a questionar não apenas a sua vida afectiva, mas também as suas opções profissionais. No estúdio onde decorrem as gravações, o labor quotidiano é pontuado pela agitação de um grupo de jovens actores. Afinal, todos perguntam: onde está a felicidade?

A photographer, Isaac is asked by hotel owners to take portraits of their recently deceased daughter Angélica. When he looks at her through the lens of his camera, she appears to come back to life just for him. He instantly falls in love with her. From that moment, he will be haunted by Angélica day and night.

Sandro Aguilar's haunting, formally ambitious debut immerses the viewer in a series of uncannily potent scenes.

What starts as an animal lab experiment leads, in the future, to the development of artificial beings capable of carrying out the most varied and complex of tasks. Before being delivered to their customers, the manufacturer develops a kind of final quality control test, supervised by a technician, where certain skills (like learning the customer’s language) are improved. This part of the process invariably occurs in a closed environment, usually a house with key characteristics of the customers home. Alpha is one of such artificial beings. He and Beta are a couple only a few weeks away from being shipped to their future owners in Japan.

Uma família proeminente e respeitada herda uma bela casa no campo e localizada no interior de uma pequena vila.

Júlia is a 16 year old teenager. A sudden emergency hospital commitment helps her realize, although reluctent, that she suffers from a serious desease: nervous anorexy. Her recovery is slow, but she can count on the support from both her friend, parents and the psychologist.