Gilles Padovani

O salão de beleza de Christine está lotado com clientes do sexo feminino: uma divorciada amarga, uma mulher religiosa, uma lunática viciada em drogas de prescrição e uma jovem noiva, entre outras. Mas o seu dia de lazer é interrompido quando tiros surgem do outro lado da rua. A família do submundo do crime roubou o leão do zoológico de Gaza e um deles decidiu que é hora de acertar velhas contas.

Melody, 28 years old, a confused child born under the name X, decides to rent out her body in order to get the money she needs to realize her dream: opening a hair-dressing salon. To do so, she accepts to carry the child of Emily, a rich English woman 48 years old who can no longer have children. To make sure everything goes well and keep an eye on her future child, Emily decides to welcome Melody into her home and stay by her side throughout the pregnancy. Although they first appear to come from completely different worlds, the two women end up adopting each other: Melody finds in Emily the mother she never had, and Emily sees in Melody the daughter she always wanted to have. Evidently, the bonds that emerge during this double maternity create all sorts of doubts and questions.

In the 1930’s, the workers of the underground, headed by brigades of writers, are in charge to write in real time "the history of the Moscow Metro". Based on their narratives, partially unpublished, the film recounts the first lines construction of the most beautifiul underground in the world, in the light of this "big literary Utopia", stoped by the purges of 1937-38.

In the 1930’s, the workers of the underground, headed by brigades of writers, are in charge to write in real time "the history of the Moscow Metro". Based on their narratives, partially unpublished, the film recounts the first lines construction of the most beautifiul underground in the world, in the light of this "big literary Utopia", stoped by the purges of 1937-38.

With her baccalauréat under her belt, Audrey decides to continue her studies at Rennes university. She leaves the family nest, her best friend since childhood, and her boyfriend. Her new roommate introduces Audrey to political activism. From disillusions to difficulties, Audrey crosses paths with the young members of GRAL, a squatter group, who propose a different way of living and offer a new vision of the world. She decides to join them, becoming increasingly radical in the process.