Jean Badin

DEEP WATER is the stunning true story of the fateful voyage of Donald Crowhurst, an amateur yachtsman who enters the most daring nautical challenge ever – the very first solo, non-stop, round-the-world boat race.

The year is 1898. Héloïse, 9 years old, comes from a family belonging to the anti-Dreyfus and anti-Semitic Parisian high bourgeoisie. In a spirit of revolt, she begins a love affair with Maxime, a young Jewish journalist. During a terrible quarrel with her father, the latter suffers a stroke and dies. To get her away from Maxime, her mother Mathilde and her cousin Olympe take Héloïse on a trip to the Orient. After Cairo and the Pyramids, they go up the Nile and cross the desert in a caravan.

Jonas (Clément Sibony), a 23-year-old dad attempts to carry out an important Jewish tradition: burying the foreskin of his newly circumcised son. The forgetful father only has a few hours to complete the task... but have a group of hit men on his trail won't help matters much.

Marcel Proust (1871-1922) is on his deathbed. Looking at photographs brings memories of his childhood, his youth, his lovers, and the way the Great War put an end to a stratum of society. His memories are in no particular order, they move back and forth in time. Marcel at various ages interacts with Odette, with the beautiful Gilberte and her doomed husband, with the pleasure-seeking Baron de Charlus, with Marcel's lover Albertine, and with others; present also in memory are Marcel's beloved mother and grandmother. It seems as if to live is to remember and to capture memories is to create a work of great art. The memories parallel the final volume of Proust's novel.

Lieutenant Hornblower and his shipmates are sent to accompany a doomed royalist invasion of revolutionary France.

René, o criminoso, é defendido por Solange, a advogada, cujo seu objectivo será demonstrar a complicada teia de relações de um jogo subtil entre a vítima e o sobrinho durante mais de dez anos. Pouco a pouco, vai descobrindo uma teoria controversa que irá ter que provar: o jovem não só terá castigado a tia devido ao interesse doentio que aquela demonstrava por ele, mas também devido à sua clara predisposição para matar. Mas, à medida que a investigação prossegue, algo inesperado acontece e vai mudar o rumo da história: o jovem começa a identificar Solange com a falecida tia, enquanto que a advogada reconhece em René a imagem do seu filho, morte num acidente de viação. O fantasma da tia Jeanne encarna Solange, dando ao jovem criminoso uma nova oportunidade. A defesa de Solange conhece um grande sucesso, pese embora a oposição da ordem dos psiquiatras: René é absolvido. Solange e seu cliente apaixonam-se e vão viver juntos.

Um homem que se divide em quatro nomes e quatro personalidades que nos coloca em quatro diferentes histórias de amor, luxúria e crime.

In Wind Water, Ruiz stages a three-way dialogue between three great cultures: the West, China and Arabia. He imagines what might occur if Shih-T’ao’s six poetic procedures for attaining the primal respiration or cosmic breath in painting were applied to one of the flagships of Western art, Velazquez’s Las Meninas. Ruiz wants the three cultures to interact and test each other like the paper, stone and scissors of the children’s game. The result is an insoluble dispute, a différend. No reconciliation or compromise is possible between these cultural outlooks.

Chile is seen through the eyes of a Chinese painter - a traditional painter who uses the concepts of XVIII century Shih-T'ao.

Em 1944, um soldado alemão e uma linda garota francesa se apaixonaram profundamente no periodo da Segunda Guerra Mundial. Quarenta anos mais tarde, Ernest Kestner, aposentado e recentemente viúvo, deixa sua casa em Nova York e retorna à França para visitar sua filha, estridente e alienada, com a esperança de encontrar o amor que ele foi forçado a deixar para trás.

This quickly-filmed avant-garde farce by prolific director Raul Ruiz features an insomniac (Michel Lonsdale) whose main preoccupation is surreptitiously watching private matters -- he is a voyeur. He and an equally disreputable acquaintance rape a woman alongside the Seine, a crime made all the worse because she is pregnant. The rest of this slow-paced film deals with the consequences of that action.

During the century of the Spanish Gold, Doña Prouhèze, wife of a nobleman, deeply loves Don Rodrigo, who is forced to leave Spain and go to America. Meanwhile Prouhèze is sent to Africa to rule the city of Mogador. Ten years later Rodrigo leaves America and travels to Africa in search of Prouhèze to find out that she died and eventually meeting her daughter.

Um marinheiro bêbado conta a odisseia surrealista da história de sua vida a um estudante assassino.

Now Titus' father has died, the new emperor will be free to marry his beloved Bérénice. Also In love with Bérénice, Titus' friend Antiochus plans to flee Rome rather than face the marriage. However, public opinion about the pairing causes Titus to choose his duty to Rome over his love for Bérénice, and he sends his love rival to tell Bérénice the news...

A parody of anthropology, linguistics, and cultural imperialism. The film follows an unlikely team of linguists into the wilds of an ersatz Patagonia to study the last speakers of a dying language. That language apparently consists of a single word, which therefore means everything.

A series of compounding dramatic situations, drawn from Georges Polti's '36 Dramatic Situations' and acted out in shadowplay and voiceover.

The young historian Elisabeth is traveling to Lyon on her own in order to explore the city tracing the life of Flora Tristan. Tristan, whose diary Elisabeth is carrying, was a 19th century socialist and feminist who influenced many contemporary activists and intellectuals yet fell into oblivion herself. Elisabeth tries to put together the clues she can find in Lyon wanting to reconstruct Tristan's life in the most sensual way.