Marc Collin

Air, Phoenix, Superdiscount, Nouvelle Vague, Alex Gopher... What made Versailles an epicenter of the French music scene? Answers in this unclassifiable film, between fiction and documentary, by Marc Collin.

After hearing that her boyfriend lacks the courage to break up with her, plucky Elena decides she’d be less humiliated if Arturo was ensnared by a man rather than a woman.

Paris, 1978. In a male-dominated music industry, Ana uses new electronic machines to make herself heard, thus creating a new sound that is destined to mark the decades to come: the music of the future.

Paris, 1978. In a male-dominated music industry, Ana uses new electronic machines to make herself heard, thus creating a new sound that is destined to mark the decades to come: the music of the future.

Paris, 1978. In a male-dominated music industry, Ana uses new electronic machines to make herself heard, thus creating a new sound that is destined to mark the decades to come: the music of the future.

Paris, 1978. In a male-dominated music industry, Ana uses new electronic machines to make herself heard, thus creating a new sound that is destined to mark the decades to come: the music of the future.

A young man is unable to break up with his girlfriend and decides to hire an agency that specializes in ending relationships.

Lasse (Krister Henriksson) e Elizabeth (Lena Endre) estão prestes a se casar. Mia (Ruth Vega Fernandez), que é filha de Lasse, não via o pai há anos, e chega para o noivado apresentando o namorado, Tim (Joakim Nätterqvist). Esse é o contexto em que se dá o encontro entre Mia e Frida (Liv Mjönes), filha de Elizabeth e portanto, futura meia-irmã de Mia. Conforme Mia e Frida começam a se conhecer melhor, fortes emoções são despertadas entre elas e a jovem mulher comprometida se encontrará vivendo um envolvimento amoroso com a filha lésbica de sua futura madrasta.

Ulysse, a gun-toting hood, gets together a team of four people, including himself, to carry out what he thinks will be a fail-safe heist...